Hiển thị các bài đăng có nhãn models. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn models. Hiển thị tất cả bài đăng

Thứ Hai, 9 tháng 2, 2009

Sustainability & Design at Davos 2009: Posters in PDF

Sustainability & Design at Davos 2009: Five Posters in A3 size in printable PDF format



Prof M P Ranjan

Image01: Views of Sustainability Design Charette at New Delhi on 15 November 2008 as part of the India Economic Summit which was organised by the World Economic Forum.


The “Sustainability for Tomorrow's Consumers: India Innovation Charette” was organised on the 15th November 2008 at New Delhi as part of the India Economic Summit 2009 under the auspices of the World Economic Forum. The Charette consisted of mixed groups of business executives, sustainability experts, social entrepreneurs, designers and design students, all working together to build on the three pillars which define the initiative were proposed by the World Economic Forum team headed by Marcello Mastioni:

A. Business Case for Sustainability,
B. Innovation for Tomorrow’s Business, and
C. Building the Framework Conditions.

The day long discussions and workshop sessions at the Design Charette at New Delhi saw six key themes emerge:
1.ENGAGE CONSUMERS: co-create and close the loop
2.Move from stuff to VALUE BUSINESS MODELS: consume right, not less
3.Embrace OPEN SOURCED innovation: leverage copy left
4.INTEGRATE to deliver innovation: collaborate along the value chain
5.REDEFINE THE CORE: meta-morph and reinvent
6.Leverage EMERGING TECHNOLOGY: put science at work

Image02: Views from the two day Visualising Sustainability Workshop conducted at NID on 26 and 27 December 2008 for a hands on session for visualising approaches to sustainability along six selected themes.


The push for the follow up meet at NID would now be to understand the ideas that will leverage these broad frameworks into the future. The aspects that currently maintain the status quo must be examined, and concepts that will bring about transformation will have to be envisioned and articulated. The broad themes have to therefore be detailed, visualised and made tangible.

In order to take these themes forward, the National Institute of Design (NID) proposed a two day workshop, ‘Visualising Sustainability for Davos 2009’ and the same was organised on the 26th and 27th of December 2008, where six multidisciplinary teams of design students, faculty, and invited experts explored these six themes, in order to create detailed concepts within each of these broad frameworks.

Image03: Selection of thumbnail sketches that could capture various themes and issues associated with sustainability visualisation as a preparation for the poster making that would follow.


The outcomes of this workshop was further developed by a core team of three faculty and five students at NID so that these could be presented at the “Sustainability for Tomorrow's Consumers” Governors Meeting Session, on the 29 January 2009. What emerged was a set of five posters that drew on the six key themes that were proposed earlier in consultation with the World Economic Forum organisers through online and telephonic discussions while the core team developed the concepts and visualised the specific themes at the NID, Ahmedabad.

Image04: Posters on five themes that were sent to Davos for the closed door meeting of CEO's that discussed various approaches and strategies for sustainability in the business world in the days ahead.Let us look forward to their proposals for all of us.


The five posters are offered here as printable A3 size PDF downloads for use in schools and business settings alike to stimulate the use of design thinking and sustainable practices in the creation and delivery of new and improved products, services and business strategies that are sustainable – both people as well as environment friendly – in both thought and action.

0. Poster introducing the set of five posters on sustaibnability and the process of making these for the World Economic Forum in Davos 2009.

1. Poster on the theme of Co-Creation for Sustaibnability: PDF file 2.9 MB

2. Poster on the theme of Dematerialisation for Sustaibnability: PDF file 2.2 MB

3. Poster on the theme of Essence Making for Sustaibnability: PDF file 3.1 MB

4. Poster on the theme of Innovating the Value Chain for Sustaibnability: PDF file 2.7 MB

5. Poster on the theme of using Emerging Technologies for Sustaibnability: PDF file 2.7 MB

6. Full set of six posters as a compact booklet in A3 size_4 MB pdf.

7. Full set of six posters as a printable booklet in A3 size_16 MB pdf.

Prof M P Ranjan

Thứ Hai, 26 tháng 1, 2009

Free Online CAD Symbols, Models and AutoCAD Blocks

There are many places available for downloading free CAD symbols and AutoCAD DWG DXF blocks from the Internet. Ready-made CAD symbols can be inserted into CAD drawings instead of creating them from scratch, therefore saving a designer time and making their job easier.

CBEN (http://www.cben.net/) home to one of the largest communities for continually updating large free AutoCAD DWG block libraries of anything from construction and architecture to vegetation, people, 3D models and more. All downloads are free. If you work a lot in AutoCAD and don't know about this site, you probably should.

Polantis has just launched a new but extensive visual website for 3D designs of mostly IKEA furniture - lots of IKEA furniture. This library already offers a good selection of their build-it-yourself virtual furnishings.


Archibase offers many free CAD models and patters, but this website seems to want users first to install a free "Archibase Toolbar" on their browser before downloading any blocks. We didn't care to, but I guess you can if you want...

Designers might also try http://cad.3dmodelfree.com. This site offers a visual library of drawings containing numerous blocks and templates for interior design, room and building drawings, furniture, shopping centers, elevation plans - even some Chinese symbols. The drawings come mostly RAR compressed, and some use passwords but the password is normally displayed on the web page for downloading that drawing as far as I can see...

Engineers looking for free 3D mechanical parts can try Dassault's http://www.3dcontentcentral.com. At first glance this site appears to go beyond offering simple CAD model downloads by trying to tie users and vendors (the model contributors) together with what appears to be an almost WEB 2.0 approach. I remember our first try with one of the listed suppliers (for a 3D stepper motor model I think) kept returning an error that the model wasn't found or couldn't be downloaded. But usually it works rather well I guess - offering all kinds of free 3D mechanical industrial vendor models in various formats like STEP IGES ACIS .SAT (for AutoCAD) and much more...

http://www.woodworkersworkshop.com/cadfiles/index.html offers a small list of free CAD libraries and links to more libraries for wood working.

Of course, there are also many downloadable CAD symbols libraries as well. progeCAD Professional design CAD includes a free library manager with about 11,000 AutoCAD blocks called ALE. CP-System takes 2D CAD blocks a step further, giving users the ability to add, insert and modify new CAD blocks parametrically.

