Hiển thị các bài đăng có nhãn National Design Policy. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn National Design Policy. Hiển thị tất cả bài đăng

Thứ Sáu, 28 tháng 8, 2009

Agriculture under Water stress: Design Opportunities in India

Design for Agriculture: Who is addressing these issues today?


Prof M P Ranjan

Image01: One of the first design projects done at NID by the first batch of Product Design students in 1967, a Seed Drill that could be pulled by bullocks in small Indian farms. Images are from the NID Documentation 1964-69 (Download 25 MB pdf here)


The World is facing climate change and India is facing severe draught across 250 districts, almost half the country, out of a total of 604 administrative districts have been declared drought hit this year. The stress will be on the local farmers who have to fend for themselves in such times of monsoon failure and they are at the mercy of the elements and also an uncaring administration that would wait till the media raises a stink before any action is taken and usually all too late. This is perhaps where design imagination should come in and anticipate such situations and have strategies in place to meet the contingencies with imagination and viable offerings well before the event takes over. Are we ready for it? Far from it, as it apparently seems to be, but why?. Our design infrastructure is quite incapable of making any immediate and specific offering since no investments have been done in the past to explore and address such systemic eventualities that seem to revisit us time and again. Agriculture is unglamorous and unlike fashion gets very little attention from the media and from the design community as well. In the 60’s and 70’s Bucky Fuller wrote about an anticipatory design science movement that could and would address many of these glaring eventualities and he went about setting a personal example with path breaking thoughts and conceptual offerings that could be followed by others in the years to come, most of them well documented. The Bucky Fuller Institute now has instituted an annual design competition that is looking for mega solutions that follow the Bucky Fuller spirit and each year one design team is awarded the coveted Bucky Fuller Challenge Award while several others are honored as runners-up and finalists, all showcased at the Challenge website here : Bucky Fuller Idea Index

Image02: A low cost grain thresher designed in 1968 by Product Design students at NID as a response to the challenge from the Eames India Report of 1958. (Download 360 kb pdf file here)


At the Government of India level however, we seem to think and act as if design applies only to the needs of organized industry which may perhaps explain why the National Institute of Design (NID) is located under the administration and budgetary control of the Department of Industrial Policy and Promotion (DIPP) and perhaps this also explains why NID has never had invested in an education programme dealing with design for agriculture all these years. On the other hand media thinks and acts as if design is located in the arena of fashion and huge media space is accorded to this form of design at the sad exclusion of all other kinds and genres of design, the kind that is desperately needed across as many as 230 sectors of our economy today. The National Design Policy too is silent on the needs of this vast sector and it is particularly so on the needs of the public goods and services that are usually the domain of Governments to serve, being mostly ignored by private industry since the consumer base is too diffuse to be of immediate value to them. The economists who advise our Governments and industry tend to overlook the sector as a whole and leave these matters to politics and legislative processes under the broad umbrella of development programmes, but usually to provide lip service just before the elections. There are a few exceptions to this rule however and they include Hazel Henderson who debunks the theories of Nobel Prize winning clan of the Chicago School and Brian Czeck who in his obscure book titled “Shoveling Fuel for a Runaway Train” debunks the “growth at any cost theories” of the Keynesian school and proposes a more humane and ecological form of economics that looks at a steady-state and sustainable models of development.

Image03: A small selection of NID’s Agri-Expo, Rural and Water related projects done over the years.


With much of India facing a severe drought we need to look afresh at the needs of our agricultural sector that are hard hit by the absence of water. Design schools in India have ignored this sector except in fits and starts and that too in some peripheral areas of need. Government too did very little to encourage the design schools to take up the challenges by providing the required funding and the mandate to act in these areas. The NID, did however design a major exhibition for the Department of Agriculture way back in 1977 but this was a trade fair and after much chest thumping about the success of the mega-show which was impact assessed in those days by slick marketing teams from the advertising industry everyone seems to have once again forgotten the sector as a whole. I recall that the early projects undertaken by the students of the first product design programme at NID in the late 60’s included several tools for the agricultural sector but over the years we seem to have distanced ourselves from the needs of this huge sector that provides maximum employment across the country. Perhaps we were still under the influence of the Eames Report and the teachers and studends did look at the grassroots for inspiration and direction for action. Why should not the multiple new NID’s that are proposed under the new National Design Policy look at these different sectors of the economy rather than taking the NID Ahmedabad as a role model and continue to address address only the market driven sectors of lifestyles and automobiles and the traditional sectors of manufacturing and communication sectors. The need is clear from over 230 sectors of our economy and we need to build a market for design graduates who are capable of working in these neglected sectors and the Government has a major role to play if this is to happen. In the late 80’s I do recall that NID had an assignment to design tractors for an Indian manufacturer but like all other product design projects from that period this one too was bound to sit on the shelf due to the lack of any competition in the Indian industry in those days.

Image04: A view from an earlier post on water harvesting system designed by Dinesh Sharma for Furaat Systems in Ahmedabad inspired on the traditional step wells of Gujarat and Rajasthan.


Earlier on this blog I have shared the work of an NID graduate, Dinesh Sharma, who by drawing inspiration from the Gujarat and Rajasthan traditions of step wells made from modular blocks has designed a water harvesting system that is both elegant as well as functional. The Furaat Water Harvesting system is just one of the many possible approaches and we need too make concerted investments into the design and testing of hundreds of approaches to deal with water in our lives to face the realities of our situation in India and to find solutions for all of these, from region to region.

Image05: P Sainath as seen on Google Images search.


Farmer suicides are today a way of life in most drought hit districts since crop failures and the search for local ground water sources leave our farmers with huge debts that they cannot service and the spiral down to suicide is an almost foregone conclusion. P Sainath, an Indian journalist has spent many years studying the phenomenon of rural poverty starting with his seminal book titled. “Everyone Loves a Good Drought: Stories form India’s Poorest Districts”, in a stark commentary on the corruption and lack of care that is symptomatic of the Indian condition, particularly in rural India. According to the review on Amazon.com – “They reveal how poverty is compounded by corruption, incompetence, laziness, greed and stupidity. Instead of improving life, many government schemes/development programs only make the poorest poorer, while making corrupt politicians, land- owners and the complacent new middle class of Mumbai (Bombay) richer.”

A specific Quote from India Together online about the correlation between local borewells and farmer suicides tells us a chilling story. Quote
“Sinking borewells, rising debt 
P Sainath. 

June 2004: NALGONDA, MEDAK & NIZAMABAD (Andhra Pradesh): Musampally has more borewells than people. This village in Nalgonda district has barely 2000 acres under cultivation. But it boasts over 6,000 borewells - two to every human being. Over 85 per cent of these wells have failed. The rest are in decline. The desperate search for water has bankrupted a once prosperous village….” UnQuote Read the full story here.
And another view from Wiki on Farmer Suicide here

Image 06: Stills from an online video offered by Nature Magazine about the water hot spot developing in western India with severe water stress and ground water depletion in the States of Rajasthan, Punjab, Harayana and Delhi which also happen to be the food bowl of India.


