Hiển thị các bài đăng có nhãn Design Definition. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Design Definition. Hiển thị tất cả bài đăng

Thứ Năm, 10 tháng 1, 2008

TATA’s One Lakh Car: Systems Failure on Indian Roads?

Image: An immersive experience at the trendspotting workshop at NID with Swedish and Indian students
We have been teaching systems thinking and design to several generations of students at NID. When asked what we should do to improve design education in India, Kishore Biyani answered that Indian design students were steeped in ideology and were bent on changing the world. He said, Six out of ten students coming out of design schools want to change the world and three others want to set up their own business, which leaves very little for the industry to choose from. This was an exchange that happened at the CII-NID National Design Summit in response to my question. This answer is not surprising nor is it alarming since we have been teaching our students to address systems level complexities while our industry is asking them to do a bit of aesthetic cleaning up of the mess that is being offered to India in the guise high quality and benchmarked offerings that meets international standards, whether it be retail or in automobile. Whose standards are we following? Have we asked our people what they need or are the advertising claims made by industry and the market buzz about growth and volume all that we need to be concerned about? In my earlier post on the CII-NID Summit in Bangalore I had called the TATA initiative as irresponsible and now I return to examine the alternatives.

It is not surprising that there is an uproar about the TATA’s one lakh car and the promise for a national grid-lock sometime soon which is coming from the NGO community and a small band of thinkers such as Chief U.N. climate scientist Rajendra Pachauri, who shared last year's Nobel Peace Prize, as quoted in the pr-inside.com where he says “…I am having nightmares” about the prospect of the low-cost car. Sunita Narain, Director of Centre for Science and Environment (CSE), on the other hand is quoted as saying “the solution is not to ban the Rs 1-lakh car but to "tax it like crazy until it (India) has a mass transit system that can give people another cheap mobility option”. While its opponents rant and rave, the Nano from the TATA stable has its supporters too. Mritiunjoy Mohantyin, Professor of Economics at the Indian Institute of Management Calcutta (IIM Calcutta) in his piece in Rediff.com titled “Why criticising the Rs 1-lakh car is wrong” argues…“…in my view, given environmental concerns and urban densities, India's mobility requirements are perhaps best met by a combination of mass transit systems and small cars like the Tata 'people's car.” He goes on to say “…perhaps the best solution for an efficient and environmentally friendly mobility policy for India is to focus on an affordable mass transit system and on small cars (including the Rs 1-lakh car).”

Nothing wrong with that point of view either. Disruptive innovations are the need of the day and if the low-cost small car is one answer while we must get our industry and government to invest in generating a number of alternatives that could be better aligned to the needs of the Indian consumer. Here is the rub. Very little investment has gone into examining the alternatives through sustained investments in visioning exercises at any level in India and we are running on the tread mill of everyday existence to have any time and place for design innovation exercises that could pave the way for informed choices that could be presented to our political bosses in order to make the decisions on levels of tax, regulation and a desirable quality of life for our people. It is assumed that more investment through FDI’s by companies in an unregulated market economy will somehow bring us disruptive innovations that will create the necessary differentiators through market processes of competition and regulation in the economy and here the main role would be played by investments in science and technology that can be measured, such as emission standards, safety and other parameters that would be subject of lab and field investigation using science and technology metrics. However the issues that would need to be examined are in my view not what is possible – which science and technology can answer – but to try and answer the big question of what is desirable – which is only possible through the creation and examination of several alternatives that are tangible and can be appreciated as projected scenarios in a format which can be apprehended by the common man and then these need to be debated and resolved in a democratic manner. Design scenarios can be developed for many of our society’s needs and aspirations and the product of the design journey will then be the shaping of our culture and not just the manifestation in the form of its artifacts and some scientifically measurable attributes. All proposals for new infrastructure and major development programmes must be presented in a visual manner that can be seen, examined and appreciated by the lay man and the man in the street before it is taken forward by administrators and politicians with their industry big-wigs who have the money.


