Design Happenings in Bangalore: Two Weeks at NID Bangalore

Design Happenings in Bangalore: Two Weeks at NID Bangalore
Prof M P Ranjan

Image 1: DCC models about food at NID Bangalore: Climate, Geography and Culture.

I have been in Bangalore, nay Bengaluru now, for over ten days and have been conducting the Design Concepts and Concerns Course (DCC) for students of three disciplines at the NID Bangalore Centre. The theme continues to be food and the assignments have gone through a small transformation. The first assignment had three groups looking at the macro aspects of food and the economy across the broad fields of influence under the heads of Climate, Geography and Culture. The first assignment ended with the three groups having explored the chosen areas through brainstorming and some supporting research ending in the production of a visually rich model that could help in the “visual sensemaking” process as defined by the NextD Leadership Institute.

Image 2: DCC team presentations at NID Bangalore

Each group came up with compelling presentations that revealed a great depth of information carried by the team members and they were all able to produce rich models and make their presentation to the faculty and students at NID Bangalore. The Geography group used a compact model of the continents which revealed both their knowledge as well as their areas of ignorance about the world of food, since the North American and European regions were better represented than the South Americas and the African continent. The climate group divided the world into zones along the longitudes and used one table surface for each zone to capture a picture book of “Poloroid pictures” just as a returning traveler would have shared their vast journeys with their clansmen in the past. The third group had everyone holding their breath with their stunning portrayal of culture using their knowledge of India and the variety of foods and their associations with religious and cultural affiliations. The three dimensional display was well classified and translated into banners each that covered one major category of food and a central display mapped the three major religions that dominate the Indian landscape.

Image: Neelam Chibber with Prof. Ranjan at NID Bangalore and with students of the DCC class.

Neelam Chibber who visited the NID campus briefly to see the bamboo workshop at IPIRTI across the street from the NID campus was quite taken in by the presentation of the culture group and she has commissioned the team to make a refined set of banners about food and culture for her new stores in the now revised Industree Crafts stores that are taking shape in her back office operation of scaling up and diversifying her already successful operation to bring value to Indian crafts at the grassroots level. The Industree Crafts Foundation as well as Industree Crafts Pvt Ltd is being transformed after taking strong roots in Bangalore and I will bring this story to this blog when Neelam is ready with her new and revised offering. Industree Crafts Foundation and the business wing Indistree Crafts Pvt Ltd. works on a Fair Trade principle with over 15,000 village craftsmen across seven states and the Northeastern Region of India and it grew from a small investment of Rs 12 lakhs (1.2 million Rupees) to reach a valuation of over Rs. 15 crores today and growing further by the day. Neelam worked with Gita Ram of the Crafts Council of India and Poonam Bir Kasturi in the early days to nurture a lofty thinking organisation and has shown us that design and social equity can bring good value for all partners. You can download a pdf article about their Fair Play principles from this link as a 688 kb pdf file titled "Fair and Just".

Image 3: Swiss design team conducting a workshop at NID Bangalore

The Swiss design team of industrial designer Frederic Dedelley and design journalist Ariana Pradal conducted a one day sensitizing workshop for all the students at NID Bangalore when they shared the Swiss Design experience through a slide lecture which was followed by a hand-on workshop aimed at creating a designer Letter Opener by direct action on materials and ideas. The evening saw an exciting presentation of over 50 different design offerings which were stimulating and showed the students the dominant design activity of product diversification with the use of micro detailing and form giving that are central to a designers bread and butter operation in their dealings with industry.

Image 4: Guided tour at the Swiss Design exhibit at Bangalore Max Muller Bhavan.

I got to visit the Swiss Design exhibition, Criss+Cross at the Max Muller Bhavan in Indra Nagar and also to take the guided tour offered by Ariana Pradal. I was joined by my daughter, a Bangalore based Graphic Designer, Aparna Ranjan in this very informative tour and later we sat together for a long chat with Frederic Dedelley on various issues and directions in design for India and the world.

Image 5: Bamboo workshop at IPIRTI with Tripura craftsmen for the IL&FS project.