The alarming news is that this water stress is being felt across the food bowl of India across the fertile plains of Punjab, Harayana and Western Uttar Pradesh. While the Design Concepts & Concerns (DCC) course has been addressing the various issues of water in our lives across many domains and verticals we have constant news flows about the shortage of water coming from many sources. The latest one is the result of a six year long satellite based study conducted by a consortium of scientific institutions led by NASA. The alarming video can be watched at the Nature Magazine website at this link here. We need to seriously address the issues that this holds for the design community in India and how we can rally to deal with these realities on the ground and how well we are currently prepared to face these realities. That design can address this kind of challenge is not really in question since this is the only discipline that can bring an integrated and focused body of human experience to bear on these really wicked problems with imagination and political will to find lasting solutions that will get us through this impasse.

Image07: One of the short listed projects under the Bucky Fuller Challenge–New Mexico Renewable Energy Strategy Maps for sustainable regional development.


The Bucky Fuller Challenge Award for 2009 went to the sophisticated Urban Transport solution that redefines personal transportation in our cities. But for me the runner-up, titled “Dreaming New Mexico” shows great promise as a way forward with local planning taking the lead and with the use of maps local communities are involved in envisioning desirable and viable futures which is followed by a sustained programme of “Bioneering” involving the use of imagination, innovation, technology as well as political processes to get the task done. Regional design schools could help locate these dialogues with the community and assist decision makers build new and imaginative solutions to address a host of local issues towards resolution of the same.

Image08: Paul Polak and his product offerings for marginal farmers in Asia and Africa through his international entrepreneurial initiatives.


India needs to look seriously at the needs of our agriculture and rural micro-industry sectors and not just the crafts sector that brings in export income by through a huge number of export oriented industries. The benefits of the huge export sector rarely reach the remote rural producers but increasingly the strategy has been to cluster the production in class two towns and cities and real rural producers are left to fend for themselves. Paul Polak–founder of Colorado-based non-profit 
International Development enterprises (IDE)—is 
dedicated to developing practical solutions that attack 
poverty at its roots, who in his book “Out of Poverty” outlines strategies and products and services that he has developed to achieve huge successes using appropriate design at the marginal farmer level with huge success. Design in India needs to look at these models of rural development and not just the “Lifestyle product” category for the export markets with our crafts capabilities. Another example of design at the periphery comes for the “d-school” in Stanford University’s Stanford Institute of Design where their Executive Director, George Kembel has taken their students to Nepal and Thailand to search for real challenges to create entrepreneurial designs for extreme affordability. (download pdf of the d.school offering here)

India needs to take a leaf out of these initiatives and try and integrate design into our Agricultural Universities or focus the attention of the next NID fully on the needs of the agricultural sector as an integrated offering that looks after the design needs across all the sectors of need from water harvesting and management to managing the cold chain for reaching the food to the consumers across the land and all the tasks and services that come in between these two extremes from the point of view of our fragmented farm ecology all over the country. Wikipedia gives a list of 41 Agricultural Universities in India and it is my view that all of them need to integrate design abilities and actions into their many programmes if they are to be successful to prevent farmer suicides in the future.

Prof M P Ranjan

Thứ Ba, 31 tháng 3, 2009

National Design Policy: India Design Council (IDC) formed

National Design Policy: India Design Council (IDC) formed



The Department of Industrial Policy & Promotion (DIPP), Government of India, has released an extrodinary notification that is soon to be published in The Gazette of India about the constitution of an India Design Council (IDC) in pursuance of the National Design Policy announced by the Government of India on 8th February 2007. This particular Central Government notification is dated 2 March 2009.

Prof. M P Ranjan

Image01: Composite image of two models created by design students at NID while exploring the concept of sustainability across two key areas of design opportunity as part of the Design Concepts and Concerns course at the Institute. The two areas represented here are “Roti” – Food and “Rojgaar” – Occupations, both critical needs of our people that are to be served by design action and imagination.



We hope that the agenda of the newly constituted Indian Design Council will eventually expand to include and then address these critical development issues along with the list of major activities listed in the notification reported below. We also hope that the members of this Council will bring greater awareness to these critical design issues and improve the use of design by the various sectors of our economy, particularly in the development sectors where it is needed as a critical input and not just promote the use of design as a handmaiden for organized industry to generate profits and contribute inadvertently to global warming. Perhaps as we go forward we can hope to see a greater representation from the design profession and design academia in India on this Council as well as a vigorous participation of democratic representatives of numerous Associations of Design Professionals from various fields which is glaring by their absence from such a Council. Indian design professionals and academics need to get their act together and work towards contributing to the initiatives taken by the Government through the Design Policy initiatives.

The members of the India Design Council (IDC) as constituted are as follows:

1. Anand G. Mahindra of Mahendra & Mahindra Ltd., President



2. Eminent persons from various fields related to design industry


1. Akhil Succena, National Institute of Design - Member
2. Ritu Kumar, Fashion Retailer - Member
3. William N. Bissell, Traditional Indian Design - Member
4. Dr. Naushad Forbes, Technology-Design Specialist - Member
5. Mahesh K, Design Incubation - Member
6. Ganesh N. Prabhu, Management/Design - Member
7. Ajay Chowdhry, IT Design - Member
8. Rouble Nagi, RN Studios, Artist & Muralist - Member

3. Representatives from Department of Industrial Policy & Promotion (DIPP)


1. Additional Secretary & Financial Advisor (AS&FA), DIPP - Member
2. one Member (not below the rank of Joint Secretary) to be nominated

4. One Member each from Department of Commerce, Higher Education, Informationm Technology and Ministry of Textiles


(Officers not below the rank of Joint Secretaries) - to be nominated

5. One Member each from each of the three apex industry organizations


1. Sr. Representative as nominated by President ASSOCHEM - Member
2. Sr. Representative as nominated by Director General CII - Member
3. Sr. Representative as nominated by President FICCI - Member

6. Heads of two design institutes in the private sector or Hedad of Departments of Design education in Universities, IIT’s etc,


1. Ravi Pooviah, Head, IDC, IIT, Mumbai - Member
2. Prof. Ranjit Mitra, Director, School of Planning &
Architecture, New Delhi - Member

7. Eminent designers


1. Satish Gokhale, Design Directions, Pune (Product Design) Member
2. Bidyabijay Bhowmik, Mahindra & Mahindra Ltd.,
(Automobile & Engineering) - Member
3. Jagdish Hinduja, Gokaldas Images Ltd., Bangalore
(Design for Exports) - Member
4. Rina Dhaka, New Delhi (Fashion Designer) - Member
5. Sarabajeet Singh, Fab Interiors, New Delhi
(Interior Design) - Member

8. (Heads of all Design Institutes set up by the DIPP)


Director, National Institute of Design (NID), Ahmedabad - Member-Secretary

According to the notification this Council would have a tenure of three years besides other rules as notified for its routine functioning.

