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Thứ Tư, 18 tháng 11, 2009

Design Thinking: The Flavor of the Month

Design Thinking and Action in India and elsewhere.



Prof. M P Ranjan

The month of November 2009 seems to be the Design Thinking month with so many events and discussions taking place on the subject all around the world. It surely is the flavor of the month as far as I am concerned since I have been named amongst the top twenty design thinkers of the world by a very generous blogger in Columbus, Ohio State, USA. The list is located on the Design Thinking Exchange site that is managed by Nicolae Halmaghi through his own research initiatives and the list is his personal view but he supports it with the research that he has carried out over the past few years. This has raised many voices in India and elsewhere and my mail box is full of congratulatory messages that I cannot reply individually so I have decided to make this post and explain what seems to be happening in the design thinking space.

Image01: An early representation of design thinking as a model that was used to teach NID students in the Design Concepts & Concerns class as prepared in 1990. This was retrieved from Nagraj Seshadri's class notes which were submitted to the NID Library as part of the course documentation that was done over the years.



I write to Nicolae Halmaghi to explain why he had included me on his list of top twenty design thinkers in the world especially since I am yet to publish a major book on the subject although I do have many published and unpublished teaching notes and papers that were prepared over the years on the subjects of design, design education, design methods, design concepts & concerns course and on design thinking as well. I quote from my mail to Nicolae:

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I was quite surprised to see my name on the top twenty list particularly since I have not yet published a comprehensive book on the subject of design or design thinking although I have many papers on my website and my blogs dating back to my early teaching notes and published papers. My three books to date are on bamboo and design and on the Handcrafts of India called "Handmade in India".

I am curious to know the extent of your research and if you are aware of the work done at the National Institute of Design (NID) in Ahmedabad over the past 50 years since it was set up in the early 60's based on the seminal report by Charles and Ray Eames called the India Report. You have not included NID in your list of Design schools either on your site. In particular which is the paper or papers you have referred to in making your assessment for the list. You mention a 1989 paper, I am curious as to which one this is. I have many papers from the 80's and several 'unpublished' ones but most of these were distributed as xerox copies to my class in design methods along with models that I used to explain the concepts“.
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Image02: A chart showing the development of the Design Methods course at NID from its origins on the 60’s to the forms that it took till the time the chart was created in 1995. The course was then called Design Concepts and Concerns as it now stand today. The course has evolved further in its content and teaching method which has been explained in my paper for the EAD06 Conference in 2005.


Nicolae graciously wrote back and I quote the part of the message below and he has also made an additional post on his blog after some critical comments from Bruce Nussbaum.
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“I must admit I have stumbled over your papers accidentally, about a year ago. I was very unhappy with the “muddying” of an emerging discipline and I felt very alone. Everybody seamed to be happy with the progress, except me. At that point, I was working on finding unifying principles that allow seamless communication across different systems (financial, economical etc) across both brain hemispheres.

I am not quite sure what I was searching for, but all of a sudden, I realized that I was staring at a paper whose content was plagiarized for years by an entire industry. Most of the architecture, structure and process of what we now call Design Thinking was there. All of the current buzz terms associated with design thinking were eloquently presented in this paper. Even the term “Design Thinking” was there, except it was used very inauspiciously without great fanfare.
The paper that I am talking about is “Design Visualization”, published in1997 (I think I said 1998. will correct immediately)
Unquote

The paper that Nicolae referes to can be downloaded from this link here. Download paper as a pdf file here


Image03: Profile of the Emerging Designer model as it is used today was also modified a number of times and now it has a central core that is Values which inform all other actions and thoughts of as part of the design process.


I did some background research from my own archives as well as from the NID Library where we had placed student notes from the courses that had been conducted in Design Process way back in 1982 onwards. This I did to check the provenance of my ideas on design thinking. I found an early diagram that I had used to explain design thinking in Nagraj Seshadri’s class notes from the 1991 Foundation class at NID when he was a student in my DCC class. Nagraj went on to graduate from the product design programme at NID and then did his Masters Degree from the RCA, London also in Product Design. In 1999 he won the first ever award offered by Core77.com for his classroom project carried out at the RCA, an intuitive electronic music device for children. When I browsed through his Foundation document of 1991 I saw that he was involved in a group assignment that dealt with the key words “Toy – Physics – Child” and the group explored the concept and built an interaction matrix that captured numerous attributes through the analysis of all the traditional folk toys that were in Sudarshan Khanna’s book, Folk Toys of India. This for me demonstrates the reflexive nature of design activity and of design thinking itself. George Soros explains his concept of reflexivity in his book Open Society and also in his recent online lectures available from the Financial Times website here. This shows that one engagement with design thinking on a particular subject could be a life long engagement since the act does something to you while you try to do something to the world.
Core77 Competitions list
Digital Sound Factory for Kids by Nagraj Seshadri

So I wrote back to Nicolae and told him about my findings.
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Thank you for the clarification. However, it is very daunting to be placed in the rarified space of the worlds top twenty, which is always a very difficult task since there are so many perspectives from which all of us work and look at ourselves and our peers. Your blog post has stirred up much interest here in India and I hope that it will bring a better appreciation of the role of design itself.