The IPIRITI based bamboo development workshop had nine craftsmen from Tripura along with two of our mastercraftsmen working on my new designs that used a combination of bamboo poles and rubber wood components under the supervision of NID Bangalore faculty and long time bamboo colleague, C S Susanth. The IL&FS team included a supervisor and their senior officer S Matouleibi who manages the field activities of the Tripura Bamboo Mission in Agartala, Tripura. We developed a collection ten new designs with a focus on a “local-to-local strategy”, where we selected products that would have a ready local market in the Tripura region which in turn would facilitate start-up entrepreneurship amongst the bamboo craftsmen who need to develop their self confidence through some mentored development initiatives by the design and finance teams in the field.

Image 6: Visit to Quetzel Design Pvt Ltd

This project and the strategy to use some rubber wood components had me driving all the way across Bangalore from Penea to Sarjapur Road for a visit to Quetzel, a furniture design and manufacturing firm started by two NID graduates, Sandeep Mukherjee and Sarita Fernandes. The company has grown from humble beginnings to be one of the finest furniture manufacturing firms in India that can compete with the international brands that are now entering India across all the parameters of marketing and design. Sandeep and Sarita were both my students in the Furniture Design faculty and NID and I feel quite proud to see their massive and refined industrial venture which has been built at a time when design was ignored by both government and industry alike, which is something that I had called attention to in my paper of 2001 at the first National Design Summit organized by the CII and NID in Bangalore. My paper was titled “Cactus Flowers Bloom on the Dessert” to draw attention to the extremely hostile economic and policy climate in which design was passing through and things have not changed much even today, although we have come a long way as a profession today, but no thanks to either the government and to the established industry, who have steadfastly ignored the design community in India while they have run after international collaborations at a huge cost to our economy and to the tax payer alike. Download paper here 123 kb pdf file and visual presentation here in two parts: Part 1 – 3.6 mb pdf file and Part 2 – 4.6 mb pdf file

Image 7: Visit to Trapeze Design Studio at Koramangala

On our return from our long drive to Quetzel and back I took Matouleibi to visit Trapeze, a graphic design studio at Koramangala which was set up by two NID graduates, Sarita Sunder and Ram Sinam. An exciting small studio with a row of Macs on one side and an impromptu photo studio and a table tennis facility on the other. Trapeze has an impressive range of clients from across several sectors and their work in print and web design has set standards for Indian graphic design industry in spite of their small and cozy studio size and very personalized format of operation.

Image 8: Book launch function at Crosswords for Dr Darlie O Koshy and his book “Indian Design Edge”.

The week closed with another interesting event which I will write about in some detail in a future post since it will need the time and space to read, reflect and comment about, in a balanced manner, if possible. This event was the launch of the new book, “Indian Design Edge” by Dr Darlie O Koshy, Director, National Institute of Design through the Roli Books Publishers at an evening event at Crosswords Bookstore on Residency Road, Bangalore. The event saw the main speaker Dr Sadagopan, Director IIIT, Bangalore (Tripple IT Bangalore) wax and wane about the virtues of design from the aesthetics to the usability of the Apple iPhone and his profuse praise for Dr Koshy’s many achievements in his 8 year long career at NID as its Executive Director for the first five years and later as its Director for the past three years after a terminiology change that has left us all puzzled if it is a move forward for NID or not. I bought three copies of the book for myself, my wife Aditi Ranjan and my daughter Aparna Ranjan so that all of us designers could come up to steam quickly on Dr Koshy’s offering to the design publishing space in India, which by the way is very starved of any kind of serious publishing and this particular offering will be lapped up by the much starved Indian and international design public, I am sure. Dr Koshy is also a Board Member of ICSID, the International Council of Societies Industrial Design, and by the way my blog “Design for India” has been showcased by the ICSID blog in the education section last month particularly for the Tata Nano debate that it had hosted when the product was launched with much fanfare early this year. Ratan Tata has written the Forward for Dr Koshy’s book and the Tata Nano appears on the dust jacket as well as on the contents page of the book as a symbol of Indian design success.