If you have a good link to free online CAD block or model resources you would like to see added to the list, feel free to post it in the comment section below.

Chủ Nhật, 2 tháng 11, 2008

Footprints in Time: A Crafts Ecology for India

Footprints in Time: A Crafts Ecology for India

M P Ranjan: A Propsal for the IICD, Jaipur as part of their Vision & Mission explorations.

Image 1: Systems model for the proposed Crafts Ecology for India as part of the IICD, Jaipur’s Mission and Vision articulation in 2008.


Further to my post titled “Mission and Vision : Crafts Ecology for IICD Jaipur” that was shared with our colleagues at the IICD, Jaipur on 18 October 2008 I have had some time to ponder and expand the ideas expressed in the model that I call a Crafts Ecology for India. We hope that the activities at the Institute and the collective actions of the Institute and its partners and stakeholders along with the wider collective of crafts persons, incubates and entrepreneurs all working in concert with the enablers and providers would achieve a sustainable local action in each chosen area and make a real impact over time. This model needs to be elaborated and designed in its finer details as we go forward and invest time and resources to make it happen. We invite those convinced to join the team at IICD, Jaipur and help realize these potentials, which we do believe are real and palpable.

Image 2: The 5 principles of Design led action


I came across a remarkable paper by Bruno Latour, the French Sociologist, titled “A Cautius Prometheus?” *full title given below. And I was mighty impressed and I purchased all his books from Amazon, I now have t read them, but the insights that he brings about design at the broader level I have not seen these held by many designers nor design professors, and we have much to still learn about design. The full paper is available as a pdf file 152 kb size from here. More about Bruno Latour from wiki here.


Reference:
A Cautious Prometheus? A Few Steps Towards a Philosophy of Design (with Special Attention to Peter Sloterdijk) Keynote lecture for the Networks of Design meeting of the Design History Society Falmouth, Cornwall, 3 September 2008 by Bruno Latour. download pdf 152 kb.

M P Ranjan

Chủ Nhật, 3 tháng 8, 2008

Data Visualisation: Challenges in India


Image: Explorations to understand different types of data visualisations. Classification and Categorisation of data representation types using a bar chart metaphor.


The paper quoted below was prepared in response to an invitiaton from an Indian architectural magazine for commentaries on digital design and their impact in the classrooms at NID. This invitation gave us the opportunity to reflect and share the assignments and approaches that we had developed into a course for Information Design students at NID, first at the Paldi campus and later at the new campus at Gandhinagar for the students of New Media Design (NMD), Software User Interaction Design(SUID) and Information and Digital Design (IDD). Two of these disciplines do not exist now since the Institute has decided to relocate these courses to the newer campus in Bangalore and in the process the normanclature too has undergone a change. The new discipline is now called Information & Interface Design (IID). Bangalore campus also hosts two other disciplines since the last year called Design for Digital Experience (DDE) and Design for Retail Experience (DRE).

This course is discussed at a blog site that was set up by the teachers to be used by faculty and students and it is called Visible Information India. Just like the other blog that is used to document our courses in a contemporaneous manner, the Design Concepts and Concerns, this one too is used to report the class explorations as they happen during the semester. The course in Data Visualisation is inspired by the books and work of Edward Tufee and Richard Saul Wurman and it draws on the work of many web based initiatives that have followed the lead provided by these thought leaders.


Image: Classification and Categorisation of data representation types using a cityscape as metaphor.


Data Visualisation: Exploring Emerging Challenges and Opportinities in India
(Published in the architectural design magazine the “Indian Architect & Builder” in 2007.)

M P Ranjan & Rupesh Vyas
National Institute of Design
Ahmedabad

The Context and Intention
The area of visualization of data is growing in importance day by day. This phenomenon is impacted with the increasing use of networked data sources and a massive growth in the channels for communication available to all professions. This massive dissemination as well as the growth in bandwidth and increased computing resources being available at the user end terminals is driving growth for such visual representations of data for various useful purposes of planning and decision making. Here the demand for such representations is coming from both the print media and the broadcast media and strategies are ready to explode in the Internet applications as well. We can see the coming of age of the second-generation Internet products which will offered as a result of demand for such representations and due to their affordability. Keeping these emerging opportunities in mind a team of teachers at NID decided to develop and offer a course in Data Visualisation which could address these emerging needs and develop a framework for imparting the knowledge and skills needed to plan, conceive and execute such visual representations across many domains of application. These would include financial data, statistical data, demographic data, remote sensing data

The areas of application will eventually cover all fields of human activity from medical images to scientific data analysis tools and in financial markets that have to support exploding data streams that are difficult to keep track of using traditional modeling and analysis tools. The human mind and our sensory mechanisms are far too overloaded by the bombardment of these data streams that we are compelled to look for new and improved ways to “See the Data” rather than just look at numbers. While plenty of data is now available through real time systems from widespread automated monitoring, making sense of this data is becoming increasingly difficult due to human limitations of perception, cognition and response action.

The fields of application extend from playful ones in the area of game design as well as to life critical applications such a monitoring traffic flows in the sky and trend mapping in financial and medical situations, and the need to make sense of what we can now see and record with our available and emerging technologies. Geographic data from satellites, surveillance data from security cameras, medical data from pathology labs, home monitoring devices and investment needs of individuals through home banking all provide opportunities for new levels of visualization given the tools available to all of us. The media too has its needs for professional data managers and visualisers in mapping and modeling expressive action sequences to make current events both interesting and comprehensible to both experts and public alike. Decision makers will look for coherent presentations with visualisations of management and planning strategies and time-line models in new and complex business settings where an investment decision can make or break a company. Maps, charts, diagrams, models, statistical graphs, are all examples of visualization types that we are familiar with in today’s media and representation systems. We are entering a new area of dynamic data displays with advanced animation and representation systems that will make the reception and delivery of data several notches up the value chain and those who do it well will be at a premium position in the competitive market place of tomorrow.

