On Motorcycles: The Best of Backmarker is now available for $9.99 at the Amazon Kindle store, here. My friend and ad partner Mark Eimer nailed another awesome cover, eh? The print version of this book is over 400 pages and will be available soon at Amazon for $27. If you're on my mailing list, I'll send you an email offering a signed/inscribed copy with free shipping, as soon as I have the first copies in hand.
Hiển thị các bài đăng có nhãn Best of Backmarker. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Best of Backmarker. Hiển thị tất cả bài đăng
Thứ Sáu, 27 tháng 9, 2013
Thứ Ba, 23 tháng 7, 2013
Support our film - The Monsters of the Salt - on Indiegogo. This is a story inspired by a guy who lived the American Dream, two guys who had an American dream, and three filmmakers with a dream of their own
The Monsters of the Salt is a documentary film about two French guys, growing up in Paris and idolizing American rock 'n' roll and hot rods. One is a graphic novelist, and the other is one of France's top restorers and custom builders. When we watch the news, we're shown pictures of foreign crowds shouting 'death to America!' but the truth is that all over the world, ordinary people dream of coming here.
Laurent and Denis, for those are their names, serendipitously came upon a photo of a motorcycle racer on the Bonneville Salt Flat, taken in 1967. That photo inspired Denis to draw a comic book character, and Laurent to create that character's motorcycle.
They didn't know that the guy in photo was Nira Johnson, a pioneering African-American drag racer. Nira's life, too, embodied the American Dream.
Now, finally, my dream is to bring the French guys and their motorcycle together on the Bonneville Salt Flat, with Nira and his motorcycle. I hope you'll help me achieve this dream by contributing to The Monsters of the Salt Indiegogo campaign here.
Here, then, is the story of The Monsters of the Salt...
Ten years ago, I was in Paris at a vintage bike show. A gaggle of French bikers were gathered around an old Triumph, elbowing each other and pointing at it.
Laurent and Denis, for those are their names, serendipitously came upon a photo of a motorcycle racer on the Bonneville Salt Flat, taken in 1967. That photo inspired Denis to draw a comic book character, and Laurent to create that character's motorcycle.
They didn't know that the guy in photo was Nira Johnson, a pioneering African-American drag racer. Nira's life, too, embodied the American Dream.
Now, finally, my dream is to bring the French guys and their motorcycle together on the Bonneville Salt Flat, with Nira and his motorcycle. I hope you'll help me achieve this dream by contributing to The Monsters of the Salt Indiegogo campaign here.
Here, then, is the story of The Monsters of the Salt...
Ten years ago, I was in Paris at a vintage bike show. A gaggle of French bikers were gathered around an old Triumph, elbowing each other and pointing at it.
I heard one say, “C’est le monster du lac salé!”
![]() |
French cartoonist Denis Sire, with bike builder Laurent Romuald in background. |
![]() |
Romuald's replica. This bike is known to thousands of French bikers as, Le monstre du lac sale |
![]() |
Denis Sire, in his Paris studio. |
![]() |
This was the photo that Sire used for inspiration. That's '60s drag ace Nira Johnson, on the bike. |
![]() |
A spread from Sire's bestselling graphic novel 6T Melodies, with detail of the drawing, based on the old photo of Nira, below... |
“Good luck,” Sire told him. Then he explained that he’d made it all up based on a single old photo. “But,” he went on, “I think I still have the magazine, I’ll bring it over.” The two were soon fast friends. They blew up the magazine photo but there wasn’t much detail to be seen there. They also searched for any mention of Nira Johnson in other old magazines, hoping to trace him, but came up empty. So in the same way that Sire had imagined his American stories, Laurent had to imagine the bike.
“I could see it was an early Bonneville motor in a rigid frame,” he told me. “It looked like a drag bike, so as I built it, I asked myself ‘What would an American drag racer have done in the ’60s?’” The French have held America in special regard since the days of Lafayette; deep in their subconscious, they see the American Revolution as the one that worked. I loved the idea of these two French guys creating an in-the-metal version of an imagined bike, ridden by an imagined rider, in an imagined version of the ’States.
I promised them that I’d do what I could do to help them live out their fantasy about bringing their bike over to run it on the Salt Flats. When I got back here, I did my own search for Nira Johnson and also drew a blank. I wrote about Laurent, Denis, and le monstre du lac salé on my blog, and forgot about them for years.
Then, out of the blue, I got an email from a stranger that read, “I’m a friend of Nira Johnson, and I have his old motorcycle. Call me.”