The major activities of the India Design Council are listed in the notification as follows:

• undertake design awareness and effectiveness programmes both within India and abroad.
• act as a platform for interaction with all stakeholders.
• undertake R&D and strategy and impact studies.
• accredit design institutions.
• develop and standardize design syllabi, etc. for all institutions in India imparting education.
• conduct programmes for continuous evaluation and development of new design strategies.
• develop and implement quality systems through designs for enhancing country’s international competitiveness.
• coordinate with Government to facilitate simplification of procedures and system for registration of new designs
• assist industries and design–led exports of Indian products and services including outsourcing its design capabilities by other countries.
• take effective steps towards “cradle to grave environment-friendly approach” for designs produced in India so that they have global acceptance as ‘sustainable designs’.
• enable Indian designers in India to have access to global trends and market intelligence and technology for product development and innovation.
• encourage close cooperation between academia and industry to produce proprietary design know-how while encouraging creation of new design-led enterprises for wealth creation and
• encourage and facilitate a culture for creating and protecting intellectual property in the area of designs.

This notification is issued by N. N. Prasad, Joint Secretary, DIPP, Ministry of Commerce and Industry.

Prof. M P Ranjan

Thứ Tư, 26 tháng 11, 2008

Design Policy for USA: Long Ripples from India

Big strides towards a Design Policy for USA: Long Ripples from India

M P Ranjan

Image: Screen shot from Dori’s Moblog showing her with the members of the National Design Policy Summit held in USA


This is a long story that for me hinges around the Indian National Design Policy that was set in motion by the Government of India on 8th February 2007. I was in the USA that very day at the Asia Society in New York that day with NID Graduates Uday Dandavate of Sonic Rim, Surya Vanka of Microsoft and Sudhir Sharma of Elephant Design to promote the “Design with India” initiatives in the USA and in India that started with the plans for the CII NID National Design Summit in 2006. We had traveled to the USA to help bring attention to Design with India and for the promotion of deep partnerships between designers, industry and policy makers that could make design a central capability that would be put to use in solving the many development issues that face India today.

Uday had earlier invited me to speak at the IDSA Conference in Austin in September 2006 where I first met Elizabeth Tunstall – Dori – with her Mac connected to her blog live from the conference. My presentation at the IDSA Conference (pdf file 812 kb) was titled “Giving Design back to Society: Towards a Post-Mining Economy”. Dori commented on my paper (pdf file 42 kb) that day and we have been in touch since then on a new discussion list that she set up called the Design Policy List on Yahoogroups, now with many members.

Elizabeth Tunstall, is better known as Dori to friends and for those who read her blog, Doris Moblog. I did a search on her blog and her first post on Design Policy is on 11 February 2007 where she talks about the Indian National Design Policy after online conversation with me. Diori has been very active since then in organizing and mobilizing designers and design researchers around the world to develop strategies and approaches to bring design policy to nations that need to understand the significance of design as a social and development tool and not just a handmaiden of industry in the search of innovation and profits. The following links show her series of posts on “Dori;s Moblog”, that tell the story more fully
February 11, 2007: Indian National Design Policy
April 20, 2007: Shortlisted for IFG Ulm designing politics programme
April 30, 2007: Mapping Design Policy Landscape
May 06, 2007: Designers designing public policy
June 04, 2007: Two reasons for the failure of design policy
August 12, 2007: Clearview typeface: case study in design policy
September 21, 2007: Results from Ulm
January 30, 2008: Deaf Culture and Expressive Captions for TV and Film
March 16, 2008: Design Policy and CCBHS final presentations
July 29, 2008: Is AIGA a labor union?
and finally the latest post that tells us about the status in the USA after the Summit organized by Dori with design leaders in the USA.
November 20, 2008: U.S. National Design Policy Summit
Her latest mail to the Design Policy List is quoted below in full for immediate reference. We look forward to further developments on the USA and the ripples will most certainly come all the way back to India and help strengthen our own Design Policy initiatives here in India.
Quote from Dori’s ,message to the Design Policy List on 24th November 2008
Hello DP group,


So we pulled it off, the US National Design Policy Summit. Here is the official release, but I am very excited about the next steps, including the finishing the report. It was really cool to have this happen after the Obama election victory. It think it created an opening for participants to be focused more on the future and collaboration, two elements that were necessary for the Summit’s success. There is a lot a work that needs to be done, but it will be thrilling to do the work.

Dori


**************


U.S. DESIGN LEADERS ATTEND U.S. NATIONAL DESIGN POLICY SUMMIT

Leaders representing the major U.S. professional design organizations, design education accreditation organizations, and Federal government design assembled in Washington D.C. on November 11-12 to develop a blueprint for a U.S. national design policy.

United by a shared vision of design’s integral role in the U.S.’s economic competitiveness and democratic governance, the Summit generated over 250 proposals for how the design communities and the U.S. government can work together to drive:

- innovation that supports American entrepreneurial spirit and economic vitality,

- better performance in government communications and effectiveness, 

- sustainable practices for communities and the environment, and

- design thinking that advances the educational goals of all areas of knowledge.
 

Summit participants ranked proposals by their value to the American people and the design communities as well as their operational and political feasibility. Brad McConnell, economic adviser in the Office of Senator Dick Durbin, assisted the group in determining political feasibility. The Summit concluded with the proposal of several immediate action steps for developing a U.S. national design policy:

1. Re-establish the American Design Council to serve as a unified body representing all the U.S. design fields

2. Create a report of the Summit and its proposals as the first publication of the American Design Council

3. Seek funding for a report on the contribution of the design industries to the U.S. economy

4. Encourage and support the National Endowment for the Art’s proposing of a U.S. National Design Assembly in 2010 and Federal Design Improvement Program in 2011

5. Develop case studies from each design field that demonstrates the economic, social, and environmental value of design

6. Engage design industry CEOs to provide testimonials of the value of design

7. Propose a holistic design award that will represent the highest honor in American design.
 
Organized by Dr. Elizabeth (Dori) Tunstall, Associate Professor of Design Anthropology at the University of Illinois at Chicago, the U.S. National Design Summit participants included:


From Professional Design Organizations

- Richard Grefé, Executive Director of AIGA
- Paul Mendelsohn, Vice President, Government and Community Relations, American Institute of Architects

- Leslie Gallery Dilworth, Executive Director, Society for Environmental Graphic Design

- Deanna Waldron, Director of Government and Public Affairs, American Society of Interior Designers

