Hiển thị các bài đăng có nhãn Wolfgang Jonas. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Wolfgang Jonas. Hiển thị tất cả bài đăng

Thứ Ba, 24 tháng 7, 2012

Design Concepts and Concerns: The Avalanche Effect from NID

Evolution of DCC course at NID: Reflections in 2012
Prof M P Ranjan


Image01: Models and lectures that were developed over the years for the Design Concepts and Concerns course at NID as they stood in 2005 as they appear in the EAD06 conference presentation at Bremen, Germany.
In 2009, Meena Kadri wrote about the course on her blog, “Random Specific”, and she sent me a link with a question – “Has not the DCC course evolved at NID over the past 40 years or so?” I sent her a brief note and then decided that the question could be answered at some length and perhaps some design historian or research scholar would be sufficiently interested in looking at the evolution of the pedagogy at NID which I do believe has made significant contribution to design education in India as well as in the world, much of which is as yet not appreciated due to a paucity of published references on the processes and personalities involved. Parts of this post appeared previously in July 2009 on my course blog named after the course – Design Concepts and Concerns – and here I am elaborating that post with reflections on what has happened after my retirement from NID and the directions that are being explored today by the institute and its faculty.


Image02: Cover and contents page of the Design Issues journal of Autumn 2005 dealing with Design and education in India.
The course as it stood then is documented at this blog site and through a couple of papers that I had written, first in 2002, specifically for the Design Issues magazine at the invitation of Martha Scotford who acting as a guest editor was compiling a collection of papers about design from India for the Design Issues magazine's volume on India. However, this paper that I wrote and submitted was called the "Avalanche Effect" and as luck would have it was not included in the final edited version, unfortunately. On Mon, 1 Dec 2003, after a long wait to hear from the editors I finally received a message from Martha Scotford about the rejection of my paper and I was at that time teaching at the BCDI in Agartala and I immediately posted the full text of my paper on the PhD-Design list which can be seen at this link here below: Avalanche Effect on the PhD –Design discussion list.

The Design Issues is a very respected peer reviewed journal from the MIT and the reviewers may have thought that the claims made by an unknown professor from India were a very tall order at that time or found some other shortcoming in my paper based on which it was declined. The journal came out with their volume about India and Indian design and this did not include my paper (“Design Issues: History Theory Criticism” volume 21, Number 4, Autumn 2005) The pdf copy of the “Avalanche Effect” paper can be downloaded from here as a 55kb pdf file.


Image03: Select pages from my presentation titled “Creating the Unknowable” showing the series of Assignments that are offered to NID Foundation students as part of their five week course on Design Concepts and Concerns.
However in the same year, in 2005, I wrore another paper about this course and my paper was titled “Creating the Unknowable: Designing the Future in Education” and this was also about the DCC course and it was accepted for a peer reviewed conference at Bremen Germany, the EAD06 coordinated by Wolfgang Jonas a design thinker at the Bremen University School of Design and I was able to share the DCC pedagogy and the underlying intentions for the first time on a public forum composed of critical design professors. (Download the full presentation from here as a 54MB zip file containing one pdf of the presentation and six linked movies inside one folder) Unfortunately, even here I faced problems of support from my own Institute. My travel costs would not be supported by NID authorities even though I was going to present a major course development done at the school over many years of experimentation and I had to bear the cost of travel myself. This does show how difficult it is to get support for design education in India in all these years when design thinking was being explored and refined through our teaching and design explorations, without much official support from the authorities that be. This lack of official support is captured in the title of my conference paper for the first National Design Summit in India called the CII-NID Design Summit that was held in Bangalore in December 2001. My paper was titled “Cactus Flower blooms in a Desert: Reflections on Design and Innovation in India”. Download that paper and the accompanying visual presentation from here as a 14.5 MB zip file containing three pdf files.


Image04: Thumbnails of OHP sheets used for the DCC course lectures in the late 80’s and early 90’s before the course was changed significantly in 1998.
Yes, to cut a long story short, the course dealing with design theory and design thinking has been evolving at NID for many many years from the original “Design Methods” that was first taught in its imported and refined form by Prof Kumar Vyas from the late 60’s and the early 70's for Product Design and then in the Foundation Programme and he was later assisted by Prof S Balaram and assisted by the young Dhimant Panchal. A variation in its title took place when the teachers of this course at NID started looking at processes within design in the 80's and it was then re-christened and called “Design Process”. A version of the course offered to Product Design students at the AEP Level was called “Product Design Process” and each discipline at NID had their own version of design theory being offered under different titles. In the mid 70's Prof Mohan Bhandari took over the Foundation programme after his stint of study and work experience in Germany with Professor Herbert Lindinger, a former faculty of the HfG Ulm, and he brought in the Environmental focus to the whole Foundation Programme but this course was still called "Design Process" and that was the case when I took over this course after his departure from NID in the late 80's.