This course was invented four years ago in response to these anticipated needs of the emerging marketplace and a number of experimental assignments were devised to bring both the students and the teachers up to date about the whole area of data visualization and its emerging opportunities. The course was divided into a series of interlocking and sequential assignments in a group and individual mode to make it truly inter-disciplinary and multi-disciplinary in approach and delivery. A few of the topics and assignments are described:


Image: Classification and Categorisation of data representation types using a matrix model.


Data Categorisation and Modeling
Data Categorization was the task that the whole group was plunged into from the very first day of engagement. The discussions on the taxonomy of data and data visualization were followed up by a quick assignment of collection of interesting and significant examples of data visualization from the various graphics and scientific books in the NID library. Student teams were encouraged to search and supplement images and diagrams, maps and models from Internet based sources as well. Each of the groups was to try and organize the total data collected into a meaningful structure through a process of classification that would follow intuitive categories that made sense to each group respectively. They could coin terms if required and if required leave an empty slot for a missing image type that they predicted or knew existed, but did not have a prototype in hand for the assignment. They were then expected to build a composite model of their classification showing the similarities and differences between that data types that they had discovered and in this assignment they were asked to assign attributes and categories apriori and through a process of brain-storming and debate, and not to follow any one authority to justify their choices and classification.


Image: Field and library research to visual model. Gandhi Ashram in Ahmedabad as a case study.




Image: Understanding dynamic data using visual representations and models. Mitakhali roundabout in Ahmedabad.


Data Capture: Field to Models
Representing live data from the field was the topic of the next exploration. The students were required to explore different contexts and to conduct field work and visit sites to start capturing data from the field using many techniques of observation and recording. Different milieus and the locations selected included, A shopping mall in Ahmedabad, the major traffic turnabout of six roads in Ahmedabad and the Sabarmati Gandhi Ashram for Tourists and International visitors. The models were developed to suit anticipated future needs as well as match the data captured in the field from observations and recordings.


Image: Modelling village aspirations and development opportunities for use by local population as well as planners. Village Sahpur study proposal.


Last year we gave our students the task if selecting three small villages near the Gandhinagar campus and they were to visit the village, meet the people and try and understand their needs, aspirations and resources through direct field contact. The idea was to give them an advanced assignment in data visualisation which was complex and wicked in its form as well as structure. Based on their field research the team was required to visualise the information that was generated in a collaborative mode in one image map that could be used by the local people as well as the village administration for development oriented activities.
 This is village Shahpur on the banks of the Sabarmati River near Gandhinagar in Gujarat. The village was one of three that the teachers selected by looking at Google Earth and the selection was made based on both proximity to our Gandhinagar campus.

This kind of design assignment gives us many insights that could be used to solve real issues of information management on a massive scale in India which has to deal with real needs of as many as 6,50,000 villages that dot our landscape and not just the cities that are taking up all our attention today. This project was done with the students and teachers using the inspiration offered by Christopher Alexander in his great thesis, "Notes on the Synthesis of Form."


Image: BusinessWeek data on Indo-China industrial competitiveness as reinterpreted by different students. Each used their own point of focus and through contextual research arrived at a unique representation in the process of sense making.


Dynamic Data Visualisation from Statistical sources:
Numerous sources of stastical data provide us an opportunity to explore visual representation across many fields such as sport, economics, weather, transportation, communication and others. Students were requested to use the UNESCO data that is available from their “Institute of Statistics” data centre at their website link and examine and analyse the data from one selected predefined table for a hypothetical decision or design action. Similarly a report from the BusinessWeek on economic parameters of industry in India and China was taken up as an individual task and here the same data was showcased in different styles and intentions by the students which revealed the possibility of variety in interpretation and representation in design. This is critical in design differentiation when competing agencies are showing the same data using different editorial policies which is the case in the real world.

About the authors:
Prof M P Ranjan and Rupesh Vyas are members of the faculty at National Institute of Design, Ahmedabad and Gandhinagar.

M.P. Ranjan
M. P. Ranjan is a senior member of the faculty of the National Institute of Design (NID), Ahmedabad, India and Chair of the Task Force on GeoVisualization set up by the Government of India. Ranjan is highly respected in the design community as a person who has unique insights about wide range of opportunities and responsibilities that lay before designers. He has deep knowledge of design applications in high tech sector, at the same time he has pursued projects to explore potential of bamboo, and other appropriate materials. Ranjan continually explores cultural, ethical, technological, and social issues that pose intellectual challenges for the design community.
web: www.ranjanmp.in
blog: www.design-for-india.blogspot.com

Rupesh Vyas
Rupesh Vyas has ten years of experience in Communication Design education and professional projects. Before joining NID he was teaching at Faculty of Visual Communication, M. S. University of Baroda. He is post graduate in Visualization from the same University.

He has contributed significantly to some of the major consultancy project having National importance. He is taking a lead role in developing Information and Digital Design as emerging discipline at NID. He has represented NID in different national and international forums like ICOGRADA, in Japan and in Expert Forum of traffic guiding systems by International Institute for Information Design (IIID), Vienna, Austria. 
He has special interest in developing innovative ways of information, interactions and interfaces in Public spaces, Location Based Information systems and Dynamic Data Visualization.
web: www.nid.edu

Thứ Ba, 29 tháng 1, 2008

LEGO: A Toy for all Ages – Can it be localized for India?


LEGO is today 50 years old and it is a great design event. Innovation knows no boundaries and here in India too we need to celebrate the 50th birthday with an appropriate response that is fitting to the occasion. What could this be? I will get to that shortly.

What is LEGO? Why are we celebrating it?

To answer this is not a simple task since it is not one product but a multitude of things to a multitude of people and as a system of components that make up the whole it can be used and enjoyed by all ages and genders or almost by all ages and genders if we go by the age recommendations on the boxes and the instruction manuals that accompany each kit that has been sold in the market ever since it was introduced to the world in 1958 by its inventor designers. I quote here the Time magazine report on the toy and the company:
I Quote.. “.It was at 1:58 p.m. on January 28, 1958, that then-Lego head Godtfred Kirk Christiansen filed a patent for the iconic plastic brick with its stud-and-hole design. Since then, the company has made a staggering 400 billion Lego elements, or 62 bricks for every person on the planet. And if stacked on top of one another, the pieces would form 10 towers reaching all the way from the Earth to the Moon.” UnQuote
see the full story at the TIME website titled “Lego Celebrates 50 Years of Building”, By LEO CENDROWICZ Monday, Jan. 28, 2008 at this link here.