- Earl Powell, Lifelong Fellow, Design Management Institute

- Frank Tyneski, Executive Director, Industrial Designers Society of America

- Allison Levy, Managing Director of Government and Regulatory Affairs, International Interior Design Association

- Paul Sherman, President, Usability Professionals Association

From Design Education Accreditation Bodies
 

- Catherine Armour, National Board Member, Association of Independent Colleges of Art and Design

- Holly Mattson, Executive Director, Council for Interior Design Accreditation

- Samuel Hope, Executive Director, National Association for Schools of Art and Design

From U.S. Federal Government

- Clark Wilson, Sr. Urban Designer/Environmental Protection Specialist, U.S. Environmental Protection Agency

- Frank Giblin, Director Urban Development Program, U.S. General Services Administration

- Janice Sterling, Director of Creative Services, U.S. Government Printing Office

- Ronald Keeney, Assistant Director of Creative Services, U.S. Government Printing Office
 

Summit Facilitators


- Renata Graw, Principal Plural, University of Illinois at Chicago MFA 2008

- Siobhan Gregory, MFA student in Industrial Design at University of Illinois at Chicago 

- Alicia Kuri Alamillo, MFA student in Graphic Design at University of Illinois at Chicago

- Matthew Muñoz, Principal Design Heals, North Carolina State University MFA 2008

- Sean Burgess, IDSA
- Tim Adkins, IDSA”
-
UnQuote

I too have made a number of posts about the Design Policy issues for India and these links include 11 posts at the advocacy level and 24 posts that contain comments linked to the National Design Policy that I have made over the past one year.

M P Ranjan

Thứ Tư, 7 tháng 5, 2008

10 months of Design for India: Google Analytics view


Ten months of visitors on the Design for India blog: Google Analytics view


It is interesting to be able to look back and see how the blog has been used, something that is difficult if not impossible to do with print based publications. We write papers and books with the hope that someone would read them but we would never really know. However with the blog space the scene is quite different, we get instant feedback, and in many cases actual contact with the readers.

So looking back over the past 10 months of blog activity using the Google Analytics tool has shown an interesting pattern of visits, visitors and interest areas which is useful feedback for the author.

In the past ten months the activity to the blog has been steady with a few peaks but otherwise a steady stream each day. Globally we now have had over 17,000 visits from 12,000 visitors from 116 countries and 1800 cities and from India we have had 9900 visits from 76 cities, with the metros leading the pack. It is gratifying to see as many as 30,000 page views over this period. This still makes me wonder why the penetration of design ideas in India still very low indeed and we will certainly need to devellop strategies to reach a wider audience here in India. The National Design Policy should perhaps focus on broadening the base for design use in India and not just restrict its reach to the metros and a few big cities. The real impact will be seen only when the use of design reaches the masses across India and in as many as 230 sectors of our economy

The Mission Statement posted on 14th July 2007 is quoted below


"Design is a powerful force that shapes culture and it is a professional activity that is beneficial for both community and business alike. This blog is for all those who are interested in exploring these wider manifestations of design as a critical human activity and would like to shape its application across all human cultural and economic activities. Design uses all of human knowledge and is informed by the deep sensibilities developed through skillful and playful exploration of nature and the human spirit. It is a responsible activity that is driven by value systems of culture and society which are beneficial for sustainable and equitable existance of the planet earth and its inhabitants. Design is an intentional activity that generates value and in its processes it uses the creative potential of the actors to build a better future for all. This blog primarily focuses on issues and concerns in India but would be open to cooperate and engage with all other like minded groups in achieving the larger objectives of the blog."

While the focus is on the Indian dimension we are eager to discuss all other global development perspectives that may have a bearing on the promotion, support and use of design in the Indian context. Both this blog and the discussion list will be coordinated to facilitate easy archiving and dissemination of the posts as we go forward with our efforts to meet the objectives of this blog.

Thứ Hai, 14 tháng 4, 2008

Service Design for India: Change in Design & Management Schools needed


Image: A page from the booklet "Design for Services" launched by SEE Design Network of Design Wales, Cardiff. Full pdf files can be downloaded from the links below.

Service Design for India: Change in Design & Management Schools needed

Service Design is an emerging discipline that lies between the various fields of Design and Management. It is the cusp of both these major disciplines, which in India have rarely met or exchanged expertise in an educational setting. Design schools do not teach management in depth nor do management schools teach about design, leave alone design management. We have thousands of management schools in India when the pressing need is for the creation of experts who can innovate great services across a huge number of sectors of our economy. In my view design is needed critically in as many as 230 sectors of our economy and I have written about these in the past.

Across the world many management schools have started embracing design and innovation as a core offering to their students and in this the charge is led by the Rotmans School of Management, Toronto and a less known school in Scandinavia called the KaosPilot, both of which have been covered in previous posts on this blog. In the 80’s the London School of Business had produced a book on Design Management and at both the Stanford University, USA and the University of Industrial Arts, Helsinki, there have been concerted efforts to bring together Design, Technology and Management through a planned series of projects that bring together faculty and students from all these disciplines in a transdisciplinary format. The Design Council, London had spearheaded an initiative called RED where a series of innovative design and management exchanges had led to the development of some very interesting new services, all designed by keeping users in mind. The Design Wales too has been working with SME’s and local businesses to assist them to refine their service offerings and their booklet on service design is a very refined offering that can be downloaded as a pdf file. (see link below)

Several unusual experiments have been taking place in this space and the work done at the Mayo Clinic, USA is one that stands out in using the IDEO methodology to improve the service offerings of the medical establishment and their hospital chain, which has been covered in an earlier post on this blog. This year the KaosPilot school from Sweden has deputed 35 of their students to spend their “Outpost” session of three months in the field at Mumbai, and they are in the city till the end of May 2008 to explore the creation of new and compelling services that can build local entrepreneurship in a number of areas of service offerings from transportation to health systems. The Welllingker School of Management in Mumbai has started a masters programme in Design Management and NID Ahmedabad has a programme on offer called Strategic Design Management, but these are very little for a huge country like India and many of the other management schools should consider offering such programmes if we are to make headway in improving our services with the use of design and innovation, all managed by expert hands that are trained to do the job. The National Design Policy must take this into account when we try and take design forward in India.