Christopher Alexander’s papers and in particular his descriptive pages from his “Notes of the Synthesis of Form” were available at NID as cyclostyled papers, in a number of copies that were freely available on campus, which I had seen and I even had a personal copy way back in 1969 when I joined the Institute as a student in the first Post Graduate Programme in Furniture Design. These may have been here of many years before Prof Vyas’s course offerings and Alexander did visit India in the early 60’s as part of his research efforts for his first book that looked at an Indian Village as a source of inspiration for his theory about human settlements and design. It was only much later that I could understand the significance of Alexanders research since the Indian village held lessons of human evolution in an almost uninterupted manner in the Indo-Gangetic plains, a continuous evolution of over 5000 years that may not be found anywhere else on the planet. The cyclostyled papers could have been an early draft of his book which someone may have collected and shared with all of us in NID, I hope we get to know this background in some detail when the research about NID is conducted in some depth. There is however an official history of NID in the making and the deadline for its release has come and gone but there is still no sign of the book which has been a closely guarded secret even from members of the NID faculty who are not part of the inner circle of researchers on that project. The book - 50 Years of NID History – was "released" at the NID Convocation ceremony in December 2011 by the the then Chairman of the institute's Governiong Council, Salman Haider, as part of the Golden Jubilee launch but I am told that this was a dummy copy and a symbolic launch – very sly and a slight of hand; just to keep up promises made earlier - very disappointing indeed. I hope the book sees the light of day and we get to see it sometime soon.


Image05: Chart showing the evolution of the Design Methods and Design Process course in the 60’s and 70’s leading up to the formation of the Design Concepts and Concerns course in the 90’s.
In the mid 90's we changed the name of the course and called it “Design Concepts and Concerns” to bring focus to the broader issues that underpinned design action and learning. Some of us realised that ethical and value concerns and motivation with personal commitment are just as important as the tools and processes that designers use to address complex issues and derive suitable design offerings that could be the foundation for responsible design. This is a very brief statement on a long and involved process of course evolution at NID and that paper is still to be written. Many teachers worked with me from 1988 onwards. First it was Jatin Bhatt and Sangita Shroff who then went on to join NIFT. We then had Rashmi Korjan for a long time and Suchitra Sheth and Laxmi Murthy for a brief interlude. Since 1998 many teachers audited or assisted in the conduct of the course either partly or with full involvement and these include Alaxender Bosniak who now teaches in Germany, Dimple Soni, Meena Kadri, Bhavin Kotari, Harini Chandrasekhar, Bani Singh who teaches at NIFT Bangalore and many more that I will have to recall a long list of former students and faculty colleagues if the list is to be completed. Others on the faculty included Praveen Nahar, Ramakrishna Rao and Gayatri Menon in later years. In Bangalore, C S Susanth and Jignesh Khakhar, joined the course last year and we also had a senior student helping us in 2008 from the SDM discipline, Anand Saboo and so on. Many other senior students used to come in and hang out while the lectures and presentations were in progress and there was a rich discussion both inside as well as outside the course on the subjects being explored within the course each year since we had big themes and macro-economic concerns that were addressed, debated, brainstormed, modeled and mapped by each batch and each class producing a rich crop of design opportunities that were represented as visual scenarios that stayed in the mind for a very long time as a vision that cannot be shed easily, once it is found. Design thoughts and insights are not easy to forget if they are appropriately visualised.