Image 9: Visitors at the book launch function at Crosswords, Bangalore

There was a bash across the street from Crosswords organized by a local fashion group to falicitate Dr Koshy on his publishing achievement but I did not gate-crash this bash at the Taj Gateway but chose to have a quiet dinner with my daughter Aparna along with two very interesting young designers from France and Germany, two girls who have chosen to work in India since it offers them real challenges unlike the well established and stable design climate in Europe today. We sat a Coconut Grove and got a sense of what foreign designers liked in India and how they had coped with the challenges of Indian living, both rode mobikes in Bangalore and have worked for over two years in a umber of very interesting assignments here in Bangalore. I am sure India can accommodate may more such international adventurers in the 230 sectors of our economy that is today starved of design offerings due to policy myopia in government and in industry. The design scene in India is indeed changing rapidly and this si an exciting time to be working in and in writing about design for India. Mireille Arnaud, the girl from France, is working with some stone craftsmen from a village called Shivarapatna in Karnataka and she has helped them build contemporary concepts that can take their skills to new markets in India and overseas. This is the kind of cooperation that we had envisaged when Aditi and I had embarked on the research for the book “Handmade in India” in conversations with Jogi Panghaal one of our prominent collaborators and several of our faculty colleagues at NID. India can offer creative opportunities of Indian and international designers to work closely with Indian craftsmen to build a creative economy which could be the future for many of the Indian crafts if our policy initiatives are managed in the right direction. On the other hand, Christina Hug from Germany, is working as a creative director in a local design firm with her focus on graphics and communication having traveled to India after field experiences with the Greenpeace Foundation in many countries.

This week I get back to NID Ahmedabad with a good feel from Bangalore since so much has happened the past ten days and the stay was useful and productive. I look forward to returning soon to Bangalore, the city of Rain Tree avenues and a still wonderful climate, if we manage to keep it that way, Nano or no Nano!


Prof M P Ranjan

Making of a design entrepreneur: Learning from peers

Image: Pankaj Varma and Julie Bose talking to Foundations students about their business experience of setting up a new brand called “Namo”, a series of Devotional Accessories as a design offering in the Indian marketplace.

Learning about business processes and business models has a two fold role in the making of a designer in India. The knowledge will hold them in good stead when they actually start practicing design and some of them will become entrepreneurs in their own right, by getting involved in start-up businesses using their design skills and entrepreneurial urge just as many of our graduates have done in the past. Many of such businesses have grown over the past ten or fifteen years and in my recent reflections in conversation with colleagues and students in the DCC class at NID we have identified several classes of such businesses that have been set up by our young designers who have graduated from our institute. The second aspect of business is the understanding of the channel through which the design solutions developed during the design journey are delivered to the public in an extremely competitive space of the marketplace. Many a time great design solutions get sidelined due to some other factors that are usually beyond the control of the manufacturer, promoter or even the product creator. These could be factors in the legal space, the financial strategies employed or even in the layers of branding and positioning that may have been adopted by the marketing team. It is clear that even these offerings can be designed and explored to both reduce risk as well as to respond to current aspirations of users as well as conditions in the market that may call for a revision of the offering in line with the time and place in which it is being made.
Image: The Namo design collection launched by designer entrepreneurs Pankaj Verma and Julie Bose

Making of a design entrepreneur: Learning from peers
I have asked the Foundation students explore the field by contacting our graduates in the field in order to find role models for themselves to emulate when their time is ripe for action in the field. India has been a particularly hostile territory for young design aspirants since we have had a protected economy for so many years and design and the risk that it entails was far from the minds of the trader manufacturers who managed our industrial empires as well as the Government that was more interested in control through standards and laws and taxation and special privileges and subsidies rather innovation and market excellence. In my presentation at the Conference on Design Support at Design Wales in 2004 I had the occasion to reflect on the Indian Design landscape and offer a number of categories for design businesses in India. This conference paper (pdf 39kb) and visual presentation (pdf 573kb) show the categories and these can be downloaded from my website at the links provided here. In order to give our students a framework to do their own research about their peers in the design business in India I offer a broad set of categories below which is in no way exhaustive but can give them a head start to look at this space and fill in the details for themselves as we go forward with their education.