The shift to asking what is desirable for our society raises a whole lot of other questions that cannot be answered through science, technology or engineering since there are those intangibles that fall outside the ambit of knowledge and enter the domain of feelings and values. This is where we have discovered and built our conviction of the need for looking at these situations in a holistic manner and looking beyond the artifact in isolation and the need to look at the systems level to study both impact and the consequences. If this understanding can be embedded into the offering the effect would be valuable by magnitudes in terms of the benefits that would accrue from the situation. We need both government and industry to join hands and invest in building use case scenarios that can be made visible to all stake-holders so that an informed debate can ensue before major decisions of infrastructure and direction are decided and this would apply to whether or not we need to heed to Sunita Narain’s suggestion of “tax it like crazy”. This kind of public examination should be an ongoing one since change is a continuous process and we would need to make a constant vigil on the feedback loops that are so important in a systems model to help separate noise from meaning and information travel through society. Last week we have had a group of Swedish students and their teachers camping at NID and during their stay they worked with NID students and faculty examining future scenarios for forecasting education trends in India and across the World. Prof. Peter Majanen lectured on “The Art of Trendspotting and Future Thinking” while Prof Ronald Jones addressed the notion that “The India Report was once a Micro Trend”. The Think Tank was truly interdisciplinary with students from four schools in Sweden from across disciplines traveling to India to work with NID students from across disciplines at the Institute in an immersive workshop format to look at India now through field exchanges and then at India in 2058 through immersive experiences. Their insights and findings were presented this morning at the NID Boardroom just as the TATA’s one lakh car was being unveiled in New Delhi today.

I do wish that Ratan Tata and the automobile industry as a whole had invested in numerous such scenario building tasks in our design, engineering and management schools so that all of us could have a glimpse of what would be the consequences of our smart management and engineering actions today and tomorrow. We can explore and envision desirable futures at a systems level where the mobility of every citizen is assured at a quality level that we can only dream of today. We need to set up these think tanks across disciplines in India and to examine the desirable alternatives in a transparent manner using the systems design processes and the envisaging methods that would reveal alternative scenarios that can then be placed before decision makers and the public for debate and necessary decision as we go forward. Vertical specializations cannot tell us much in such complex situations and we need to encourage collaboration across disciplines and for this to happen we need to set up platforms of collaboration and formats for engagements that could be applied to all 230 sectors of our economy using design as a common language that can be appreciated and acted upon with conviction and vision. Our National Design Policy will then be put into action in a manner that will bring benefits to all our citizens across all sectors of our economy. Let us become a nation with great imagination and provide leadership to the world in a sustainable manner.

Thứ Năm, 29 tháng 11, 2007

First National Conference on Geovisualisation: Welcome Address by Prof. M P Ranjan

Image: Screenshot of village study done by NID students as part of the Data Visualisation course to explore applications for geovisualisationWelcome Address delivered to the 1st National Conference on GeoVisualisation held at the National Institute of Design, Ahmedabad on 28th to 30th November 2007. This was co-sponsored by The NRDMS (DST) Government of India, New Delhi and the NID, Ahmedbad.

Prof. M P Ranjan
Chairman, Geovisualisation Task Group
and
Faculty of Design, National Institute of Design

Welcome to NID and this is a good time to raise some questions as well as to try and provide some answers.

I have four key questions and a host of associated answers. So let me begin with my Welcome address by addressing these one by one.

1. Why GeoVisualisation? What is it anyway?
What are the Issues and opportunities? What are the domains of application? In my personal agenda is another big question, which is, how do we make complex data dealing with geographic spatial implications visible and usable to the ordinary citizen in India.

We stand on a great tradition of cartography in India. A few years ago NID was requested by the Department of Science and Technology, Government of India to work with the Office of the Survey of India to develop an exhibition to celebrate the Great Arc project which was the first ever mapping of a part of the globe and this had happened in India some 200 years ago. Since then India has been at the forefront of cartographic traditions and now it is time to take leadership again through excellence in Geovisualisation. In this we would be happy to partner with the NRDMS-DST who have sponsored this event as well as reflect on the work done in Ahmedabad by ISRO and many other organizations that has set a platform for this new field of Geovisualisation to take root in India with a strong partnership between Design and science and technology initiatives.

2. Why Design?
Design is now being defined as a much broader field that takes intentions to the creation of value to society and ecology through a process of thoughts and actions. Design deals with products and applications and it has a user focus while the dominant ideology is having a technology focus especially in the fields of application that we are dealing with in the areas of geovisualisation.
Through design we intend to address the needs of many sectors including education, development, planning, management and most critical of all in the induction of innovation into this sector and all the potential applications so that we can unfold huge value in the process of both creation as well as delivery.

3. Why this Conference?
The geovisualisation agenda can only be addressed by adopting a multi-disciplinary context as a given condition for moving forward since so many disparate skill sets would need to be integrated and this is an attempt to bring all these skill sets to a common platform to address our complex needs and opportunities. This is also an attempt to bring together the multiple knowledge domains of geography, cartography, computation, visualization and design in the service of real challenges that call for the use of geospatial data and representation for the core tasks of local planning as well as in decision support systems in a number of domains of application. We also need to build awareness, commitment and the linkages that are necessary to make the whole operation to be useful to the people at large in many parts of the country as well as in many walks of life and at many levels, local and national.