Image06: Table showing the course structure and contents in 1995 when I had used this image to share the development of the Design Concepts and Concerns course in a presentation to the NID Faculty Forum as part of a course critique at NID in those days.
I purchased a SONY digital camera in 1998, my first really expensive buy, and the first one freely available at the institute and I used it to record all our classes in great detail. I have shared detailed digital pictures of the student assignments done during the course from 1998 onwards and developed the use of digital images as a source of extended memory for the students to revisit their experiences during the course. These images were shared with all students in individual CD-ROMs, one for each student to take away and when the NID server was set up these images were made available to the whole institute without any editing. Besides this sharing of images, there are many xerox documents in the NID Library of selected student notes and project documents from the earlier phase (from 1988 to 1998) that may need to be revisited. In that early phase we did project based assignments that were assigned to individual students and this was after a phase of lectures and group assignments about design concepts and methods and these projects were done by individual students and that called for individual guides which we fondly called the OPD (out patient department) and here we had Pradyumna Vyas, Vinod Parmar, S M Shah, P M Choksi, S Balaram and several others as project guides for the foundation students as part of the Design process course from 1988 to about 1998 when I dropped the individual project since it was becoming a ritual and not really contributing to any form of deep understanding in the student. The teachers who were guiding the students did not really contribute to a better understanding of the design thinking dimensions but were instead, I realised,  focussed on getting the students to deliver great solutions rather than them learning about the nature of design itself as the core activity and the aim of the project. From here on the course became more team oriented rather than individual focused and group processes and group grades became the norm much to the dismay of the Academic Administration, since I refused to give individual grades.

Shown above in Image04 are picture of an OHP sheet that I had used in 1995 to describe the design process and this is available for download as a pdf that gives the shift in content and assignments as it stood in that year which can be downloaded from here – Download OHP Sheets used in 1995 as pdf file - these are based on hand drawn OHP sheets that were used from 1988 onwards. On 15 August 2007 I had made a post on my other blog “Design for India” about this course and we have another description of the course and its intentions and effects at the link below: Design for India – Post on the DCC course.

Image07: Foundation students of the 2009 batch at NID created these models during the DCC course that showed us how India could get new design education strategies that could address the needs and aspirations of the various regions of the country. Six groups developed concepts and of these three are shown above. My last foundation batch at NID....

By 2002 the course was accepted for both the under-graduate foundation programme as a core offering as well as for all Post Graduate courses offered at the Institute. We started offering this course at NID Gandhinagar campus for the new disciplines of New Media, User Interface Design as well as for the Strategic Design Management students there. When the NID Bangalore campus was set up for three new disciplines this course was offered there as well and these are documented at each offering on the DCC Blog for those who may be interested in the details of what were the themes and the work done by the student teams – all documented in some detail there. I offered this course at NID till November 2010 when I retired from being a faculty at the NID. Last year the course was offered to all batches of students at NID in much the same way that it was designed and developed over the years. However this year I am told that the curriculum review process has decided to drop the course and to adopt the older name of design methods so that the teachers at NID could focus on teaching tools and techniques of design research and not get confused by the macro issues that have been the hallmark of this course since it was revised in the late 90's. The argument, I am told, is that foundation students may not be mature enough to address the complexities of the real world at the early stage in their education that and these would be better reserved for a later stage in their education at NID. Is NID education reverting to the design paradigm of the 80's? Only time will tell!!


When the Government of India announced the setting up of four new NID's in different regions of India it set alarm bells ringing amongst a group of NID alumni who expressed deep concern on the social networks and discussion forums in India. Almost organically a group came into existence and it was called the "Vision First" initiative. It so happened that all members of this group were NID alumni and they took up issues with Government and called for a national debate and discourse on whether the same model of the old NID at Paldi would be followed for all these schools or should we have a fresh think about where design is heading and this debate is documented in some detail at the blog set up by the group here –Vision First – a call for new design initiatives for India by a group of very concerned design professionals and academics from India. I do hope that both NID as well as the Government of India will listen to the voices from these design activists who have had varied experiences in design for development right here in India. Design Thinking and its application is indeed gaining greater acceptance in India as well as overseas. Management schools and research agencies are beginning to use design thinking to address complex problems and to search for solutions  to products, services and systems that make up our lives. Governments too are looking towards design and we will need to build capacity to respond to these kinds of opportunities besides the traditional capability of giving aesthetic form to products of industry and to create marketing messages for commercial ventures in the form of advertising and business communications. I have written about these areas and more needs to be articulated here. Some of my previous posts are listed here for easy access in the context of why the DCC course is important to nurture and take forward as it has been evolving at NID over the years.


2012 July - Design Thinking & Design Journey Revisited
2011 August - Design for Good Governance
2009 November - Design Thinking: The Flavor of the Month
2008 January - Systems Design: The NID Way
2007 December - Design as Research: The Path to Knowledge Creation
2007 October - Design Thinking: What is it?