I have been fascinated by these kinds of modular construction kits and building blocks ever since my childhood when I had access to a variety of Meccano and the large Montessori blocks which incidentally were manufactured in my fathers toy factory in the 50’s and 60’s in Guindy at Madras (now Chennai). The factory was called Modern Agencies and made wooden toys and school furniture and teaching aids. The LEGO blocks however started appearing in India through product imports that slipped through the stringent import control Raj in India in 70’s and in larger measure in upmarket toy shops the early 90’s at the beginning of the era of economic liberalization in India. But for that hindrance we would perhaps have seen this product in India in my fathers toy shop as well in its hay days when it stocked over 3000 varieties of toys, dolls, games and teaching aids, all playthings that would make a child excited and fulfilled. My father’s business policy was to carry and sell only toys as playthings which had educational value and he used to frequently tell us – “my shop does not carry plastic buckets and toys, which was the format for most other toy stores in the city with the exception of the India’s Hobby Centre, which carried stocks of aircraft models and a large variety of toys. Unfortunately in the late 60’s through the mid 80’s when I had access to the shop located at the corner of General Patters Road and next to the now extinct Wellington Cinema as well as the right to take home any one that I liked, very privileged indeed, we did not have stocks of LEGO, my loss. However my daughter was more lucky since I was able to indulge my interest in the toy kit and obtain several sets of these multi-dimensional blocks with the excuse of educating my daughter when I returned home from my professional visits to Hong Kong, Singapore or Japan to further my interest in bamboo and design. Lucky girl. She still holds on to these sets although she has graduated from NID and is working as a designer in Bangalore these days. Perhaps LEGO was partly responsible for her choosing design as a profession besides the fact that she lived on campus at NID, which is the hothouse for design in India in any case.

In 1991 I had shared my daughter’s LEGO blocks with my students in the systems design class and used this as a case study of a great modular system that affords many insights into the making of good design. The blocks are well made with fine fits and tolerances and they are non-frustrating for the child since they work and provide hours of fun in imaginative play in a continued state of creative expression, wonderful. The assignments for our students that I now reflect on was set in that year as an analysis of an existing system so that we could through our study discover properties and principles that would help us in the design of our own system, in this case modular furniture systems, since the two students were from the Furniture Design discipline for whom the class was on offer. Aruna Venkatavaradan and Harkaran Singh Grewal were the students in question and both of them were assigned the task of carrying out the analysis that would lead up to the making of an informative and insightful document. Aruna’s document is thankfully available in the NID Resource Centre (now called the Knowledge Management Centre) titled Lego: Analysis of the toy as a System. Through her analysis she discovered the principles of modularity and inter-operability of the blocks on offer as well as looked at the multiple levels of organization that was used to make and offer variety and affordances to the child the ultimate user of the toy. She had categorized all the blocks using her own nomenclature and from this built her description of the toy as a system. Aruna discovered that the various block and their features could be classified and organized under a system and structure in the following manner.

The Geometric Module: Form, Dimension, Compatibility
The Functional Module: Hinges, Pins, Tubes, Features
The Marketing Module: Packaging, Economic Groups, Age Groups, Interest Groups
The Semantic Module: Form, Colour, Texture, Terminal Elements, Context
The Ergonomic Module: User Capability, Need, Age Matching, Complexity
and finally
The Economic Module: Production Features, Finished Product Configuration, Set Configuration etc.,

The geometric level was for instance provided by the shape and size of each block, the differentiation level was offered by the colour and symmetry and asymmetry of the blocks, the semantic level was offered by the cultural meanings of the terminal blocks such as hats, flowers and head types that permitted the assembly to carry different meanings for the child and so on. She used the process of sketching and drawing using isometric and orthographic views to analyse each block and then used language to sort and arrange the elements into a meaningful structure and this process revealed the inner structure of the toy and the potentials on offer by each kind of block. Great learning for her as well as for all of us involved in the discussions and debates that ensued.

What can we do in India with the LEGO legacy now that the patent that started ticking on that eventful day of 28th January 1958 when the patent application for this fascinating toy principle was filed by the son of the company founder with the new and improved principle on offer. Many me-too variations have been offered but design and imagination can make a huge difference to bring cultural relevance to the toy, which I believe is a significant one for the era of globalization, and unfortunate homogenization that we now see in all toy offerings around the world. Localisation could well be practiced and Indian themes can now appear from the stable of some enterprising Indian company who may come forward and offer the Mahabharata LEGO or the Warli Lego, to suggest only a few options here, where the semantic layer could be manipulated by the use of design imagination and explorations, particularly since the basic product is now off patent. LEGO International itself offers many Western themes but should these be the only ones that Indian kids have on offer? This is a call for design students in India and elsewhere to take up this challenge and show how the popular and effective toys (just as critical drugs and medicines could be developed from proven offerings) and these can be localized to meet extant conditions in India and other developing countries. I am not suggesting that totally new approaches cannot be attempted, do so by all means if possible, but the world of artifacts in any culture are made up of incremental innovations as well as design imagination and we must recognize this fact and invest our efforts to make the most of our resources and build quality offerings that can reach all our schools and homes.

Let us celebrate the 50th birthday of the wonderful LEGO blocks and kits and help reach these to stimulate the imagination of our children for many years to come. Let us make an Indian “LEGO” today.

Thứ Hai, 14 tháng 1, 2008

TATA Nano and Design Education Challenges for India

Image: NID students and faculty at the Auto Expo 2008 send back images of TATA Nano.
The TATA Nano is sexy and cheap; a potent combination when taken to market and that is exactly what Ratan Tata has done. Consumers and designers alike are enamored by the offering. Many designers on the DesignIndia list have chosen to praise Ratan Tata for achieving the price sensitive Nano which was unveiled at the Auto Expo 2008 in New Delhi. I too admire the achievement in a qualified sort of way, particularly in automotive design, engineering and marketing and Ratan Tata has taken a step ahead of the Japanese car makers in offering a competitive price point with quality and having met the existing benchmarks for cars of this kind. The will surely be a different place from now on.