4. Why at NID?
The Institutional objectives of NID has taken us down a path of discovery and in recent years NID has set up a number of new initiatives that deal with technology design fusion that has culminated in the setting up of new programmes and disciplines and the setting up of two new campuses in Gandhinagar and at Bangalore. Both these initiatives are to supplement the work that has been done over the years at the Paldi campus dealing with promoting design as a core ability in a huge number of sectors of our economy, in my estimate, about 230 sectors that are in critical need of that discipline. NID has proposed the setting up of a Centre for Geovisualisation to provide a platform for research and design explorations in the various sectors of application of geovisualisation which would need a strong interface with the already developed areas of science and technology with particular emphasis in making these applications user friendly by addressing opportunities in usability and accessibility by those who need it the most. We hope to use this conference to help build the agenda for research and education to be conducted by the proposed centre and I would call on the participants to provide directions and suggestions for the NID team to take forward in the days ahead. We are also interested in showing through our interest and actions that the various investments in science, technology and management need to be supplemented by investments and the use of design in this very critical new field and that this would influence other such initiatives for partnership across disciplines in the days ahead.

Welcome to NID and to Ahmedabad. I would, like to take this opportunity to welcome all the speakers and delegates, students and experts to NID as well as to compliment the NID and DST teams that have done the background work to make this happen. I would particularly mention Dr Bibuda Baral and Rupesh Vyas of NID and Dr D Dutta of NRDMS, DST, Government of India and to their teams for their sustained efforts to help realize this event. I would also take this opportunity to thank the Geovisualisation Task Force team as the Chairman of the Committee for their active support in leading the deliberations that have culminated in the launch of the first National Conference on Geovisualisation and for setting in motion a chain of events that will be of huge significance in the years ahead. I will be speaking later on the theme of usability and in my presentation I will share my views on areas of application and on the design opportunities that I see for the read ahead in the field of Geovisualisation in India.

Chủ Nhật, 12 tháng 8, 2007

Design and the Creative Economy: A Strategy for Development in India

Image 1: Variety of expressions of human form from the many village crafts of India
See more about these crafts in “Handmade in India”

Most people think the technology shapes our environment and objects in our lives, but few people in India would consider the possibility of this being far from the truth. While technology is indeed one of the drivers of giving shape to the objects in our lives, a far more potent force is culture that in most mature societies deeply influences how our objects and environments are shaped. The use of design in the production of meaning and in our constant striving to transcend the technology that we use to create these in the first place determines many qualities that we cherish as part of culture. The evidence of form giving seen in tribal societies and in the highly evolved and stable village forms that dot our landscape in India show us this deep influence of design and culture in the shaping of our lives and experiences and we can foresee that as our digital technologies develop and mature we will be increasingly using culture through the medium of design as a determinant of the form of our software and hardware interfaces just as we have been using it to shape our living spaces and artifacts that we have been using in our lives. We will therefore need to return to our roots and discover afresh the age old local solutions and in this process try to understand design at a new level of maturity. Design has been a core driver for the shaping of culture and we will need to redefine its role in then shaping our future and in forming and providing meaning to our future selves. In India are fortunate to have a living culture that has a continuity in its settlements and life processes going back over 5000 years of civilization and the manifestations of this long journey are visible all around the country, if we care to take a look.

This is a very different kind of design activity that we are talking about here and not the type promoted by the glitterati and the design-as-adjective-media, all dealing with “designer labels”, a creation of marketing strategists in search of gullible consumers. Today, the Economic Times in Ahmedabad had a front page story on Design with a capital “D”, of course, and with a lot of name dropping, well known brand names of cars, perfumes, clothes and lifestyle products, and that in my opinion is another kind of design, the kind that can only lead to global warming by fuelling the consumption culture, and certainly not what I am trying to advocate here. We need to understand design as it was always understood by the common man, a core human activity of thinking and doing, a process of inquiry in a search for insights that could help make an existing situation better in the future for ourselves and for the world. Design at this level is about sensitive and ethical human intentions shaped by thoughts and actions that are steeped with feeling in a process that can generate value for all stakeholders. At this level it is a driver of culture that is sustainable and beneficial to humans as well as the ecology of the planet.