Design schools and their curriculum has been focused on the creation of skilled personal for industry but many of our products, our graduates from the design programmes, end up being self employed and very happy indeed in that self appointed space. The journey may be traumatic for some or just as easy for others, but the lessons of the street food vendors that was explored by the DCC class would I am sure give our young aspiring designers some insights about how they too can survive in a hostile business environment which is not too supportive of design and the design activity in India has been just that over the past fifty years since the modern design movement started at Ahmedabad with the writing of the Eames India Report in 1958 (pdf 359kb). Perhaps this has something to do with the nature of design itself and only time will tell. The National Design Policy too is perhaps barking up the wrong tree and trying to create designers to serve industry masters, but are they ready to listen? We need to look at other models where designers can work directly with people who need their support and the policy frameworks could be moulded to facilitate such a direction. Here I would draw the attention of my students to the experiments in the Northeast of England where the Design Council UK has carried out the DOTT07 initiatives with John Thackara of Doors of Perception fame as the design leader. Their book, publications link and online documentation pdf (5454kb) of this live one year long initiative is very exciting indeed and could be a model for decentralised design action in India as well. Design schools may need to reexamine their curriculum to ensure that entrepreneurship is included in their mandate and this may bode well for design profession in India going forward.

The broad categories that we identified for design action in India are listed below:
1. Design Consulting Offices (DCO’s) (a few names in each category)
Design Directions: Satish Gokhale and Falguni Patel (Product & Graphic Design)
Ray & Kesavan: Sujata Kesavan (Graphic Design & Branding)
Incubis: Amit Gulati and Sabyasachi Paldas (Product Design, Architecture and Branding)
Korjan Design Studio: Dinesh and Rashmi Korjan (Product Design)
Elephant Design: Sudhir Sharma and colleagues from NID (Graphic, Branding, Exhibition etc)
Idiom Design Studio: Sonia Manchanda, Jacob Mathew et al (Branding, Graphics, Retail)
Design Workshop: Devashis Bhattacharya (Graphics, Branding & Exhibitions)
Icarus Design: George Mathews (Product Design)
Whisper Design: Niladri Mukherjee (Product Design and Branding)
Lopez Design: Tony Lopez (Graphics, Branding)
Lokus Design: Chandrashekar Badve, Molond Risaildar & Siddharth Kabra (Design, Architecture and Branding)

2. Designer Producers (DPO’s)
Quetzel: Sandeep Mukherjee and Sarita Fernandez (Furniture and Architectural Accessories)
Dovetail: Sunder S and John Mathew: (Furniture and Architectural Accessories)
Bodhi: Mala and Pradeep Sinha (Textile and Fashion products)
Designwise: Mukul Goel (Hand Crafted Metal artifacts and accessories)
Namo: Pankaj Verma and Julie Bose (Devotional Accessories)
Curiosity Workshop: Mala and Bela Shodhan (Soft Toys and Furnishings)

3. Designer Producer with Retail outlets (DPR’s)
Abraham & Thakore: David Abraham and Rakesh Thakore (Textile and Fashion products)
Tulsi: Neeru Kumar (Textile and Home Furnishing)
Bandhej: Archana Shah (Textile, Fashion and Accessories)
The Design Store: S Sunder, John Matthew, Jacob Matthew & Anand Aurora (Furniture & Accessories)

4. Interior Design and Exhibit Design services (IED’s)
Design Habit: Amardeep Behl: (Exhibition Design)
Design Core & Design Laboratory: Vikram Sardesai and Surya Gowda (Exhibition Design)

5. Design Research Services (DRS’s)
Onio Design: Mahoj Kotari (Product Design and Trend Research)
Variations Art Gallery & Freedom Tree Design: Latika Puri Khosla (Colour Research Services)
Sonic Rim: Uday Dandavate (People oriented Trend Research)

6. Design Led Institutions / NGO Activists (DLI’s)
Riverside School: Kiran Bir Sethi (Primary and Secondary School)
Khumbam: K B Jinan (Craft Based Production of Terracota Murals)
Industree: Neelam Chibber (Grass based village and artisanal initiatives)
Daily Dump: Poonam Bir Kasturi (Organic Waste management system)
Vikalp Design: Laxmi Murthy (Communication for Rural Health)

7.Interaction and Interface Design (IID’s)
Codesign: Rajesh Dahiya (Interface Design and Graphics)
Edot Solutions: Sanjay Sarkar (Information Design Software)

8. Corporate Design Intrapreneurs (CDI’s)
Atmosphere & Himatsingka Design Studio: Jayshree Poddar (Silk Furnishing)

I am sure that we can think of many more such initiatives and see that these are not exhaustive in any way. However, with the creation of the Design Business Incubation Centre at NID with support from the DST perhaps more alternatives will be explored in the days ahead. Perhaps the practicing designers in India can share their experiences and disclose closely held business strategies to design students so that it would encourage several of them to think of taking the entrepreneurial route when the time is right. Data on their business turnover and what they do and how they operate is rarely available since the whole area of design journalism is so poorly operated and structured in India today. I hope that this too will change in the days ahead.