Besides these posts from my Design for India blog here below I have linked several posts on the Design Concepts and Concerns blog that deal with the theory associated with this course.


2010 March - Business Models for Designers: Learning from the Field
2009 December - DCC 2010 - Foundation Batch 2009-10
2009 March - Scenario Visualisation: Indian Village as Visual Panorama in DCC2009
2009 March - Scenario Presentation: Learning about Composite Images in DCC
2009 March - Scenario Visualisation: Assignment on Composite Images and Mental Maps
2009 February - Business Models: Learning from the Field


The world of design and design education is moving inthe direction that we had anticipated in the DCC course at NID and we now see evidence of this is the new publications that are emerging from the West. I will draw attention here to one particular recent book that is available online with a good and interesting business model that makes it very accessible for our design students in India due to its attractive pricing policy for the digital version. The book that I refer to is "Wicked Problems: Problems Worth Solving " by Jon Kolko, Austin Centre for Design, 2012 and it is a recent example of the emerging expanded approach to design thinking that is being explored and shared.


Returning to the idea of the "Avalanche Effect" and the claims that I have been making over the years in my papers and presentations about this course needs to be revisited and validated. I took over from Mohan Bhandari in 1988 and I remember that  Kiran Bir Sethi was in my early class and her document of the course and her design project are preserved in the NID library as a xerox document that I had placed there for posterity along with others over the years. Her "Design Process" project was on Design Education and there is no surprise for me that she is today running a school in Ahmedabad called Riverside School  that uses design thinking as a core for delivering the school curriculum and she is also the author of the world's biggest design education effort, Design for Change Project, with millions of children being introduced to design thinking at the school level. I call this phenomenon the "Avalanche Effect" and I see this happening all the time in design schools that encourage its students to think big and connect with the real world and address real problems and opportunities in the real world.
Prof M P Ranjan

Thứ Tư, 14 tháng 4, 2010

Look Back Look Forward: The Bengaluru event

Look Back Look Forward: HfG Ulm and design education in India, a brief report on the one day event at the Taj West End in Bengaluru on 6th March 2010.


Prof M P Ranjan
The one day conference at Bengaluru will be remembered for a long time by the participants, all teachers and design professionals interested in design education coming from several leading design schools in India. So much passion was released in the 24 round table discussions, only a small fraction of which can be captured here in the links and resources that we have been able to collect and create. Two workshop sessions, each of two hours duration across the twelve round tables each with eight participants and some observers kept all of us deeply involved on the subject of design education for India. This meeting will have an impact on the shape of design education in India since tere is the promise of a follow up meeting later in the year and with the sharing of the Ulm Journal as a digital resource as part of the conference kit the schools in India have for the first time access to the rich reflections that the Ulm masters had assembled in the 21 issues that were published between 1955 and 1968 when the HfG Ulm was finally closed down.

Image01: Thumbnail images of the HfG Ulm Exhibit at Chitra Kala Parishath and the registration session at Taj West End on the next day.


Image02: Thumbnail images of the conference participants during breaks as well as at the round tables during the keynote sessions.


We now invite all the participants to join us in our analysis of the event and the proceedings for which we shall make available and share below the links to all the lectures and presentations made during the day as well as a host of other resources that can aid the proposed analysis of the discussions and events of the day. The first set of links are for the eight voice files arranged in the order in which the events happened at the conference. The opening session had Dr Evelyn Hust of the Goethe Institute, Bengaluru make her opening remarks with Prof M P Ranjan making remarks on behalf of Director NID who could not attend and then on to introduce the format of the conference, keynotes and workshop sessions, as planned. The morning session that followed had three events – the first keynote lecture by Marcela Quijano, Curator, HfG Ulm Archive, and the second keynote by Prof Sudha Nadkarni, Dean, Welingkar Institute of Management where he shared his experience as a full time student at HfG Ulm in the early 60’s. (for voice recordings see the links below). Marcela Quijano gave us an overview of the pedagogy of the Ulm masters and the historical setting in which the design education experiments were conducted at the HfG Ulm.

Image 03: Thumbnails of the Table Cards, each with one HfG Ulm Master as listed: 01: Max Bill, 02: Otl Aicher, 03: Inge Aicher-Scholl, 04: Tomas Maldonado, 05: Hans Gugelot, 06: Walter Zeischegg, 07: Herbert Ohl, 08: Gui Bonsiepe, 09: Herbert Lindinger, 10: Horst Rittel, 11: William S. Huff, 12: Konrad Wachsmann.