There are many online resources that provide insights into service design and its emerging boundaries and some of these are listed below for immediate access:



1. Design Council, UK: Service Design

2. Rotmans School of Management, Toronto: Integrative Thinking

3. KaosPilot, Denmark: Design of New Businesses

4. Service Design: Wikipedia: Definition and links

5. Service Design Research: Rich Collection of Papers

6. ServiceDesign.org: Resources hosted by live/work UK

7. Design Wales, Cardiff: SEE Design Journals

8. SEE Design, Design Wales, Cardiff: Service Design booklet Download pdf files links: Part 1: Part 2:

9. Design Management Institute

10. Domus Academy - Business Design Department

Thứ Tư, 2 tháng 4, 2008

Poverty and Design Explored: Context India

Image: Dr Sam Wong speaking to students at NID in the DCC class about design for sustainable development

Poverty and Design Explored: Context India
Last week we had a couple of visitors to NID, both looking at the macro issues of design and development as well as how we at NID looked at these same issues from our perspective of many years of experience of using design for situations that addressed rural poverty and design policy at the national level. Dr. Sam Wong from the School of Earth and Environment who asked us a question about our methodology for village intervention with design for sustainable living. Dr. Wong is on his way to Rajasthan to conduct a first hand study of development opportunities in rural areas and to look at the various roles for design in that process. This gave me an opportunity to reflect on the various projects done at NID over the years from the Jawaja project, through the Chennapatna toy project to numerous textile design projects such as the Dhamadka Block Print project and more recently to our “Katlamara Chalo” project that integrates bamboo cultivation with product manufacturing as a means to alleviate rural poverty using local skills, resources and local enthusiasm as the primary resource. In my reflections we were able to discuss and build a more generalized sketch model (shown above) that explained the process leading to the selection of the village through research and the building of an understanding of the context from which a number of design opportunities are identified and modeled before they are taken through a participatory development process that used the local strengths and resources in a sustainable manner, all with a design strategy layered with design thinking and action that is aimed at creating the product innovations and business models that could bring self reliance and sustained development to that particular situation. This process has been repeated many times by our students and faculty teams at hundreds of village centres across that country in numerous crafts pockets with a great deal of success. Unfortunately not many of these projects have been published although they are all live examples of success of such design interventions in the field in a very complex social and economic milieu that makes up the India village situation.

Image: Gisele Raulik and Darragh Murphy speaking to NID students in the DCC class about National Design Policies and their research in India and elsewhere.
The second visitor was Gisele Raulik Murphy, a design researcher from the SEEdesign Programme of Design Wales at Cardiff who is visiting India to examine the contours of the Indian National Design Policy and compare it to those of Finland, Brazil and South Korea. Gisele and her designer husband, Darragh Murphy, had an occasion to talk to my students in the DCC Foundation class about design policy, design promotion and design support programmes in many countries that they are researching just now. Gisele had invited me to the conference that she had helped organize on Design Support that was conducted by Design Wales in 2004. My paper on the status of design business in India can be downloaded from this link here. (conference paper 39kb pdf and visual presentation 573kb pdf) Her current visit to NID and India gave me the opportunity to share our thoughts and ideas about design policy and on my personal views about its larger role in India. I am eager to see her interactions with Indian designers and design administrators compiled and discussed in her forthcoming report and to review her insights through her extended study of a comparative analysis of numerous design policies across the world.

The way economists use the term planning today it seems that they do not take into account the various processes that we consider to be at the core of design as explained above, particularly, that of the core design ability of visualization through which design intentions are made visible to all stakeholders before the matter is taken up for sustained implementation with zeal and local participation. The economists prefer to use statistical and mathematically modeled projections and verbal constructs which do not touch upon the core areas of realisable innovations and this is an area that I think that design can help in bringing about a better understanding of even statistics itself. The work of people like Richard Saul Wurman and others in the field of information architecture and data visualisation have touched upon this use of a specific design ability to make visible, structures and forms of processes, situations and happenings, all explored in many complex manifestations. There are many other areas that design can be used in the planning and decision process of governments and industry where it is not used today and this is very evident to me each time i look at the work of our Indian Planning Commission and its publications. These bodies are filled with economists but at many times they seem to have very little faith in imagination and the creation of new and innovative offerings that the situation really affords, at least in my mind this is true. I do believe that these are not adequately addressed due to lack of understanding of what design can do in such situations by being a part of the process from the inside and designers too have not taken on the task of making all these possibilities visible by their own work due to lack of involvement, engagement and of funding at one end and stark apathy at the other. Many designers have taken the easy path of doing what they are told to do by their corporate masters who use their skills to slick up annual reports or company brochures.

I do feel that we need to raise this debate and explore the various roles of design and its potential application that is today ignored by design education and practice alike, including my own school, and we may need to raise that debate at a global level so that a new sense of commitment is brought into the use of design in areas far outside industry and business, and that is one of my objectives in setting up this 'Design for India" blog in order to create a platform from which I can share my thoughts on the possibilities that I see. I also find the peer review system of the research publications as not so perfect although it does work wonders for science analysis and knowledge creation but it may be extremely defective for design demonstration since the idea of “design opportunity”, a very specific term, as a combination of perception and imagination, excludes the viewer or reader from "seeing" the imagination part of the designers statement and therefore it compels the designer to take the idea far down the visualisation path before it can even dawn on others that the idea is truly credible. This means that we may need to create a platform or even many platforms for design incubation and development that can be accessible to many across numerous areas of application and need and these kinds of platforms just do not exist in India today, or if it does, it is dominated by administrative controls that stifle innovation and exploration which is critically needed to make the demonstration. Even at NID, our policies for faculty research and action are very restrictive and the sanction mechanism through administration is very stifling indeed. Some of us have had to battle hard to achieve a small degree of autonomy of action and this is not a good climate for addressing these complex problems which surround us here in India in an effective manner.

Jeffrey Sachs, author of “The End of Poverty: How we can make it happen in our lifetime” and Director of The Earth Institute, is an economist and a respected guide of many International programmes but I fail to see any signs of his deep understanding of design and innovation as we understand it today and here we, as designers and design teachers, have the task of educating our economists and the United Nations and World Bank statesmen, about the possibilities of design use just as the science community has managed to do over the past few hundred years of demonstration and application, their message to the world. This is where I feel the design policy of nations need to be directed to look at areas of real value and I am trying to get the attention of the Government of India to this possibility and to its potential in India and thanks to the internet we can make these statements directly today through our blogs (if managed properly) and I am aware that these have an impact, almost as much as any message in a peer reviewed journal such as the Design Issues or some other such respected platform with a claim of being scientific, but the challenge and problem is located in how we can get the people who need to listen to this to come to the table when the dominating theme in India and the world over is still science and technology and also management top a large extent, while design is not at all a part of that agenda at the level of discourse at the policy level in our nation. Most people, including Sachs, seem to believe that giving “development aid” is the way forward to poverty eradication and the whole aspect of building self reliance is often underplayed or even forgotten altogether. Many NGO’s turn out to be self serving agencies where the dependencies that are built between the donor and the recipient gives the donor a life long kick that they are doing some good in the world as good samaritans while they are in actually serving themselves and their ego needs. It is here that Ravi Matthai’s advise that the interveners must be completely dispensible in the process of building self reliant communities becomes relevant as he had advocated when we entered the Jawaja Project in the early 70’s.