![]() |
Nira Johnson, at MMP in 2008, with his bike (now in the collection of Rodd Lighthouse.) |
He gave me Nira’s phone number, and I called him up. He laughed when I told him that he was famous, at least to French motorcyclists, as a white guy.
I finally got the American side of the tale, from Nira Johnson himself, in September, 2008. The occasion was a round of the American Historic Racing Motorcycle Association’s road racing championship, held at Miller Motorsports Park, about twenty miles from Salt Lake City, in Utah.
Nira was there, doing a little wrenching for Rodd Lighthouse and his dad, Ken. Since they knew I was coming to the race, they brought along Nira's old bike, which was known to thousands of French bikers as ‘Le monstre du lac salé’.
Nira was born in New York of African-American and Native-American parentage. He went to a vocational-technical high school, and joined the Air Force after graduating. He flew on B-36 strategic bombers.
“That’s when I got into motorcycles,” he told me. “I learned as I went. I threw a primary chain through a case when I had my first BSA. An Air Force buddy had a background with hot rods. He was from California, and probably inspired me move to California when I was discharged.”
In ’58, Nira did just that. He got a job at an aerospace company that became Rockwell International, where he helped make Minuteman missiles, and hold the Russkies at bay. In his spare time, he hung with two bikers who raced a twin-engined Triumph dragster they’d bought from Joe Dudek, a legendary Los Angeles tuner. One day when their rider–a fellow named Bill Johnson–didn’t show, they said, “You’re about the same size as him, why don’t you ride it?”
![]() |
Johnson only went to Bonneville once. His natural habitat was the SoCal drag scene. Note the exquisite front engine plates. Keepin' it light! |
“I liked to keep things reliable,” he recalled. “The pre-unit Bonnevilles had a three-piece crank, and when they went to unit construction, they put in a better, two-piece one. So I used that. I polished it, and took off some weight. I ported it; lightened and polished the rods… I wanted to put in bigger valves but it was too expensive.”
His bike wasn’t overly powerful; he remembers it making about 56 horsepower, but it was light. He even thinned all the gears in the transmission. And, it was reliable; in six years of racing it almost every weekend, he blew up one motor.
“I ran what they called Class B/Gas. In the beginning I ran in the high 11-second range, with trap speeds around 110 mph. At the end its development, the bike was hitting 116-118 mph. Sometimes, when other guys saw that I was there, they’d just roll their bikes right back onto their trucks and go home!”
The time that Nira was photographed on the Salt Flats was the only time he ever raced there. “I was using Harmon-Collins cams, and they had some they said were ‘too radical for drag racing’ so I got them to grind me some of those. Other than that, I just swapped the rear tire and gearing. My bike ran good, but the record was set by Dudek and Johnson, at speeds that were unattainable on gas–they were either running alcohol or fuel–so they ran in the high 140s, and my best runs were in the 130s.”
Not long afterwards, Nira moved to the East Coast for his job, and he had no time to drag race. Ironically, he traveled to France for work in 1983, when Denis Sire’s comic book was a best seller.
“I had no idea I was a character in a comic book over there, until Rodd clued me in,” he told me, adding–surely an understatement–“I was kinda’ surprised.”
This is why I don’t write fiction. You couldn’t make this stuff up.
The first half of this story was one of the first Backmarker columns that I posted on the old RoadRacerX.com site. Even that part of the story was cool enough that, when I returned to the U.S. from France, I hoped to get a documentary filmmaker sufficiently interested to bring the replica 'monster' to the Bonneville Salt Flat. When the blog post about the replica resulted in my finding the original monster - and Nira - I updated the post and again begged documentary filmmakers to get in touch with me.
Well, after all these years, I'm now working with Tom Guttry, a veteran producer of documentary and reality TV content, to bring Monsters of the Salt to the screen. Tom recruited Kevin Ward, the cinematographer who shot 'Dust to Glory', and the three of us agreed to work on this film for free, in order to ensure that this heartwarming and inspiring story gets told while Nira (who is in his 80s) is still alive. I got back in touch with Nira, Laurent, and Denis to make sure they were all still interested, and still had access to their bikes. They're all game.
Thứ Bảy, 13 tháng 7, 2013
Bastille Day Blues
An American entry encounters a peculiar Frenchman in his underpants – at the inaugural edition of France’s Bol d’Or Classic in 2003...