CII-NID Design Summit, Bangalore 2007: Focus on the National Design Policy

The CII NID Design Summit 2007 was kicked off in great style by Uday Dandavate, Design with India, with the screening of two song sequences from Bollywood in the sixtees and from the current crop, the first showed Nutan doing a homely Garba dance and the other with Bipasha Basu in Omkara, a stark reminder that we have all come a long way since Independence. Yes, India is changing and we expect it to change even more rapidly in the days ahead since the world has just crossed the urban rural ratio going in favoutr of the urban settlements for the first time since the dawn of civilization.In the India Report of 1958 Charles Eames had warned us about the nature of this change. He says – ”… we recommend that without delay there be a sober investigation into those values and those qualities that Indians hold important to a good life, that there be a close scrutiny of those elements that go to make up a “Standard of Living”. ……”. He goes on to say in an insightful manner that …” …One suspects that much benefit would be gained from starting this search at the small village level.”
We are now in the fag end of the year 2007, almost 50 years after the tabling of the Eames India Report, and at the CII-NID Design Summit we had a report from the CII National Committees on Design that was set up to discuss the proposed implementation of the National Design Policy that was announced by the Central Government on the 8th February 2007 and this statement was part of the conference handout. I do wish that this statement or recommendation could have been made available much earlier and to a wider audience of designers and industry and that these recommendations were debated and discussed to the extant that they should be if they are to become inclusive as well as effective. Vikram Kirloskar, Chairman of the CII National Committee on Design spoke briefly about the five broad planks that were considered by the committee and these are listed below:
1. Competitiveness of Industry by Design
2. Design for Culture, Society and Environment
3. Design for Education
4. Branding /Promotion of Design through Media
5. Design Policy implementation including setting up of Design Parks. Venture fund for design

No mention of the village that Eames had warned us about, but we are already 50 years ahead, so things must have changed on the ground, the population is streaming into our urban centres – but the big question is – is this the good life that Indians are aspiring to live? Is this so? I personally do not think so nor is this an inevitable direction, since we can design our future if only we set out to examine the possibilities, by design. At the end of the session on the National Design Policy I was able to ask a question to the Secretary, DIPP Department of Industrial Policy and Promotion who are charged with the responsibility of implementing the policy. I quote, “How are you planning to bring the other Ministries of the Government on board the National Design Policy since all of them need Design and not just Industry, particularly in the areas on Rural Development and Education to name only a few?” – unquote. During this session the member secretary of the AIDI (Association of Indian Design Industry) too offered to partner with Government in furthering the objectives of the NDP and the Secretary immediately suggested that the AIDI get in touch with the Ministry after the conference to initiate necessary action and set up a platform for such cooperation, and I do hope that the AIDI will act on this invitation and make sure that the voice of the design industry is an integral part of the ongoing dialogue on the NDP.

The other interesting sessions that I attended included the dialogue between Kishore Biyani and Bruce Nussbaum that was facilitated by Uday Dandavate. Kishore Biyani, it is evident from his submissions, is very clued in on what design can do for the retail industry that he represents and he has a clear conception of how he proposes to use design to face the huge diversity of India and the Indian consumer. He is one CEO who understands design and I do wish we could see more of his ilk following suit. Ratan Tata, on the other hand is a designer and architect, who was not present at the conference but his impact was certainly felt since there were whispers in the corridors of the great under 100,000 Rupee car (sub-one-lakh car for the masses) being talked about in awe and great respect. I however am surprised and not moved by such a shallow understanding of the transportation aspiration of the Indian citizen while Bangalore and its infrastructure is being visibly choked to the hilt by private automobiles and two-wheelers and the city and in particular, the axis road to the conference venue, is not able to take it anymore with the traffic inching along at a snail’s pace. It is here that the design policy should look at the macro level of the system and see how public transportation can be designed offered at a high quality and such irresponsible adventures as the “sub-one-lakh car”, a great feat of engineering however, are not foisted on the unsuspecting Indian villager and urbanite alike. We need to raise a debate and some of these questions are political, and these are design questions at a systems level. The Politics of Design as the Ulm School Foundation is now discussing it should inform National Policy, but is the Planning Commission listening?