These two keynote presentations of the morning set the tone for Looking Back at the legacy of Ulmer Model in terms of their design pedagogy and this was followed by the first Workshop session – Look Back – that lasted two hours, at the end of which each of the twelve tables made brief presentations on their findings about the salient aspects of HfG Ulm pedagogy. Each table was named after one of twelve selected Ulm teachers in the order listed below:

Table 10 : Horst Rittel
Table 09 : Herbert Lindinger
Table 04 : Tomas Maldonado
Table 03 : Inge Aicher-Scholl
Table 02 : Otl Aicher
Table 05 : Hans Gugelot
Table 08 : Gui Bonsiepe
Table 11 : William S. Huff
Table 12 : Konrad Wachsmann
Table 07 : Herbert Ohl
Table 06 : Walter Zeischegg
Table 01 : Max Bill

Each table had a set of provocation cards that carried quotes from the Ulm masters while these cards were also shown on the large projection screen as an automated slide show. Each quotation raised one issue that would be critical for the Ulm pedagogy and these provided the point of departure for the table discussions that were carried on in real earnest by all the participants. Each table also had table think sheets on which the participants were asked to make their doodles and notes as the discussions and devbates progressed at each table. These “Table Think Sheets” were collected at the end of the session and these too are made available here at the link below.

List of 8 voice files and resources for download
01_Opening Session_MPR Hust.mov – 12 mb
02_Keynote_Marcelo Quijano.mov – 27 mb
03_Keynote_Sudha Nadkarni.mov – 35 mb
04_Intro to_Look Back WS.mov – 9 mb
05_Round Table_Look Back.mov – 47 mb
06_Keynote_Kumar Vyas.mov – 54 mb
07_Keynote_Wolfang Jonas.mov – 61 mb
08_Round Table_Look Fward.mov – 49 mb

Image 04: Navigation screens from the Look Back Look Forward conference resource interactive DVD. These nine screens are from the root level pdf file and each item or image on the pages takes one to the respective file or page. The Index page is level zero, while the other pages are numbered from 1 to 8.


The conference resource DVD is packed with design education resources from HfG Ulm as well as from NID, Ahmedabad. Page two provides links to the numbered Journals from the HfG Ulm from 1 to 21 issue of the Journal, all scanned and made available as digital pdf files thanks to the kind permission from Prof Gui Bonsiepe who edited these volumes at Ulm. These Journals were published from 1955 till the last issue in 1968 when the school closed down under dramatic circumstances. These were available in India only in the NID library and for the first time these are made available to Indian design educators and researchers to understand the Ulm school’s unique pedagogy since these hold a rich resource of reflections from the Ulm teachers. Volume 3 was missing from the set all these years and we now have a copy thanks to the Ulm Archive Curator, Marcela Qujano, who gave us a copy for the Library which is now made available here as a digital pdf file at the link below, and this completes the set.

Download the “Look Back Look Forward” conference resource interactive DVD here:
Look Back_Look Forward_DVD.zip – 968 mb
Ulm 3.pdf – 3.2 mb (This issue was not included in the DVD since it did not exist in the NID Library and a copy was given to us by Marcelq Quijano when she arrived in Bengaluru for the conferfence.)

Page zero, or the opening page, is the Index with hyper-links to the other eight pages. Page two contains links to selected documents from the NID history and includes the Eames India Report of 1958, The MOMA catalogue of 1957 of classic design from USA and Europe whose prototypes are in the NID archives, NID Documentation 1964-69, The Ahmedabad Declaration of 1979, Design & Environment (1982), select faculty papers (1991) and the Proceedings of the DETM Conference (2005) and so on. Page four contains 16 papers and presentation files that record the progress of the Design Concepts and Concerns Course at NID where design thinking and design theory have been introduced to NID students from 1988 till date, evolving over the years to give NID education its distinctive identity. Page three has reports prepared by NID for the setting up of three sector specific institutes for design education in India. Other pages contain all the artworks for the conference graphics and table resources as well as the photographs from the Ulm Archive exhibit when it opened at the NID Gallery.