He already had a bike in mind. Through his Heritage Racing AHRMA team, he’d met Connecticut-based superbike collector Brian O’Shea. O’Shea’s collection is focused on historic AMA superbikes, but he’d acquired a 1979 Honda factory RS1000. Only three of these were ever built in endurance specs; Honda sent one each to France, Britain, and Australia. O’Shea’s bike was raced by Ron Haslam and Alex George at the Bol d’Or, amongst other races. It was later shipped to the US, where it was used at one Daytona test, then left to languish. So a return trip would be something of a homecoming for the bike, as well as Heritage Racing. Once O’Shea had agreed to the loan of his RS1000, only three things were missing: the two riders, and a budget.
![]() |
The team in the next garage was actually sponsored by a strip club |
![]() |
Patrick Bodden now lives in France, I believe. |
![]() |
Brian O'Shea. One of the best guys ever. |
“Here he comes!” someone yelled. Williams – soaked in sweat but now back on the machine – was pushed the length of the pit lane by Bodden and O’Shea. Hope springs eternal in endurance racing. Could it just be fuel starvation? The fuel tank vent hose seemed kinked. O’Shea ripped it off, and punched the starter. It started all right – it started making loud metal-on-metal banging noises inside the motor. Pridmore pulled off his leathers.
3:33 a.m.. Patrick, who speaks fluent French, turned to the guy in his underpants (whose name we’d learned was Denis Malterre) and asked him “So, where are you from?”
Thứ Tư, 27 tháng 2, 2013
Best of Backmarker: California Dreamin'
Mother Nature has dumped two late-season blizzards on Kansas City in the last week. Wintery conditions here have coincided with emails from Mary, who spent the week in Big Sur, where it was 70 degrees. That reminded me of a story I wrote for Hugo Wilson, then the editor of Classic Bike five or six years ago...
I blame Hugo.
Oh California dreamin’/On such a winter’s day
UPDATE: I did, in the end, have to give the BMW to my ex-wife. She left it parked outside, a mile from the ocean, for several years before telling me that if I wanted it, she guessed I could take it. By that time I'd married the correct wife, but didn't have the resources to resurrect the bike. I traded it to my friend Jim Carns, who drove out to California from Kansas City to collect it. He's since restored the machine and Mary and I have since moved to Kansas City, so I suppose I have visiting rights to it.
Thứ Tư, 20 tháng 2, 2013
What writers do when they're not doing anything
A note from Best of Backmarker: Time flies. Six years ago, I moved from Texas back to California. I wrote this column that February, and it appeared on the old Road Racer X web site. Since that's now down, and since I ran across this file while resurrecting an old hard drive and liked the essay, I'm reposting it here. Of course, I've since moved from California to Kansas City, and I'm a long way my old home surf break. That's about all I miss about SoCal, but I do admit that rereading this, I find myself wishing for a little getaway, as the forecast here is for an ice storm...
February, 2007
A while ago, I moved back to California from Texas. So now I live in Cardiff-by-the-Sea, which is one of the beach towns strung out north of San Diego between Interstate 5 and the coast. The town’s unofficial logo is a yellow “pedestrian crossing” sign, but the pedestrian’s carrying a surfboard. Every second vehicle has a Surfrider Foundation window sticker or a Pray For Surf bumper sticker. There’s a popular local breakfast joint called Pipes, which takes its name from a nearby surf break. There’s a little office building next to the café, and its parking lot is posted with signs that read:
NO PIPES
PARKING
WE WILL
TOW, BRO!
Until a few years ago, Cardiff was mostly little bungalows. But Southern California’s real estate boom has resulted in most of those being torn down and replaced by much bigger places that start at well over a million bucks. So there aren’t many rentals left that archetypal surfers can afford–guys whose work life is so sketchy that they can book off whenever the surf’s up. That doesn’t mean there are fewer surfers. When I walk from my house, straight down Dublin Drive towards the beach, I always pass a few open garage doors. I see a predictable mix of Porsche Cayennes and Lexuses (Lexi?) but there’s usually a quiver of longboards, too. So most of the current residents are rich, born-again surfers.
My street ends at a little bluff that overlooks the San Elijo lagoon. From there, a footpath leads down across the railroad tracks towards Highway 101. Once I’ve crossed the highway, I’m there, on the beach. And I am there, quite often. A writer’s life involves a lot of waiting. (Come to think of it, it often involves waiting on tables, but the terms of my visa won’t permit that.) So in my case it’s waiting for the phone to ring, or for the email that assigns a story, tells a story; as clichéd as it might sound, I do wait for the muse to strike.
While I wait, surfing serves a purpose; paddling’s a great cardio and upper body workout, holding your head up in that posture closely mimics a sportbike workout on your upper back and neck. Sitting on the board waiting for waves is its own balance exercise, too; without realizing it, you constantly shift your c.g. to keep it above the board’s center of buoyancy. Learning to relax out there is like riding in the rain, and it attunes you to that split-second’s warning you get that before some highsides–where you instinctively transfer your weight from the seat to the pegs, letting the bike rise and break underneath you while you think, No big deal.