I must give you a background for the 1997 paper on Design Visualisation. I started teaching a number of courses at NID dealing with materials and geometry in the early 70's and was part of the group that worked closely with the development of the Foundation Programmes at the Institute, particularly for the Undergraduate programme in Design. I started teaching Design Methods as a course in the early 80's and in these courses used the work of Prof Bruce Archer and the works of John Chris Jones and Christopher Alexander as the platform for building a teaching module for NID's Foundation programme in design. In 1988 Prof Bruce Archer visited NID and I had the opportunity to act as guide and local host and traveled with him to Bombay IIT for a short exposure at IDC. During this early period I had prepared many slides with models that could be projected on an over head projector and these were used in the class as well as distributed as teaching notes along with a course abstract paper. The course evolved each year due to interactions with students as well as critiques from faculty colleagues in a very lively environment that was the NID of the 80's and 90's. Much of this work is undocumented although occasional internal papers may have been distributed since all the texts were made on ordinary typewriters and never published.

The Design Visualisation paper too was never formally published but earlier versions of this pdf file were shared with students and faculty at NID as xerox copies of typed paper. This particular version was made after our Apple Mac lab got established in 1988 when I started converting the OHP slides into computer illustrations and this too went into many versions in those days. While these models have been with my students all along I was able to share these with a wider audience only after I set up my website in 2004. All along I have been collecting a substantial list of books as well as using ones that are in our Institute library. Of these I would list the HfG Ulm and Bauhaus papers as major sources of design exploration and pedagogy. In early September 2003 I made my first post on the PhD-Design List <003565>and from then onwards I have made perhaps 150 posts in response to the very stimulating exchanges that have been taking place on that list about the nature of design and all aspects of the subjects. This paper was first posted on the PhD-Design list as a text contribution on 20th September 2003 during a discussion on Creativity and Visualisation <003681>

There are many serious design thinkers populating the PhD-Design list who have been making significant contribution to our understanding of design and design thinking. I wonder if you have studied this list. I am hugely impressed by the thoughts and writings of Klaus Krippendorff, Jerrome Diethelm, Charles Brunette, and many others on that list, to name only a few. Next month I will be traveling to Melbourne at the invitation of Ken Friedman, Dean, Swinburne University Department of Design to attend a conference on Design Thinking on the 21st and 22nd November. We will expect to meet many of the leaders of design thinking at that conference and I look forward to it. I have also been invited to speak to business leaders by the Design Victoria at a breakfast meet on 24th November at Geelong.
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Notwithstanding the Design Thinking Exchange posts and the top twenty list we do see signs that things are stirring up and Design Thinking is becoming the flavor of the month. Last week Bruce Nussbaum sat down with Tim Brown and with Roger Martin, authors of two new books on design thinking for business applications and these talks were much publicized. Tim Brown’s TED Talk is doing its rounds and Roger Martin too appears in the New School interview. Both the books landed on my desk thanks to my advance orders at Amazon. I will get down to reading them when I get back from my own do at Melbourne. Another significant event is the ICSID conference in Singapore from 23 to 25 November and the theme is …. Design Thinking!! NID Director, Prof Pradyumna Vyas and two faculty colleagues Prof Vinai Kumar, Acting Dean Gandhinagar and Prof Shashank Mehta, Chairman Faculty Development Centre will be traveling to Singapore as well. Prof Proadyumna Vyas will be standing for election to the ICSID Board in the long tradition of the NID Directors since Prof Kumar Vyas, Mr Vinay Jha, and Darlie O Koshy and I would urge all ICSID members to cast their vote in his favor.

So Design Thinking is indeed the flavor of the month and is here to stay and I hope India will take it a bit more seriously than it has been over the past 50 years since design was established as a discipline here in India.