However I am afraid that at another level this will contribute to the growing mess that is now our Indian city and I would hold Ratan Tata just as responsible for that since he is among India's business leaders who has the means to make a real difference by working at the systems level and in influencing government to act responsibly as well. In the emerging world of Web 2.0 all of us are responsible and the clear cut separation of responsibilities that have been carved out for each in the era of industrial specialization, the separation of church and administration, and later the separation of industry and governance, have all but blurred to give us an online community that responds in an online democracy in real time responses. The theories of economics from the industrial era all hold that the consumer and market responses will somehow shape the events that flow in the free-market but I have some counter arguments for that and we are at a stage when we need to rethink our macro-economic theories and bring in innovation and design into the equation which is not being done nor has it been done at anytime in the history of man. Innovations were seen as individual pursuits or as business activities of individual companies that would need to be therefore protected by law so that future inventions could be encouraged in society. This may be so in the pre-internet era of poor communication but today we need a new paradigm and the open-source movement and the creative commons are helping rewrite the way innovations happen in our society but business still goes on as usual and countries compete, companies compete and individuals compete as if this is the only way forward for society since we are all victims of the Malthusian beliefs and the theory that he had proposed and we are not able to operate at any other level of imagination. I believe that we are entering an era of massive cooperation where our notions of competition will be challenged and will need to be replaced by new attitudes that foster a dialogue between the players and a whole new way of creating our future.

We need to explore ways in which we can get business leaders and politicians from all parts of India to listen to some of our dreams as well and the design vision can then be a driving force for the shaping of tomorrow’s cities. I have been working in bamboo for many years and we have several break-through innovations that promise to give a good future for our rural folks and we have numerous failures from which we have learned a lot about the material as well as about human behavior. Design for social good is a mission that can be achieved but too little is being invested into that direction because we do not have faith in that direction since it is not yet a measurable offering as science, technology and market offerings are in labs, tests and the market with a look at the bottom-line only. Companies such as Infosys are among the most respected ones in India, in my personal view, since they have exhibited extremely high ethical standards in all their operations but several other large companies in India cannot be included in their league of ethical operation even when the government itself is moving onto a regime of extreme transparency with the new Right to Information Act. Design is an act of faith and a matter of judgment. Faith by itself is not a bad thing if we can support it with insights drawn from experience in the real world and from our imagination of what can be achieved and what needs to be achieved. Blind faith, on the other hand, is to be feared since it fosters fundamentalism and extremism as a reaction. However, design thought comes in the first category, faith based on experiential insights and on informed intentions but it can never be subject of reason unlike science and technology. Therefore design looses out on every engagement that requires proof before it is accepted and in India huge investments are made in Science-Technology schemes while design has been left out and this cannot be the responsibility of the design community alone, especially since design can indeed offer real solutions if only we tried. Design good cannot be proved but it can be sensed and modeled or simulated and tested through that route, if only the necessary investments are made in that direction and when sufficient time is given to create the models that could be appreciated and apprehended first conceptually and then in more rigorous ways.

Image: NID stall at the Auto Expo 2008 in New Delhi.
I have moved some distance in my journey in understanding design and I am now convinced that we need to take our arguments to the business and government without being apologetic in any way. Design is complex and while I can admire the engineering achievement of Ratan Tata and his team I bemoan the huge catastrophe that this will portend for all of our society and us in the days ahead. I have been thinking about the directions that we have chosen to take in our educational ventures and sometimes I feel that we need to stop and think a bit about both direction and speed. While a hyper-fast "mind to market strategy" may be a desirable activity for business success it could also be a sure sign of disaster for society if the direction of movement is wrong for the context in which it is applied. Speed and efficiency need to be tempered with relevance and direction that is desirable if we are to benefit from the speed and efficiency that is on offer by raising the bar and coordinating our efforts. I would have liked to see some imaginative public transport solutions rather than just some more sleek automobiles being exhibited at the Auto Expo 2008 in New Delhi. Perhaps we need to take systems design more seriously and get all our disciplines to work together in the final years to show India just what can be done by a determined young team of designers, all moving in the desirable direction. This direction should come from our analysis of the Eames challenge that he had set in 1958, "what qualities does India and Indians consider to make a good life?"

The TATA Nano has raised many questions which need to be answered in this context and as the premier National Institute of Design we are just as responsible for our actions as is Mr. Ratan Tata as the senior Industrialist and businessman of India in the 21st century. I do hope that these matters are discussed at the Institute and in the design community in India since design at the systems level, which is being ignored by both industry and government for over fifty years now, since the Eames India Report was written and which led to the establishment of the National Institute of Design in Ahmedabad, needs to be reexamined in the light of our current needs and aspirations as well as in the context of global warming and social conflicts of the day, for us to find direction forward from here.

There has been much debate about the Nano in the DesignIndia forum and the note by Sagarmoy Paul that Arun Gupta has so kindly shared with all of us at NID and it is just one such debate that is in progress there which can have a wider participation within design schools across the country.

Image: City Tablet – A concept scenario for socially accessible transportation for our cities by NID student Varsha Mehta in the DCC class.

Image: Water Focus – A concept scenario of water based alternate transport for Indian cities by NID student Vinay Jois.
I would like to share here two design opportunity visualizations that were prepared by two of our students in the last semester as part of their Design Concepts and Concerns course at NID. They were looking at mobility options in the city and came up with scenario visualisations based on the insights that they had garnered in their group brainstorming and research in this very short foundation course in design. I propose that such socially relevant challenges be taken up at the systems level in senior years in our design schools and that these be funded and supported by our industry and government agencies who are looking at the whole area of transport design in India. Such assignments could be conducted in a collaborative space that is carved out from a new partnership between design, engineering and management schools in the same city and there may be other possibilities to get several multi-disciplinary teams together, if there is a will to do so.