Image 2: Data visualization of village economy in a class assignment at NID
See more about this assignment in the “Data Visualisation course”

India and the Indian village has been the subject of design study in the search of the discovery of the roots of the synthesis of form. Why the Indian village? Christopher Alexander in his masterful thesis called “Notes on the Synthesis of Form” used the generalized Indian village as his object of investigation using as many as 144 parameters that have helped organically shape the relationships that go to make up the structure and form of the typical Indian village. The Indian village was chosen since it is perhaps the only surviving form of settlement that has endured the 5000 year long evolutionary process in arriving at a mature and sustainable model for human settlements and which continues to stand as a living organic system today. This is a model which has been fortunately insulated from mass destruction and migratory pressures and stand as living evidence of forms that can represent the synthesis of forces that give shape to human intentions and designs. While flying from my base in Ahmedabad to Delhi and onwards to Guwahati I can see below the dots that are the villages of the great Gangetic plains below that Alexander studied in 1961, still living and being shaped by many of the forces that he helped describe in his analysis in search for a synthesis of form. The typical Indian village, is a living testimony of sustainability having survived 5000 years, even as we look at it through the haze of poverty and the coloured perceptions that our modern education has endowed on us. Urbanization is not the only option forward since we can innovate other options, only if we try.

Looking down at our village from the air and now by doing the same using Google Earth, we can all participate in the live analysis if we can see the forces acting on the ground as did Alexander in the course of his field study in the early sixties. He identified many forces, some technological no doubt but many are attitudes and belief systems as well as rules and laws that have a far greater influence on the shaping of the village than mere technology and the economic parameters that we hold in such high esteem when we consider the modern day artifacts and environments that are being rapidly thrown up by the technological society that we have built in the recent past.

We are now using an evolved definition of design which places it on a level that is at the very core of human explorations and innovation over the years. Design is about the insightful and sensitive use of human intentions through our opportunity seeking thoughts and actions to produce meaning and value for ourselves and for society as a whole. In this form it is a very potent force that helps shape culture and it is achieved through our manipulations of materials and in giving shape to our intentions at both the material and at the immaterial and intangible level of systems, services and spaces as well as our artifacts and our interfaces with technology products in the software and artifact space.

Design can bridge cultures with its core ability for the sensitive creation of value from channeling human intentions through informed thoughts and actions. Design helps a society connect all of human knowledge with its deeper sensibilities and aspirations and it was an integral part of social and economic action till recent times when it got divorced from daily life in the process of industrialization and mass production. Access to new technologies and the democratization of global communication promises to give new meaning to creative expressions in a two way process that we are now attempting to build into our efforts to use design and its related initiative.

Image 3: Systems model of Design and the many levels of engagement
See more about this model at my website “About Design Theory: Levels of Design”
Download the paper: Levels of Design Intervention - 200 kb pdf.

Design is a powerful integrator at the systems level while it may continue to be operative at multiple levels and work across multiple sectors, materials and fields of business and social life. Our conviction about its effectiveness stems from the experience of numerous development projects that we have had in India over the past fifty years of using design as a critical tool for economic and social development. Other countries too are veering towards this new view of design as a vehicle for culture and it is here that we are likely to see its true value for human development.

Image 4: Model of Design as Fire: Systems dynamics and the design effect
See more about this model at my website“About Design Theory: Metaphor of Fire”

Design as a core human activity evolved from its first appearance over two million years ago when per-humans used fire to ward off predators and provide a sense of security to the early users. From the use of fire to the use of materials and tools is a long journey that chronicles that evolution of design and separates it from the organized forms of both science and art, since it predates both these disciplines when seen at this very general level of engagement with human aspirations and actions. This very integral set of capabilities that were part of rural habitats got separated and differentiated into specialist activities both with the birth of formal education and the university systems as well as through the processes of industrialization and it is now seen as a profession in the periphery of business and social action. Now we have embarked on a journey that goes well beyond material and tools and it includes the creative shaping of ideas about society, politics and ethics just as we looked at function, form and aesthetics and in this new journey we see interesting possibilities for design to expand and embrace this expanding universe of action with growing influence in shaping all our lives.

Image 5: The design process integrated with business models
Download paper about this model from my website “About Design Theory: Iterative Design Process.”

We will need to build new models to understand this evolving profession and build both processes and platforms for education in order to embed these new capabilities in a more formal manner into the shaping of our culture in the days ahead. Some of these approaches are part of our experiments in teaching design to students at the schools in India where design has been largely neglected by both Government and industry for the past fifty years since independence. However the recent surge of interest due to globalization should not limit the scope of its application to just business and industry but make it accessible in its significant role as the core capability in shaping our culture in a rapidly changing world order.