The visual slide shows or text resources for the keynote presentation are available for download here below and these can be viewed along with the voice files of the proceedings located above.
Keynote 01: India_Look back_Marcela Quijano.pdf – 5 mb
Keynote 02: NID Banglore Keynote at Ulm conference_Nadkarni.pdf – 36 mb

Keynote 03: Learning at NID- Then and Now, H Kumar Vyas (final).pdf – 1 mb
Keynote 04: Wolfgang Jonas_Ulm Conference_Keynote.pdf – 14 mb

Pictures of Bangalore event – Folders in .zip format each containing many selected pictiures in jpg format are available here for download (see list below)
Picture sets of Bangalore event in jpeg format
01_Ulm_Blore_PreConference.zip – 98 mb
02_Ulm_Blore_LookBack.zip – 79 mb
03_Ulm_LookForward01.zip – 75 mb
04_Ulm_Look Forward02 2.zip – 74 mb
05_Ulm_PostConference.zip – 11 mb

Picture albums of the sets in pdf format can be downloaded from these links here:
01_Ulm_Blore_PreConference.pdf – 9 mb
02_Ulm_Blore_LookBack_h3.pdf – 6 mb
03_Ulm_LookForward01_h3.pdf – 6 mb
04_Ulm_Look Forward02_h3.pdf – 7 mb
05_Ulm_PostConference_h3.pdf – 2 mb
Chakradar mid Blore Pics_h2.pdf – 6 mb

Conference kit resources in pdf format.
While the conference resource DVD that was distributed to all the participants contains the digital art works version of the table materials we provide separate links here for some of these resources so that they may be used directly if needed.

01_Conference Table_Ulm Masters.pdf : 58.9 mb
02a_look back cards_prn.pdf : 3.2 mb
02b_look forward cards_prn.pdf : 2.4 mb
02c_Model card Front_oranisation vs. free + political structure.pdf_4.pdf : 5 mb
05_Ulm Biography Bookmarks.pdf : 1.9 mb
06_keynote speaker bio+Workshops_s.pdf : 20.5 mb

Other HfG Ulm Conference Resources
Conference Participant List_xx.pdf – 3 mb
Table_Think Sheets_175page.pdf – 11 mb

Participants will now have access to all the resources that they may use to make their own analysis of the one day event at Bengaluru and from these we do hope that Indian design teachers will take back a lesson from the Ulm masters, that of documentation of their teaching resources and of their class outcomes in a contemporaneous manner in the days ahead. This alone will ensure that Indian design education retains a quality benchmark that can be shared and discussed as we refine our teaching methods and find value that is unique to our context, environment and culture. If teachers from our Indian design schools start publishing their work and through this an active dialogue is set in place we would have succeeded in our mission of sensitizing our teachers to the need for such documentation in managing and manintaining a high quality of education in our schools across India. I hope that we did succeed and that the future will show us the positive results of these tall intentions.

Prof M P Ranjan

Thứ Sáu, 5 tháng 2, 2010

LOOK Back – LOOK Forward: HfG Ulm and Design Education in India

Prof M P Ranjan

Image01: Conference Logo using a basic design assignment as an image for the conference - Design: Rupesh Vyas


Conference Title:

LOOK Back – LOOK Forward: HfG Ulm and Design Education in India


Venue & Schedule:
Hotel Taj West End, Race Cource Road, Bangalore 560 001, India
March 6, 2010 : Full-day Conference-cum-Workshop on Design Education: 9.00 a.m. to 5.00 p.m.

Last date for registration: February 26, 2010

Organisers:
National Institute of Design (NID), Ahmedabad and Bangalore
in collaboration with
Goethe-Institut/Max Mueller Bhavan (GI/MMB) Bangalore,
HfG-Archive Ulm & IfA (Institute for Foreign Cultural Relations, Germany) Stuttgart

Background:
The HfG Ulm, which started as a continuation of the Bauhaus experiments in design education under one of its former students – Max Bill, soon veered from a foundation in art to a science and society focus under the leadership of Tomas Maldonado. The HfG Ulm faculty, all eminent teachers and thought leaders in their field, experimented with design education like never before and documented the results of teaching in a series of 21 journals published between 1958 and 1968. These ten years of intense research and theory building and sharing has had a lasting impact on the world of design education and the availability of these journals being one of the major factors for this durable influence. Selected papers from these volumes located in the NID Library were reproduced for a conference on design education in 1989 by Prof Kirti Trivedi at Industrial Design Centre, IIT, Powai and these have been a further source of inspiration for Indian design teachers over the years.