Dr Koshy, Director NID, said all the right things and Bruce Nussbaum was duly impressed as he has stated in his blog-post at the Innovation section of the BusinessWeek Online. Shailajeet “Banny” Bannerjee called for new kind of leadership education for India using design at its core and once again Bruce Nussbaum has a detailed post on his talk at the conference besides one on his own keynote at the CII-NID Summit. In the second session two speakers held my attention. These were Ignacio Germade from Motorola who talked about design Transformation through innovation. His purpose for using design were clear and insightful as a four stage agenda as follows:
1. Discovering Opportunities – Need great processes in design thinking.
2. Facilitating Collaboration – Being good at storytelling.
3. Prototyping Propositions _ Making ideas tangible and visible to all.
4. Inside out branding – Not as icing on the cake since people want the cake and not just the icing.

Very stimulating indeed. The other significant talk of the morning was by Kingshuk Das from IDEO, Paolo Alto who talked about design connecting to the traditional wisdom of India and thereby creating great value, refreshing ideas that are both realistic as well as exotic. GK van Patter was of course stimulating but you can get his talk and the details of his philosophy from his website at the NextD site here. The NextD journal and the methods that he proposed are all available for review at their website link. There were some very boring presentations or should I say sales pitches by companies, which should not have been allowed by the organizers, and we must see that this is not repeated next year even if the companies concerned make a contribution or sponsorship to the conference.

Besides these the presentation by Uday Salunke, Director of Welingkar Institute of Management was very encouraging since now management schools too are looking seriously at Design and they with IDIOM are designing the next generation school called WE-School which we had a glimpse in Sonia Manchanda’s presentation. Of the case studies one stood out for its brilliance and excellence of execution and this was Lemon Design’s presentation by Dipendra Baoni of a new honey packaging and branding strategy that had created quite a stir at the conference. There were several break-out sessions but I did not attend these but I am sure that some of the other participants will share their experiences in the days ahead. In the final analysis it was a good conference, quite unreachable due to the remote location and horrible traffic at Bangalore, but a great meeting place for designer friends but with a huge gap due to very low presence of Industry CEO’s, which should be our objective for the next time around if design is to find a place in the Indian landscape alongside management, finance, science and technology.

I moderated a very interesting session (for me) along with Maoli Marur, Editor of Kyoorius Design Magazine where we had five Indian students and one international student who was working in India to give their insights about the future of design. I will leave it to others to comment on this session and I am sure that this should be a regular feature at the future summits and we must thank Uday Dandavate for insisting on having this event and makiong sure that it was not forgotten in the husstle and bustle of talking to Industry and Government.

Global Warming and Design Concerns in India

While reflecting on a question, by Shimolee Nahar a young graduate product designer from NID and a member on the designIndia list, I made these suggestions for research and action in India. One question that came to my mind was – What are Indian designers doing today which is interesting and useful for the long term happiness of our planet? It would be good to have these documented and brought into sharp focus in all our design schools and also to see it percolating into the consciousness of all our professionals as a viable and exciting entrepreneurial option to a lucrative desk job within industry.

Global warming is now a popular fad. I had seen the Time magazine cover story on Global Warming as well as "What can we do about it" story that was included in that issue. You can see the story now online at the following links.
Time Magazine cover story
An interactive slide show and a link to the Time Magazine
“What you can do" story at their website.

Also recommended is Al Gore's documentary film, "An Inconvenient Truth", on Global Warming and the YouTube commentaries that follow it in a lighter vein.