Agriculture gave way to Industry and now we are heading towards a new wave of global change that is predicted to transform the way we choose to live and work in the information empowered world order. The dawning of the creative has been predicted by many and countries and cities are vying for creative talent in trying to make their policies more attractive for those with creative energy and this includes many kinds of design professionals and innovative occupations. Does this mean that all such change will take place in urban India and leave the great village devoid of any talent? I do not think so and nor do many of my colleagues in the design profession in India who have been experimenting and researching the great Indian village traditions in search for ways to take these durable traditions forward into the next epoch of change with sustainability. We only need to look at the numerous stories of small-scale entrepreneurship and the vast range of craft, performance and artistic skills that live in our villages today and juxtapose it with the potential that the information age provides all of us to have a two-way communication across the global village to realize that the old bazaar could be recreated anew to offer a platform for a new age economy that can sustain a new economy in new and imaginative ways.

Image 6: Profile of the emerging designer and those who will adopt design as a way forward in their own professions.
See more about this model at my website: “About Design Theory: Profile of the Designer.”
Download paper: Creating the Unknowable - 50 kb pdf
Download paper: Craftsmanship in Education – 160 kb doc

This is the creative economy and we need to look at design in a fresh perspective not just as a servant of industry and business but as an enabler of such creative enterprises that are driven by local talent and linked to value rich associations with carefully paired relationships that the community channels now provide across the world for those who have similar aspirations and interests. That such networks can be created with the use of local skills and resources can be easily be demonstrated in each sector and some of our young designers are already showing signs of this journey and we will need to harness the pointers that they are revealing to us through their work in the field. Music, art, performance, storytelling through cinema and theatre have all been made accessible to small scale producers, all of whom have the reach across the globe for their offerings. Similarly crafts producers too have the same reach for their wares that are valued for their unique offerings and their exclusive qualities, particularly if they are handmade with a high degree of understanding and empathy for the intended user. Rich texts are being co-produced by collaborators on the net and so is music and image banks and research, all of which point to new possibilities that are emerging that will eventually challenge industry and business in new and exciting ways. India needs to look at this transformation and try and integrate what it has preserved for centuries in the living village economies and then build the creative economy on the back of this great tradition to provide leadership across many spheres of activity in tourism, entertainment and life-styles that are sustainable and satisfying in a modern sense.

In order to succeed here we will need to build a policy framework that is sympathetic to the design process of exploration, experimentation, modeling and prototyping before rapid deployment and make the investments in infrastructure and people through appropriate education and an umbrella of supports that would help them realize this potential. This would then be a design led initiative that can usher in the creative economy and other countries too are looking at this possibility but India has a real advantage with a huge cultural resource that is alive and ready to be used. I will elaborate the application of design strategies to other fields in the days ahead and in each one we will need to nurture the creative force of innovation and help make situations and offerings better than they are today. Design can usher in the creative economy and we can make it happen right here in India.

The Design Concepts and Concerns course (DCC) had covered this theme earlier in the Foundation as well as in earlier PG batches. This year we are looking at the Creative Economy and its potential for India with the PG batches at Gandhinagar, Paldi as well as Bangalore. I have set up a new blog for the DCC course which can be seen at this link and the theme for this year is the Creative Economy of the Future in the DCC course. The Gandhinagar batch is looking at the design opportunities in the area of Digital Design.

Thứ Năm, 28 tháng 6, 2007

Science and Design: Reality check for India


A wily old “designer”, the first of a breed, lit up a bonfire outside a cave somewhere in South Africa and stayed the night in the cave behind it. We are told by Richard Dawkins that this happened regularly more than 2 million years ago and it certainly changed the course of human destiny. This was his design epiphany moment, and the first for human kind as they became the only species on planet earth to intentionally use fire to generate real value, starting with a feeling of security and a good nights rest. The rest is history. This act of pure insight set us apart from all the other species on earth, all an outcome of perhaps the first discernable human act of design, yes DESIGN!

Intentional action that generated real value!