Thứ Ba, 1 tháng 4, 2008

Poverty and the Village Economy: Design Strategies for India

Image: Models prepared by systems design students from Product and Graphic Design after their recent visit to Jawaja in Rajasthan.

Poverty and the Village Economy: Design Strategies for India
This year the Design Concepts and Concerns course offered to the Foundation batch at the NID is looking at how design can help address some pressing needs of our villages, particularly in dealing with the problems associated with systemic poverty and how design thinking and action can help the people help themselves. The theme of this year’s course is water and its numerous manifestations and applications and the students have explored this space through mapping out design opportunities while trying to understand the needs of the five selected regions that have been assigned to the groups for their study and action. The Government of India has all but admitted that they have failed to deal with the huge problem of rural indebtedness and failure of agriculture and the only thing that they could think of was to give sops (as usual) in the form of a Rs 60,000 crore farm-loan-waiver scheme which addresses the symptoms and not the cause. I wonder what would happen if such funds were applied to the creation of imaginative solutions that are specific to each location through the use of design and through local participation? The massive and repeated occurrence of farmer suicides that have been reported from many parts of our country are the symptoms for a deep seated malaise that Government with all its massive investments in science and technology programmes on the one hand and in numerous financial and management schemes on the other, all of which have come to no real solution to this endemic problem.

This magnanimous gesture on the part of Government was further compounded by another show of opulent entertainment through a lavish indulgence that was exhibited by a group of corporate leaders and their wealthy and loaded counterparts from the entertainment world in a weekend bash at Jamnagar, all in a land of farmer suicides and abject poverty that is a real concern across thousands of villages that make up much of India. Mukesh Ambani is reported to have spent upwards of Rs 400 crores for this three day bash and I wonder if other rich farmers and our feudal zamindari system in rural India will try to emulate this act in the days ahead, some leadership, great role model!! Not that designers are far behind if one examined the luxury based projects that they carry out regularly with great aplomb and an uncanny disdain for any form of poverty that surrounds us in India, all while working for their corporate masters in the form of opulent trade shows, glamour events and branded experience merchandise and lifestyle products for the very very rich. Design itself is unfortunately seen as an activity aimed at the very rich and rarely as a process and an activity that can address the pressing needs of our country and its needy poor, which is a whole world apart.

Dr. Verghese Kurian, the great Anand milkman and founder to the Dairy Cooperative movement in India, has been calling repeatedly for the creation of rural support systems and educational institutes such as the IRMA, the Indian Institute of Rural Management, across several geographies in India but the Government continues to bash on with the setting up of more IIM’s, the Indian Institute of Management, that address the needs of corporate India when these particular entities are quite capable of looking after themselves, or should be doing so by all the means available to them. Some of us have been calling for an increased allocation of Government funds into the design education sector as well since we believe that this would help solve many of our human resource imbalances that are due to the excessive leaning towards science and technology on the one side and on corporate kind of management on the other hand, particularly at the higher education levels. This year the national budget has earmarked funds for yet more IIT’s and IIM’s while continuing to ignore the dire need for design schools as well as rural management schools that Dr Kurian has been talking about. The late Prof. Ravi Matthai, the founder Director of the IIM Ahmedabad had initiated a visionary programme for experimenting with rural education called “The Rural University Project” in the early 70’s and through this initiative he had inspired faculty and students of the IIMA and the NID Ahmedabad to cooperate in the field and build solutions for the rural poor. The Jawaja Project, as we called it at NID, had many initiatives that took design teachers and students to the villages of Rajasthan and Nilam Iyer through her Diploma Project had developed strategies as well as products using the skills and materials of the leather workers of the Jawaja village cooperative. The NID-IIMA involvement continued for many years and the stated objective of the Jawaja team led by Prof Matthai was to make the interveners dispensible completely through the building of the self reliance of the village people. This was indeed a very wise piece of advice when we look back at Jawaja after a period of 25 years. Ashoke Chatterjee in his 1997 interview with Carolyn Jongeward talks about the design journey with conviction and satisfaction. The interview was later published in Seminar magazine and can be seen at this link.

Image; Model and metaphor of the Raigar system of product based entrepreneurial venture prepared by the student team to understand the system.
The Raigar community, the Dalits of the region, were the poorest of the lot, and today they have gained the self confidence and the means to make their own living from the craft of making leather products which the are able to market in India as well as to many locations overseas. It is a confirmation that design support and local entrepreneurship can transform a communityt from being dejected and helpless to become confident and self reliant through a process of hand holding and encouragement which could induce local sustained action. It seems that the strategies that were developed and embedded into the design offerings for the Jawaja community has worked at many levels of complexity and today when a team of senior Product Design students from NID make a presentation of their field visit and findings from the Jawaja region, the message is very clear, that the design interventions have worked so well that the Raigars are the most financially secure community in the region today. These field studies were done as part of their systems design class at NID in their search for meaningful occupations for design in India today. It shows that design works and should indeed be used locally in each and every development situation to get the “Jawaja effect” to spread all over the country. Is the Government of India listening? I do hope so.

This strategy has been tried time and again by the NID faculty and students across numerous crafts communities all over India with a great deal of success. Paul Polak in his book “Out of Poverty: What works when traditional approaches fails”, tells us that his own experience with dealing with poverty in agriculture has used entrepreneurship and design strategy at the grassroots level to help eradicate poverty in many places across the world. His work and that of his organization, the International Development Enterprises, can be seen at their website link here.

Thứ Năm, 6 tháng 3, 2008

Rainwater Harvesting: Furaat Systems Design addresses many levels

Furaat Systems addresses many levels of design in Rainwater Harvesting

Image: Poster from Furaat Earth Pvt Ltd showing the systems overview
Science is the search for knowledge that we all depend upon to tell us how nature works and it is also the vehicle through which this knowledge is refined and tested through a process of hypothesis creation and peer evaluation. Technology on the other hand includes the methods, procedures and tools employed to use this knowledge into shaping dependable and predictable results. However it is rarely understood that generic design which is a natural human activity usually precedes both these stages in the creation of imaginative new products and solutions which may be at first intuitively and creatively apprehended into a workable manifestation and then refined by a process of evolution through multiple cycles as in the case of our crafts and numerous traditional applications. In the case of water harvesting systems in India we have a long tradition of applications that have been evolved through the fertile use of local ingenuity and hard earned insights over centuries of evolution and refinement.