Prof. M P Ranjan

Chủ Nhật, 25 tháng 10, 2009

Ethics in Design: Istanbul conference and after

Images and Comments: Istanbul conference and after



Prof. M P Ranjan

On the 8th of October 2009 Prof M P Ranjan delivered the keynote address at the 4th National Design Conference at Istanbul Turkey and spent the next day listening to the numerous sessions at the conference on various issues dealing with design that the Turkish scholars found interesting and relevant, all in Turkish, with two student guides whispering the English translation into his ears. The conference was stimulating and the event was conducted in a historic setting of the Istanbul Technical University at Taskisla in Taksim in the heart of Istanbul. The conference was organized by Prof Alpay Er, Head of Department, Industrial Product Design at ITU and the participants came from many of the 24 schools of industrial design in Turkey and included teachers, students and professional designers. The keynote paper and visual presentation titled “Hand-Head-Heart: Ethics in Design” can be downloaded from here from this blog.
Download full paper titled "Hand-Head-Heart: Ethics in Design" here -PDF file 360kb Full Text
Download visual presentationas a pdf file here - PDF file 4.8 mb visual presentation screen resolution

Image1: Prof M P Ranjan delivers keynote lecture titled “Hand-Head-Heart: Ethics in Design” at the ITU Auditorium in Istanbul on 8th October 2009. The theme of the conference is “Design or Crisis”.



Image2: The historic building of the Istanbul Technical University has a mural painted by Abdurrahman Öztoprak from 1950’s while the building itself dates back to the 1850’s.


Cigcem Kaya, one of the researchers at ITU wrote to me that this fresco on one of the walls of Istanbul Techical University, School of Architecture, is one of the major works of Abdurrahman Öztoprak from 1950s. Trained in Academy of Fine Arts (Mimar Sinan Fine Arts University) by Nurullah Berk, Öztoprak is one of the first and most reputable social realist painters of the country with some embodiment cubism as well. Although housed in an architecture school not many people know about the legacy of this fresco. It lies silent behind gatherings and conferences: untitled. Further enquiries with Fatma Merve, one of my student guides revealed that, "Abdurrahman Öztoprak (*1927 Istanbul, lives in Akyaka) is one of Turkey’s leading contemporary artist of international stature. His works are represented in the permanent collections of major museums and private collections in Turkey. He draws his inspirations for his abstract compositions primarily from Classical European Music. He created a unique body of abstract works during a fifty year period. On July 1st 2007 Abdurrahman Öztoprak has been eighty years old. Öztoprak was educated at the Art Academies in Istanbul and Rome and worked in Germany between 1960 and 1975. Öztoprak’s abstract paintings are a true archive artistic dialogue between East and West cultures and testimony to the way in which different traditions express their feelings. Their messages are continually universal. The geometrical abstract works of artist demonstrates a unique imaginative form vocabulary. Öztoprak’s paintings have recorded interesting dialogue between Oriental and Occidental Art; through them we witness a fertile symbiosis of Turkish and European Culture."

Image3: The beautiful courtyard at the Istanbul Technical University springs to life in the coffee and cocktail breaks and students stream out to sit in the sun and socialize between classes. Pelin Kazak who picked me up from the airport won the best prize for the student exhibit.



Image4: Experiencing street food views in Istanbul with student volunteers on the day before the ITU conference.



Image5: Entrance to the ITU building with the conference poster and views from the conference venue during the keynote lecture.



Image6: On the sidelines of the conference XXI Design Magazine conducted an interview with Prof M P Ranjan



Image7: On the day after the conference Merve and Saniye, student volunteers showed me the scenes of the Bosphorus, crossed over to the other side of Golden Horn and looked at the covered market and took the ferry ride to end the day.



Image8: Sunday it was street life in Istanbul on both sides of the Bosphorus, teeming with people, dressed in their best and nowhere to go in particular and nothing to do in particular, an interesting day of ambling about on the town.



Image9: Return journey through Doha Airport in Qatar is one big shopping mall and a number of halls full of Eames Tandem Sling Seating just like the original prototype that we have in the NID Prototype Collection back home at Paldi campus.



Prized takeaway from Turkey: A small book, "On Methods of Research by Bruce Archer, published locally by METU Faculty of Architecture Press, Ankara, 1999" was presented to me by Prof. Dr Fatma Korkut and Prof. Dr Gulay Hasdogan, both faculty at the Department of Industrial Design at the Middle East Technical University, Ankara in Turkey. This book is in both English and in Turkish language, front to back, and as a low cost offering it makes available valuable insights into design and research from one of the world thought leaders in the subject. I was wondering if India too could not do this and if some Indian school takes up this challenge they will soon be seen as the design leaders in the region themselves. I have a wish list of a set of books that must be made widely available to Indian audiences from the school level all the way to the level of industry stalwarts and Government officials who should be exposed to ideas in design if we are to see a change in the use of design in India in real sectors of national need. Is anybody listening?

Design Thinking: Is however the Flavour of the Day. Design Thinking Exchange posted a list of thinkers that generated scores of emails and Facebook & Twitter posts that came my way. Thank you all for your mails and Tweets. More about this in my next post, particularly since I am off to Melbourne next month to participate in another conference on Design Thinking organised by the Swinburne University by Prof Ken Friedman, Dean, Swinburne Design.

Prof. M P Ranjan