India Today magazine, which is delivered to my home every week, too followed up with a me-too story in the weeks that followed, but unfortunately their website is a subscriber only site, they still seem to be living in a Web 1.0 mindset with a closed access regime, I wonder when they will change.!! and adopt a Web 2.0 mindset.....of open access, interactive and user driven content....I hope soon.
India Today
You can access the full story if you have a subscriber number from the cover of their mailing envelope.

Yes, each of us needs to ask the question, "What can we do?" and as a group of designers the topic is of great relevance. The world is changing and the – DesignIndia forum – and platforms like this one can be used to share what we are doing in our individual and professional capacities and it may be good to have this all documented and shared with the policy makers in India as well as with each other. This will bring a mind-set change which we do need if we are to succeed in our efforts in the days ahead.

For instance Dinesh Sharma, an industrial design graduate from NID, is working as design consultant to an enterprise called “Furaat Rainwater Conservation” and he has created his patented design and technology for offering both new as well as retrofitted rainwater harvesting systems for homes and organisations in Ahmedabad which not many people that I met are aware of just now. Calls are already coming in for this application from Tamilnadu and Karnataka which are currently battling over the Cauvery water sharing dispute and I am sure that more will follow as the value that it provides seeps into our collective consciousness. You can see the work of Furaat at their website link on the left hand panel here.
Furaat Rainwater Conservation

There is the wonderfully insightful and significant initiative from Poonam Bir Kasturi in Bangalore and it is now expanding to Chennai through her "Daily Dump" domestic organic waste management system which can be seen at this link here.

You too can act now and get the – Daily Dump – installed in your own home as a demonstration and test proving site.

Nominated for the Index Award in 2007 it is already a wonderful achievement but we will await the results and progress of its adoption with great interest in the days ahead. The – Index website story – says, I Quote:
“Daily Dump – compost at home (India) Designed by Poonam Bir Kasturi.
Challenge: 70% of waste generated in urban homes in India is wet organic waste, which before was collected and composted. However, after having discovered that public-sector waste disposal service does not sort the waste, citizens have lost confidence in using it.
Solution: With the home composting product Daily Dump, organic waste can be managed at source. In addition, the design drawings, methods and processes will be available on the Internet, enabling local micro-enterprises to flourish and families to recycle their organic waste.”
Unquote

We do look forward to this design contribution from India getting global recognition that it deserves, great going Poonam.
Daily Dump on Index Awards
See also this World Changing link here.

I too have been working on these issues spread over the years along with a large team of design students and faculty colleagues at NID on bamboo as a sustainable material for the future as well as using bamboo as an avenue for equitable employment opportunities in rural India through our work at the Centre for Bamboo Initiatives at NID. You can see some of the work documented at my website under the following links:
• Beyond Grassroots: BCDI links
• Katlamara Chalo links
• Bamboo Initiatives links
• Bamboo Boards & Beyond links
all accessible from my website link on the panel on the left: Prof Ranjan’s Homepage

The initiative that Mala and Pradeep Sinha have taken to experiment, design and build a sustainable water and energy conservation system at their high quality textile hand print and dye facility and design studio in Baroda comes to my mind, unfortunately, they do not have a full website link that I can share with you just now. However their studio, Bodhi can be seen at this link below:
Bodhi, Baroda

There are many many more that we do not know about since the design media is unfortunately only interested in glamour and glitz, it seems. We need to change that.

On these forums (DesignIndia list, Design with India, and Design for India, and others) we can help document all such initiatives and these could be showcased at the forthcoming CII-NID Design Summit 2007 so that some awareness and follow-up action can be catalysed in India using the design thinking that has gone into each of these cases. What do you think? Anyone who knows of any interesting and significant action in India or even small local initiatives of the use of design for such development and conservation intentions do send them in and I offer to collate all these into a collected research and share it with the interested people in the weeks ahead. If these are papers and web links that need to be explored these too can sent to me directly.

It is indeed time that we collaborate as a design community on this task and make a joint submission to government and industry so that the funds required for sustained research and exploration in such social and ecological sectors can be initiated and sustained. Others interested can join us in this effort. What do you think? This is just one of the 230 sectors in which much work needs to be done, and the time is now, particularly at a time when the Government has come forward and set up a National Design Policy and we must help in giving shape to the actions and value that can unfold from this progressive move.