The school impacted the world of design through its direct professional action with industry, memorably with Braun and its successful range of products that hit the market in 1955 and continued with other product successes that can be called the Ulm style of meticulous detailing and clean functional form. Hans Gugelot was among the lead drivers along this track. Other teachers such as Otl Aicher influenced major corporations such as Herman Miller and Lufthansa with significant contributions in graphic design.

The closing down of the HfG Ulm in 1968 saw the scattering of its faculty and students across the world, each steeped in the Ulm ideology of public good with design theory and action, resulting in significant action on the ground in the form of new design education in Latin America by Gui Bonsiepe, in India by Sudhakar Nadkarni and H Kumar Vyas and in Japan by Kohei Suguira, besides the numerous other influences in Europe and the USA that continue to this day.

The Ulmer Museum/HfG-Archiv has brought together the various threads of the Ulm school in a unique exhibition called ulm: method and design/ulm: school of design 1953-1968 with archival objects, classroom assignments and multimedia exhibits never before seen in India. The exhibition is presented in India by the Goethe-Institut/Max Mueller Bhavan, in collaboration with IfA (Institute for Foreign Cultural Relations, Germany) Stuttgart and offers the opportunity to both “LOOK Back - LOOK Forward: HfG Ulm and Design Education in India”, a title that aptly sums up the objective behind the intensive one-day conference/workshop on March 6, 2010 at Hotel Taj West End in Bangalore, India, as well as to draw inspiration from the path-breaking work at Ulm and reflect on the path forward here in India. An impressive catalogue published by Hatje Cantz (ISBN 3-7757-9142-6) provides rich background research content on the school and the exhibition.

Participants:
Design teachers and teachers from other institutes interested in design pedagogy, including design research, design management and technology & design professionals interested in design education. Limited places available for design student observers sponsored by each participating school.

Registration Fee:
Individual designers and faculty : Rs. 2000/=
Team of 5 faculty per school from India : Rs 5000/=
Design student observer : Rs. 500/= (limited seats)
International Participant : USD 100 or Rs. 5000/=

Exhibition Venue: Karnataka Chitrakala Parishath, Bangalore - opens March 5, 2010
Conference Venue: Hotel Taj West End, Bangalore – March 6, 2010

Organising Institutions
Goethe-Institut/ Max Mueller Bhavan Bangalore
Dr. Evelin Hust, Director
National Institute of Design, Ahmedabad & Bangalore
Prof. Pradyumna Vyas, Director

Keynote Speakers:
Prof. Dr. Wolfgang Jonas, Professor for "system design" at the School of Art and Design, University of Kassel, Germany
Ms. Marcela Quijano, Curator, HfG-Archiv Ulm, Germany
Prof Sudhakar Nadkarni, Dean, Business Design, Welingkar Institute of Management Development and Research, Mumbai
Prof H Kumar Vyas, Distinguished Professor, CEPT University, Ahmedabad

Conference Chair:
Prof M P Ranjan, NID, Ahmedabad
Co-Chair:
Prof Suchitra Sheth, CEPT University, Ahmedabad

Registration:
Registration fees are payable by Cash or Demand Draft drawn in favour of “National Institute of Design” payable at Bangalore.
Payment with Registration Form duly filled to be delivered to NID R & D Campus, Bangalore or at the Goethe- Institut/Max Mueller Bhavan, Bangalore.

Last date for registration without late fees: February 26, 2010
Late fee payable after closing date: additional 50 % of registration fees above.
(Limited participation so please register early)

Address for communication and registration:

1st contact: National Institute of Design, Bangalore

Shashikala Satyamoorthy,
Conference Coordinator
National Institute of Design, R & D Campus,
#12 HMT Link Road, Off Tumkur Road
Bangalore 560 022
Tel: +91-080-23478939 (D) / 23373006
Fax: +91 80 23373086
conference email: hfgulm2010@nid.edu
www.nid.edu

2nd contact: Goethe-Institut/Max Mueller Bhavan, Bangalore

Maureen Gonsalves
Programme Coordinator
Goethe-Institut/Max Mueller Bhavan
716 CMH Road, Indiranagar 1st Stage
Bangalore 560 038
Ph: +91 80 2520 5305/06/07/08-203
Fax: +91 80 2520 5309
arts@bangalore.goethe.org
www.goethe.de/bangalore


see detailed programme and download Registration Form from this link here below:
Download Detailed Conference Programme and Registration Form in pdf 400kb

Prof M P Ranjan