Modern design on the other hand contributes to both knowledge creation as well as in helping in the application of existing knowledge in systematic ways to create compelling new solutions that include the multiple dimensions of economic, technological, sociological as well as the aesthetic besides addressing the functional and emotional needs of the user and helps meet the requirements of the task at hand in an elegant manner. This multidisciplinary quality of synthesis is unique to design innovation since it is a framework that enables each contributing specialization and the knowledge held therein to be brought into a particular configuration that opens the huge potential and inherent value in a manner that it can be harvested by a number of stakeholders in a manner intended by the collaborators. Design as we know it today is therefore a negotiated space and an expert procedure that helps unlock the value potential that is found locked within the particular situation. This unfolding has been the subject of much recent research by world design thought leaders as seen in their books such as Tomas Maldonado, Nigel Cross, Harold Nelson, Bryan Lawson, Klaus Krippendorff, Peter Downton, Roger Martin, Don Norman and others who have written books on the subject dealing with design theory and action. Many of them are members of the Design Research Society, which is composed of members who work in the area of design research and who have contributed to shaping the field in recent times through their writing on the subject. I too have many papers on design theory which try to explain the field and these can be downloaded from my website. In this particular post I am looking at how design has helped unfold value in the specific area of rainwater harvesting system and I will expand on this a bit later. In future posts I wish to look at many other fields where the use of design has made a huge difference and these too will hopefully help us see how design can be used across fields, and in my considered view India needs this kind of design action across 230 sectors of our economy.

Many places in Western India, particularly in Gujarat and Rajasthan there are age old traditions of water harvesting that include both the significant forms in which this art is performed across the region. The balancing of the underground aquifers through the strategic location of small ponds and lakes near a village has served our villages well over the years in helping the people manage their water resources for a year round availability. However with a greater dependence on ground water utilization by pumping in both our rural as well as urban locations we have increasingly seen the water table receding year on year till we reach a crisis point of no return. Many of our regions still receive good precipitation during the monsoon season but due to rapid drain-offs from the catchment areas into the storm drains and rivers we see very little of this water being recharged into the underground aquifers since even the old lakes have now been filled up in the creeping habit of urbanization. Cities like Delhi and Chennai have been facing an acute shortage of drinking water and this crisis is being experienced in many other parts of India as well. The traditional wisdom of holding the rain water run off in shallow ponds near the village seems to be replaced by a new fangled dependence on the deep bore pump and the imbalance of the situation is now showing up in the water shortages in the near term and in climate change at the macro level. Sensitive activists have raised this issue in a number of public for a and some have gone further to use documentation and scientific arguments to show us the consequences of our continued use of ground water resources while not addressing the need for recharge both artificially as well as in the natural way as far as possible.

Great examples of traditional water harvesting systems exist all over Gujarat and Rajasthan. The best known and celebrated examples are the Step Wells of Gujarat in Patan and Adalaj near Ahmedabad. In Ahmedabad city, houses in the traditional Polls had used the underground tanks to hold clean rainwater for use through the year. Most traditional houses in the Polls were equipped with such a well-designed system of copper pipes and dark underground sumps sufficiently large to hold a full year’s rainwater supply for drinking needs. Gandhi’s house in Porbunder is a specific example of this kind of rainwater harvesting that was practiced in the Gujarat region. The Centre for Science and Environment (CSE) in New Delhi showed leadership in the awareness building activity through their book on traditional water harvesting systems called “Dying Wisdom: Rise, Fall and Potential of India’s Traditional Water Harvesting Systems” that was published in 1997 by Anil Agarwal. The CSE has sustained its efforts at this awareness and legislation provoking efforts and studies over the years. As a result, today we can see many parts of India have new laws in place that make it mandatory to implement water harvesting systems in all new constructions and in some cases even in existing buildings. The CSE has published a “Water Harvesting Manual” with case studies from Delhi that provides guidelines for public action. However the creation of guidelines and principle diagrams to manage the flow of rainwater from rooftops and catchment areas without contamination into filter beds and then on to the storage or recharge systems is not sufficient to make it happen in a functional and a high quality manner in the real world. Each site needs to be planned and designed to meet the volume of run off as well as the storage or recharge capacity that the system should address. Alternately this leaves a space for several design opportunities for the creation of new products and services that can be offered in a professional manner by an entrepreneurial intervention. It is in the creation of such dependable and efficient as well as elegant systems does design come into play and this can demonstrate the value that is inherent on the situation, much of which is not easily visible to the eye of the perceiver.

Image: Furaat System under installation by two persons team.
It is one such offering that has been made by the Furaat Water Harvesting system that has been designed for the Ahmedabad based company by an NID graduate of Product Design, Dinesh Sharma. The company, Furaat Earth Pvt Ltd, was set up by the entrepreneur brothers Habil and Yusuf Attarwala with the intention of reaching action on the ground with a small investment rather than just talking about the need for awareness and local action. In the last two years over 400 installations have been achieved and this year has seen a growth in both acceptance and in business with over 500 installations being considered, each costing approximately Rs 30,000 and their message is being heard due to the value that they bring by the use of their successful modular design. The Furaat system can be used for both kinds of applications, that is, storage type or ground water recharge type of application. In the first case the system on offer can form the first stage of the collection and filtration process while a variety of storage types can be used downstream, and in the second case the modular units can be installed in a variety of capacities to recharge deep ground water reservoirs using deep bore wells as the preferred route for the ground water recharge process. While there are so many traditional and scientifically developed systems why are we looking at one that is developed by an industrial designer using the principles of design? This will become clear when we compare the features as well as performance across a number of parameters at the same time and see which ones stand the test of the harsh reality check that is done in the marketplace without subsidies of any kind.

Image: Details of the Furaat Rainwater Harvesting System
The product will have to meet customer requirements across these multiple attributes if it is to become successful in the marketplace. It has to be cost effective and this is achieved by the modular construction that is on offer. Two key components are used in the product – an octagonal horizontal component and a rectangular vertical component – each with a simple locator detail that uses spherical glass beads in a patented configuration to lock the components in place. These are made in high quality concrete castings with precision and durability and in the long run these offer reuse and recycling possibilities in case the location is to be changed in the future due changes in the underground water table characteristics or in new structures on the surface as the site is developed. This is a hidden feature that protects the investment and also significant is the ease with which the well components can be assembled, maintained and cleaned after a few monsoons. All water handling accessories too are made of industrial grade metals of high quality that provides durability, performance and filtration standards that are extremely high and the sand and gravel beds at the first and the last stage too can be cleaned with ease since the design affords easy access as it is like a step-well with the dimensions matched to human proportions for lifting, access and climbing as well as being secure in the quality of filter performance that is guaranteed by the company. The pdf file available at their website gives a poster showing areas of application and more details of the construction and the features can be downloaded from their site here. The modular construction gives the user and the planner flexibility in making the particular unit to suit the needs of the site condition as well as the available budget since a one level, two level or three level or even a multi-level unit can be made with the same basic components in a very short time. Installation can be completed in less than a day by one or two semi-skilled masons without the use of hoists or cranes to erect the well components. Ground water recharge if done carelessly can be quite damaging for the aquifer since it is easy to use artificial recharge to help introduce contaminants and surface pollution into an aquifer if the filtration process is carelessly handled.