Will the design community pursue the government and industry to make this happen? I do hope so for the good of all of us. Perhaps it is also time to explore new theories of economics that is informed by the possible use of disruptive innovation as a way forward not just as a market driven mechanism of competition between nations, companies and individuals in the WTO framework but a new order that is based on open-source ideology of cooperation and community based innovation particularly for innovations of objects, services and infrastructure for public and social good. This can only happen if we are able to take the understanding of design and layer it with a new theory economics and politics of innovation that can be set in motion in a cooperative framework going forward. Design schools have a role to play in shaping these frameworks and much of the initial explorations that are needed by society can happen within the classrooms of the future and these in turn will help us build scenarios that will be moderated by the community to actually build a desirable future for all of us.

Thứ Sáu, 30 tháng 11, 2007

User Centric Design Opportunities for GeoVisualisation

Paper and Visual presentation to the first National Conference on GeoVisualisation (GVDRP-2007) at NID in December 2007.
Image: Case Study on village resource mapping assignment by the students of Gandhinagar Campus of NID.

User Centric Design Opportunities for GeoVisualisation: A presentation to the first Geovisualisation Conference at NID.

Prof. M P Ranjan
Chairman, GeoVisualisation Task Group, DST
Faculty of Design, National Institute of Design, Ahmedabad

Abstract
The first National Conference on GeoVisualisation (GVDRP-2007) gives us a unique opportunity to reflect on the design opportunities that are emerging in our country for the creation of User Centric Design in the field of GeoVisualisation. Design can bring a new approach to the use of the amazing technologies that have been developed by science and technology and this is an area that we will need to focus on if the current developments are to be put to effective use by ordinary people in their day to day lives.

India lives in many centuries and the rapid strides of development and the forces of globalisation are impacting the lives of all of us, particularly those who live and work in the rural sectors of our economy. It is here that most of our people live and perhaps where we should be making an effort to make a positive impact through a concerted effort to make the tools and processes accessible to the people who need it the most. How do we achieve this when the tools and technology has been held and operated by educated and urban oriented individuals and institutions and when these are not designed to be available to the rural inhabitants? This is perhaps where design imagination can create new avenues for the application of these new tools and techniques in a democratic and ubiquitous manner all over our land. Is this a pipe dream or can or be a reality? Can we demonstrate this possibility in a few significant case studies so that it evokes a sense of commitment across the country to use these now widely available resources particularly in an IT enabled manner.

Image: Case Study of a student project by Sujay Swadi Sanan made by hand drawn buildings to illustrate the Heritage Walk Map for the Old City of Ahmedabad. In this paper we will show that many new applications are indeed possible and these would cover the hitherto ignored areas of application in a participatory manner to make it both usable and relevant to the local condition and the aspirations of the people whom it is to serve. Some suggestions have been made using examples of classroom and research projects conducted by the students and faculty of the National Institute of Design to show how the tools and knowledge domains in the area of geovisualisation can be applied to new and interesting applications that can reach far into our rural hinterland and how these could become a mission that would be achieved through active user participation to address local needs and aspirations in a variety of critical areas of application. These could be called design opportunities since the intention is to add value to the local situation through making the information and knowledge both usable as well as accessible to the users in their own domains.

The areas of application that we see are in mapping out the resources and local knowledge resources in a highly usable geospatial data base that is empowered and enabled by local participation and with the close involvement of local school and professional participants. For this to work we would need a back end that is technology enabled and based on web based tools as well as a field level strategy to keep the database alive and locally relevant. The fields of application could be for stakeholders in primary and secondary education as well as to empower the enormous skill base that promises to become the foundation of the creative economy of the future just as it has been an active ingredient in the sustenance of the rural economy in the past. Blending the past and the future to meet emerging needs could give us immediate benefits as well as long term resources to move our economy forward with wide participation of many sectors of our population. The areas that we envisage are village resource mapping that could be carried out and maintained by the use of simple and usable technologies in conjunction with sophisticated but highly usable backend technology tools and infrastructure. Such maps would keep local data of interest to local stakeholders as an area of priority and the creation and utilization could be carried out in a decentralized manner while remaining usable for a host of administrative and developmental situations.

Image: Case Study of the proposed web enabled and geo-referernced database of handicrafts clusters in India that could be used to empower and enable the creation of creative industries based on a rich local resource of skills and tarditional knowledge. The examples that are shared include a heritage walk at Ahmedabad, a village resource and design opportunity mapping venture, a craft skill and distribution mapping research as well as some speculative applicatioins that are proposed to be taken up with design students at NID in the near future. These design driven applications and explorations will be local in character but some of the insights that are gleaned would help set the agenda for a wider mission based application that would bring huge benefits to the stakeholders across the country. It is proposed that the DST and the NID Centre for Geovisualisation could partner in the research that is needed to make these design journeys that will set the tone for new and effective applications of Geovisualisation in the country.

The visual presentation titled "User Centric Design Opportunities for GeoVisualisation" can be downloaded from here as a 1.9 MB pdf file.

Thứ Năm, 18 tháng 10, 2007

Design Thinking: What is it and how do we introduce it into India schools?

Design Thinking: What is it and how do we introduce it into India schools?
Image: The Design Journey and Thinking StylesClick image to enlarge.

Design thinking and action are carried out under a variety of thinking styles and modes, each used at an appropriate stage or in dealing with a particular nature of task that is associated with that stage. In the design process these are not necessarily sequential and these modes of thought may flow from one to another quite freely as the mind and the corresponding actions in the design space wander along the design journey while switching from one mode to another and often returning to a particular mode that is best suited to handle the mental and affective action that would be required at that particular stage. Let us examine each one in a little more detail. Each of these can be developed by the creation of appropriate assignments and some of the classic basic design assignments deal with the focused development of several of these abilities in a manner in which these can be applied to real life situations once the processes are internalized and assimilated in a sensitive manner.