Design, in its broadest sense, means the management of intentions through thought and action to generate real value. This was a true act of design done in good faith and if someone had tried to regulate his actions and ask for proof of future success, we would perhaps not have been around today to discuss these matters. The human use of fire started as an act of faith and knowledge of fire came much later, after many experiments and truth seeking reflections which is now called the process of science. While science and technology deal with finding truths and building specifications, design deals with reality check in particular context and in the marketplace, which cannot be checked in any laboratory or supported by an abstract proof. Design uses insights AND knowledge with feeling and concern for the context while science is a search for the ultimate truth. While the scientific process is immaculate, we must admit that it is faulted to a point where all truths, however hard earned they may be by repeated experiments and reflection supported by flights of fantasy and imagination, it must give way to the next big truth – the proof of which lies in the fallibility test – upon which the foundation of good science is built and nurtured. Design on the other hand must always fit the context, for the particular moment and the particular location and as Harold Nelson and Eric Stolterman would have us believe from their book, the Design Way, in the ultimate particular form of something that works for us, here and now. Science searches for the general, and higher the level of generalization the higher it is in our esteem, closer to the ultimate truth. Design seeks the real and the possible, the politically correct path, closer to the needs and aspirations of the particular user, customized to be a perfect fit. The better its fit the better its perceived benefits and value in that particular context. In the best case scenario, so good is the fit that we even fail to notice its very existence and we fail to see it anymore, it almost disappears from our view and becomes one with our experience and becomes one with us, subsumed into our sub-conscious self, just like a part of our body and mind.

Roger Martin, Dean of the Joseph L Rotman School of Management, University of Toronto is taking this intangible quality of design to a new level in management education in Canada with a significant impact across the developed world. He is introducing design understanding into management education with his call for the design of products and services to achieve a total experience, a sensory and intellectual experience, where the manifestations of the material and structure almost but disappear and get blended with the experiential memes of the individual user, the community of consumers and all the stakeholders – which includes the user and the service provider alike – a win-win situation that generates great value for all. He is quoted in a recent issue of Canadian Business, “Design in its broadest sense is figuring out the most elegant, efficient, effective way of doing something – the way that is most matched with the user’s needs. You create a system that efficiently delivers precisely what the customers want.” (pp 45, DB Nov 6-19, 2006). Yes, good business design is good for business and it is not about getting designers into the act, but about transforming business processes and offerings by putting design into each and every one of them, and this is a task for the empowered manager of the future, from the MBD programme that he has helped initiate to replace the thousands of old MBA programmes that dot the globe today. The MBD, Master of Business Design, is now in its third year at the Rotmans School of Management and its message will surely travel to all the other schools, and it is only a matter of time. Yes, it is about putting “Design inside everything”. If may use a modified expression borrowed from the Intel logo, a pun which was also stated by Uday Dandavate in his speech at the “Design with India” session at the Asia Society in New York this February.

We desperately need the message that Roger Martin brings to the Canadian management community if we are to are to combat the mediocrity that abounds in the popular tendering process that is mindlessly adopted by the Indian administration for all infrastructure and public expenditure on the pretext that it solves corruption in our society. Roger Martin’s is a call to bring imagination with some design thinking that would be acceptable to an entrepreneur which could include a dose of calculated risk into our public expenditure that is accompanied by good business sense of a CEO if we are to transform our country with design inside each and every one of these public offerings. Design for India would then mean putting design inside all government investments to bring out the true value of our intentions, surely a task fit for a new Ministry of Design, if we can take a progressive leap into the future of well designed governance in India that would touch the lives of all its citizens in a positive manner. Can we dream big? Can we dream our dreams and act right? Can we try and emulate the act of the first ever designer of two million years ago and set a new course for humanity, and of course for India, towards a better and sustainable future for all of us by using design. However, in India today the collective science and technology budgets of governments and business exceeds Rupees Sixty Thousand crores per year while that for design would be below Rupees One Hundred Crores, surely it is time to examine the proportions and make the required adjustments.

Perhaps we need to bring the spirit of Roger Martin’s debate to the National Design Summit in Bangalore this year if we are to convince the uninitiated and the skeptics in administration, finance and governance to make up for lost time, as a part of our determination to make the National Design Policy work for all of us across all the 230 sectors of our economy where it is needed most. We need design as it is broadly defined and we need it urgently, and we need it now!

References;

Richard Dawkins, The Ancestors Tale: A Pilgrimage to the Dawn of Evolution, Houghton Miffin Company, New York, 2004.

Harold Nelson and Eric Stolterman, The Design Way: Intentional Change in an Unpredictable World -
Foundations and Fundamentals of Design Competence, Educational Technology Publications Inc., New Jersey, 2005.

Erin Pooley, “The Dean of Design”, Canadian Business, November 6-19, 2006, pp 45.

Rotman School of Management, website and links to Roger Martin papers.