Image: Postcards designed to reach the message of rainwater harvesting to school children
Water is serious commodity that needs great care and attention and we need a variety of systems that can take care of local variants from the point of view of precipitation, terrain, geological attributes as well as population stress and other factors. Design can play a great role in examining and building imaginative solutions that are economic, appropriate and culturally suitable for the particular location. John Thackara in his recent book review has strongly recommended a book on water management titled “Dam Nation: Dispatches From the Water Underground” by Editors Cleo Woelfle-Erskine, July Oskar Cole , Laura Allen, and Illustrator Annie Danger. This brings up another point for us since design need not end with the product in need but can extend to the graphic and systems devices and methods that are used to promote and build awareness about these systems in our wider population. Here the communications too could be designed and the Furaat team has produced posters, flash cards and other communications that can help bring awareness to local schools as well as to parents through their children so that eventually the action on the ground is both significant and effective. Water and its effective management is definitely one major sector that can benefit from design thought and action I would like to see that the Government to include it in the National Design Policy initiatives and just like this one neglected sector (from a design opportunity perspective) we have another 230 sectors that too need urgent public funding and design attention. John Thackara has called for a movement to be put in place to support "collaborative innovation in all public investment in the UK and we can certainly benefit if we can bring these actions to India across our vast landscape with its huge diversity of regional, climatic, biotic, cultural and geological variables that renders central planning so ineffective. The National Design Policy could take a leaf out of the DOTT07 initiatives of the Design Council UK and now the DOTT07 Manual is available online in part as a digital file and as a print product it is available at cost.

Thứ Sáu, 29 tháng 2, 2008

Rockytoys as a Model: The Mini Wheeler Series

Rockytoys Experience: The Mini Wheeler Series and beyond
Image: Mini Wheeler series designed for Rockytoys in 1975 using spindle moulder profiles for mass production.
The Dinky Toy™ range and the Matchbox™ range were an all time favorite at our shop ever since I first saw the little cars in the late 50’s during our frequent visits to our shop, Rockytoys on General Patters Road. Die cast in zinc with a great attention to detail, each car was a fine replica of the one that the toy represented. Kids and their parents seemed to love these and those who could afford them had large collections and they were used for imaginative play. As little children, my brother and I had a large collection of these Dinky Toy cars, thanks to our fathers liberal position about our access to these toys when we visited the shop, and this extended as well to the Meccano™ construction kits that brought us hours of fun and productive labour in building and dismantling wonderful structures at our home in Guindy in Madras. My father was an avid collector of old toy prototypes and on one of his visits to Calcutta he came back with an enormous set of Hornby™ Model Railway engines, wagons and a huge supply of 0 gauge tracks. It was enormous and we could set up tracks all over our long bedroom at our old house at Guindy and it has stations, level crossing and changing tracks, all made in tinplate construction that was precise and robust in construction. Two clock-work engines and two complete sets of passenger and goods wagons came with the set. He has also obtained a number of catalogues of toy company Tri-ang™, and we spent several hours each day pouring over these books while playing with what we had at hand.

This experience must have been in the back of my mind when I decided to develop a range of little cars for production in our factory using wood as the primary material. I remembered having seen an old book in my fathers collection that showed the creation of the Noah’s Ark and all the animals using a cart-wheel type construction that was then turned on a lathe in the profile of each animal and the animal shape was revealed when the “cart-wheel” was eventually sliced radialy into narrow slices such that the cross section was the shape of the animal concerned. These slices were then whittled and shaped to make a range of realistic animal shapes which could then be included in the Noah’s Ark toy. Each lathe turned “cart-wheel” would produce a large number of identical animals, very clever indeed.

Image: Detail of the BUG, DIX and other three-letter named car toys made using moulded wood profiles in stained wood finish.
Inspired by this process I developed a range of spindle-moulded car shapes using a small number of cutter blades since there was little investment funds available to make these cutters. I mixed an d matched the cutters for the front and back of the cars and thereby produced a range that I called the Mini-Wheeler series”, all an extension of the same design strategy that had started with the making of the Big Wheeler and Small Wheeler range, that of using one size of wheel and wheel assembly to produce a range of new offerings. I used a uniform size of drill holes to suggest windows and the form was an extreme simplification but the message was clear. Each car and train set were made using a limited number of cutters and the intention was to offer these in graphic packaging that had large typography and the profile of the car on the outside of the box which was to be printed using the screen printing technique since once again small scale production would be used to establish the product and if they turned successful theses could be scaled up using other manufacturing techniques. These toys never reached large scale production that I had intended but several hundred sets were produced and sold in the late 70’s and early 80’s. The wheels were turned using rosewood stock that had come from a bulk purchase of root segments from a forest auction that my father had participated in during the 60’s and these were ideal for making the wheels since the material was rock hard and the small components were not too difficult to manage from this stock. The body was made using white cedar and another wood called “Manja Kadamba”, which was a local hardwood that was fine grained and white in colour. I used dye colours to shade the finished blocks and no painted version was offered for this range since the stained and natural versions were found acceptable in the market.

Image: Mini-Wheeler Train set and the range of cars using the spindle moulding process.
Much later when I had returned to NID I developed another toy which was prototyped but never produced which I called the “Acrobats” which was based on the spindle moulded dolls, boy and girl shapes that could be stacked in a variety of ways, being modular in dimension, and these would form a human pyramid when stacked by the child like in the “Janmashtami” function of “Matka Phod” that is very popular in Bombay and all over Maharashtra State. However, design is an investment, and it can be encashed at anytime if the conditions for that particular offering are dusted out from the shelf and offered to the market in an acceptable form and price. These toys can have a life of their own once again and I do hope that some young enthusiast will revive some of these as modern versions and reach these to children who need them for play and learning. Crafts communities in India and elsewhere could use these design offerings and the process of innovation that these represent to kick-start entrepreneurship in their own locations and offer some of these toys to the local markets in a sustainable manner. This form of innovation can be a great driver of the economy but it is still not understood in India for what it truly is. One year after the launch of the National Design Policy in India last February, the Finance Minister today in his 2008 Budget speech made no mention of any special allocation for Design Promotion like Korea has done or Design Support like the Wales model both much needed in India today, just as in the last year the only mention about design was at the tail end of his speech when the service tax on design services was announced for the first time in Parliament. I wonder when design, as we understand it today, will be recognized in India for what it can really do in the core areas of our economy and society and not just for the superficial qualities that are those dealing with the aesthetic quality of products, which is perhaps well understood, but unfortunately these are equated to luxury products and services and not for the core applications across 230 sectors of our economy as I have been arguing here on this blog.