1. Intentional thoughts & actions
2. Categorical thoughts & actions
3. Analytic thoughts & actions
4. Explorative thoughts & actions
5. Abductive thoughts & actions
6. Synthetic thoughts & actions
7. Reflective thoughts & actions


1. Intentional Thoughts & Actions: Intentional thinking is used to set goals and directions and these are driven by insights and convictions that could have been formed over a lifetime of exposure and experience or in some cases through a flash of insight. These thoughts are layered by a sense of motivation and could be informed by a particular ideology or philosophy and in some cases these motivations could be latent and not available at the conscious level unless the individual or group probes them with the use of reflective thoughts and makes visible the sources of these motivations. The perception of a need which is usually layered by an associated imagination gives rise to a fuzzy notion of a design opportunity which is “seen or sensed” in the form of “something can be done” or “something needs to be done” feeling which is sensed only by the individual having these thoughts and it would remain so until it is articulated in some form of expression which is either verbal as in an exclamation or statement, visual as in a doodle or a sketch or even a three dimensional model or it could be affective as in a gesture or bodily expression of hand-waving or a more choreographed expression of a dance movement or theatre performance which could be symbolic, metaphoric or iconic in nature. From this fuzzy beginning the sense of the design opportunity grows like a seed to become a more mature expression that is associated with a better understanding of the domain in which the particular expression would be located. A variety of models could be used to explore the boundaries of the design opportunity and these boundaries are not immediately apparent but are discovered in the process of the journey as an outcome of the insights and explorations.

2. Categorical Thoughts & Actions: Categorical thinking is used to explore and organize the various attributes and features of the design opportunity as well as the context in which the opportunity exists. Brainstorming and classification are key processes that are employed to bring structure to the design situation and this too is developed over a number of iterations and clarity would emerge only when the structure is discovered and made coherent. The classification process can reveal what is known as well as indicate what is still unknown about the particular design opportunity since the organized structure can be subjected to critique and analysis by the individual designer as well as others who are consulted as part of the design process. This discovery of the known and familiar and the gleaning of the regions of ignorance is an important part of finding a direction for further research as the design explorations move forward. These explorations take place in the real world context and are therefore open to a number of constraints such as access to resources and knowledge, availability of financial resources as well as material and infrastructural resources that may be essential to carry out any direct experiments and trials which may help throw light on the number of questions that would pop up in the designers mind from time to time as serious research questions that would need to be answered. In this stage of the journey the design research may throw several serious research questions, which would set the agenda for research in a number of fields of human knowledge and across a number of disciplines, which may be pertinent to the task on hand. Many new explorations may be initiated in a search for a direction or an answer to a particular question. Some explorations are playfully executed and the insights would be saved in the memory bank for future use in an application or an exploration situation.

3. Analytic Thoughts & Actions: A huge amount of data is usually generated through the design journey and these would need to be organized by categorization as well as mapped into models that would help reveal new and useful relationships through a process of juxtaposition and analysis. Numerous tools of analysis may be adopted to deal with a variety of kinds of information types. Material data would be analysed from point of view of suitability and from their structural or functional viability, cost and price data would be examined from a point of economic viability, formal and semantic data would be examined from the point of view of cultural and social acceptability and other attributes would all need to be examined across all the pertinent parameters using tools and processes that would be appropriate for each data type and by using one that is suitable in each context. Designers borrow heavily from all branches of human knowledge and they learn to use these borrowed tools to carry out several systematic explorations and analysis. They also learn to use experts from the respective fields if time and budgets permit the involvement of such experts. However they do find great difficulty in defining the analytic tasks with a degree of clarity required to be able to outsource these tasks since the process of analysis is also used to bring clarity to the boundaries of the task itself and it is therefore very difficult to define what kind of analysis would be required before-hand in most cases when the task is new or the field has not been explored earlier. Due to this difficulty we would many times see designers struggling with difficult tasks outside their areas of competence since they just cannot be delegated in an easy manner due to the complexity of such a delegation. Designers are now learning to work in teams and to build teams that could include the requisite variety, which in turn would be able to cope with the particular complexity of the task at hand.

4. Explorative Thoughts & Actions: Many design stages take on the form of an expedition into the unknown and would therefore need to be nurtured in a similar manner in an open ended approach by way of supportive administrative and benevolent patronage. This spirit of experimentation that is broadly defined needs to be nurtured and is often open to serendipitous discoveries, which are at the heart of such design exploration. To some this may seem like meaningless play but it is a very critical and productive part of a design journey. This kind of search is quite focused but it is just as unpredictable in many of its facets. However the experienced designer is usually quite adept at breaking away from the known paths and is usually open to look out for the unusual and the surprising outcomes of these explorations and develops a kind of sensitivity that helps isolate very useful attributes and insights that are both subtle as well as critical for the resolution of the task at hand. Such explorations may be repetitive and across many scales of action, both at the macro level as well as the micro level of detailing when a number of alternatives are examined and each of the discovered directions contribute to the building of conviction in strategic as well as tactical levels which are much needed in making the numerous decisions that cascade through a typical design journey, some are revisited a number of times from a slightly different angle each time. These can recur at a number of stages of a design journey but at each stage we can see a forward movement from very abstract expressions to more and more tangible and realistic expressions, from doodles to more explicit articulations and back to doodles again but at another level of exploration or dealing with another aspect of the design situation.

5. Abductive Thoughts & Actions: The design journey is characterized by a kind of projective approach where the designer has a favorite hypothesis and the explorations are aimed at validating or giving shape to these hopeful or wishful dreams. This is quite characteristic of the design journey since besides inductive and deductive reasoning the designer is adept at projecting desirable attributes and exploring forms and structural alternatives that can meet these projected situations. This kind of abductive thinking is again repeatedly adopted to resolve several different parts of a system as well as the numerous details that may form part of the whole design situation. Finding the most plausible explanation from amongst a set of options is a constant requirement in a design situation. The need to be open and flexible in thought and action as well as an ability to cope with a great deal of ambiguity is therefoe a desirable attribute in a design thinker. This form of reasoning draws on both the propositional mode of thought 9left brain thinking) as well as on the appositional modes of thought (right brain thinking). While one deals with language , logic and argument the other deals with images, comparisons and pattern. Since these two modes operate from essentially from different hemispheres of the brain which do not communicate well with each other we find the strong need for the use of external models of a variety of kinds to act as an aid from inducing an intermodal dialogue that is critical fro design thought and action. It is these external models which start as vague doodles and jottings at the initial stages and get refined and enriched with detail as the work progresses and a deeper understanding of the possibilities emerge as a result of the ongoing explorations.

6. Synthetic Thoughts & Actions: Dealing with parts and wholes are an integral part of the design journey just as it is necessary to be able to journey from the general to the particular and back again a number of times while the particular design offering is being explored and articulated. The research and explorations bring into focus a very large number of explorations and alternatives but the designer is open to keep some of these as insights that would fall in place in one swift move which could resolve a huge number of variables when the design situation is seen from a birds eye view in a flash of inspiration that resolves all the variables and produces a wholesome offering that can be called a design concept. The design concept has a huge number of attributes but these are all captured in one single expression or model and this particular model would then influence the further decision-making moves which would be adopted as the design journey progresses. This is a process of synthesis and is usually achieved through an act of visualization, which produces an external model that captures the particular set of attributes that make the character of that specific concept. Parts are no longer seen as appendages of the whole but the design offering is seen in its totality and this would include the tangible, visible as well as the invisible attributes that get embedded in a particular concept to satisfy the original intensions of the designer and the other stake-holders as well. This synthesis could take place in a number of stages and in each a number of alternate concepts would emerge and these would need to be critically appreciated and evaluated through individual as well as collective process adopted by the extended team, the society and the culture in which the particular design offering is being made.

7. Reflective Thoughts & Actions: The evaluative processes and tools are usually both subjective as well as objective in nature. Numerous attributes are accepted or dismissed by subjective criteria of likes and dislikes while there are other criteria that would have measurable attributes such as desirable cost, strength and performance attributes, and functional boundaries where specific tools and evaluative processes would be used. In some cases law and statutory regulations that are applicable may require this and the design team would be compelled to adopt these as well as maintain a systematic documentation of these actions for future review on demand or as stipulated by the law. However some of the choices cannot be explained but these could be justified by the feelings and sense of judgment of the designer and in many cases the clients would defer judgment of such nature to the designer. These could be aesthetic attributes, strategic attributes that are decided on the basis on vision and only time will tell if the decision that was taken is one that would lead to success or failure in the context in which the design is launched. The designer has little on no control of the context within which the design action is carried out and the success or failure of the design would depend on the vision of the design team and the stakeholders associated in the decision making process. Once a design is manifested in a society or a culture it has a life of its own and all the reflexive qualities of any action in an intelligent space come into play and competition and responses from other thinking and acting players can cause the further success or failure of the particular design action. Thoughts and the convictions carried by the designer and the team get manifested in a particular set of offerings and these in turn would create ripples in the pond of the context by the other players responding in a reflexive manner, each driven with their own thoughts, beliefs and competition induced actions.

Systems theory and the Fire Metaphor: Design effect is therefore compared to the system of the Fire Metaphor where the result over time could be either benevolent or disastrous. A full description of the Fire Metaphor can be seen at this link. These thought processes are a natural ability of us humans having used it ever since the actual use of fire in an intentional manner way back over two million years ago. Long before humans understood fire or even explained it in any explicit manner it was used as evidence suggests creating campfires to ward of other animals. The phylogenetic history of the design journey would show us the stages of the evolution of the human species along with the creation of its artifacts and social and cultural infrastructure. However this design driven journey is yet to be written and when it is we will surely have a new view of human evolution as well as a clearer vision of how we can go forward from here into the future by the use of design. Much work needs to be done to get this kind of thinking back into our schools which seem to have lost these in the huge variety of disciplines which are fiercely protected by each of the expert practitioners and their communities in the belief that this kind of general ability to create is not a valid form of education and I do believe that this will have to change. Where do we begin!

Key resources and thought leaders:

Mihaly Csikszentmihalyi, wiki/Mihaly_Csikszentmihalyi,
Howard Gardner, howardgardner.com/books
Gilles Fauconnier & Mark Turner, The Way We Think: Conceptual Blending and the Minds Hidden Complexities, Basic Books, New York, 2003
• Morton Hunt, The Universe Within, Simon and Schuster, New York, 1982
Peter Gardenfors, Conceptual Spaces: The Geometry of Thought, MIT Press, Massachusetts, 2004
Charles Brunette, idesignthinking.com, 1993 - 2005
• Bryan Lawson, What Designers Know, Architectural Press – Elsevier, Oxford, 2004 and How Designers Think: The Design Process Demystified, Architectural Press, London, 1997
Nigel Cross, Designerly Ways of Knowing, Springer-Verlag, London 2006
• Peter g. Rowe, Design Thinking, MIT Press, Massachusetts, 1991

Thứ Tư, 1 tháng 8, 2007

Visible Information India: A new blog on Data Visualisation


Data Visualisation and Information modelling is emerging as an important field of design action and in the age of media and computer based interaction the opportunity to make data visible is both an art as well as a science that needs to be used in all walks of life as well as in the core offerings from business and governments alike. This blog called "Visible Information India" is therefore a platform that will be used by students in the Data Visualisation class at the National Institute of Design in Ahmedabad and Gandhinagar to share and showcase their ongoing efforts with their teachers as well as with others interested in taking this new activity to a higher level of professionalism. This course was created three years ago with the first batch of students from the new digital design disciplines at NID and it has been found useful for other groups as well as by the industry representatives who had come for the placement activity at the end of these programmes. This year, the two week course is conducted by Prof. M P Ranjan and Rupesh Vyas at the Gandhinagar campus for students of the Information and Digital Design discipline (IDD). The first assignment given to the students is the analysis of modelling data flows on the Google Analytics service as they are applied to the design of institutional and personal websites and we hope to see this work documented and shared in near real time during the conduct of this course at NID.
"Visible Information India" blog on Data Visualisation


Experimental assignment done last year on mapping village resources for use by local people in a village near Gandhinagar.

Through this platform of, "Visible Information India" blog, the faculty will also share their insights and comments on the emerging field as well as post book reviews and discussions on current developments that may be pertinent to the subject at hand, making critical and useful information visible for and in India. This resource will cover design approaches for the creation of maps, models and diagrams as well as dynamic data representations of a number of domains such as financial, medical and decision support, to mention only a few.