There’s a bunch of overlapping sponsors and a general surf style that’s close to the vibe in a Supercross paddock. But the rhythm of surfing’s more in tune with road racing. Timing waves is analogous to initiating turns; wait, wait, wait for it, then commit totally.
So physically, it’s one of the best possible ways to cross train for motorcycling. All in all, it can’t hurt my riding (there are those who’ve seen me ride who are now thinking, Nothing could hurt it. But maybe some day I will finally teach myself to commit to the turn as fully as I do to the wave.) Anyway, the main benefits are mental. Something about those long waits at sea sharpens one’s powers of observation. Ask Herman Melville.
The path to the beach skirts the outlet of the lagoon, which looks like a small river, except it changes the direction of its flow twice a day. On dropping tides, it releases sediment into the Pacific. That sediment is carried about 100 yards out to sea before settling. It creates the sandy reef that, in turn, makes for consistently good waves. Not great, but good. That’s my home break. From the time I put my coffee cup down in the kitchen sink to the time I was wading into the waves, it used to take me no more than 15 minutes on foot. So I didn’t even need a car, which was lucky because I don’t have one.
I say “used to” because now I have to detour around a deep, concrete storm drainage ditch that runs parallel to the highway. For a while, there was a bridge across the ditch, despite the fact that the path follows the railroad right of way and everyone who walks there is technically trespassing.
The bridge was obviously made from construction scraps. It was about ten feet long and thirty inches wide. There were no handrails; it was definitely not up to code. Some of the timbers were painted and others are untreated and rough sawn. But it was solid; I knew right away that it was made by someone who used tools for a living.
Spray-painted on one of the beams that supported it were the words:
TOURISTS MUST DIE
There was a more helpful (though no more welcoming) message on the bridge deck itself:
MADE BY LOCALS FOR LOCAL USE ONLY
I was not surprised to see those warnings. (Although logically, they made no sense; the bridge was not visible from any public thoroughfare and connected a small, residential neighborhood with a relatively anonymous beach. Only locals could possibly have used it.)
Surfers call this territoriality “localism.” It is, to say the least, inconsistent with the laid back surf style that is packaged and marketed all over the world–including places hundreds of miles from the nearest waves. Ironically, the successful marketing of surf culture had the unintended effect of encouraging millions of people to take up the sport.
Natural forces create surf breaks. There are a finite number of good ones, especially near major population centers. What was once a solitary communion between man and nature now often looks more like a bobbing, floating crowd. Collisions between surfers are rare, but friction is not. Professional surf journalists and photographers have had their cars burned or even been beaten up by local surfers who don’t want “their” still-undiscovered spots popularized. And even people who surf at well-known beaches resent web-based surf forecasters who can spread the word–surf’s up–too far, too fast.
All this proves only that surf culture has invaded the larger popular culture at the expense of popular culture invading surfing. It’s part pure cool, part environmental awareness, part sport, art, and business. It must have been nice, back in the old days in Hawaii, when it was just a religious experience.
In any case, the bridge wasn’t there for long. Someone tore it out. Not an angry non-local surfer; probably someone from the railroad, or the town council, who didn’t want to tacitly encourage people to cross the railroad tracks far from the nearest level crossing.
Having been spoiled by the short cut, once it was denied to me I bought an old Motobecane “mixte”-framed bicycle and fitted it with a rack that holds a surfboard. That enabled me to get down to the beach along the roads, even faster than I used to get there via the guerrilla bridge. My surf bike also gives me access to a wider range of surf spots, maybe a mile up and down the coast from Swami’s to the rocky headland at the north end of Solana Beach.
The success of the bicycle gave me another idea, which was to build a surf motorcycle. Faithful readers (hi mom) will remember that I once accidentally bought a 1972 Suzuki TS125 scrambler on eBay. It ran–barely–but had a sticking throttle and questionable electrics. (Since it was missing its battery, the question was, did it have anything like roadworthy lights and horn?) The tires, chain and sprockets were pretty knackered too, but it was basically all there and pretty stylin’.
Until now though, it’s been a bit of an albatross around my neck. I’ve moved it from California to Texas and back again without ever riding it. Since I don’t have a garage, it’s been stored outside; a cozy nest for spiders, a perch for sparrows, sprinkled with fallen pine needles. So it’s definitely time I did something with it. Lately, I’ve imagined buzzing up and down the 101 on it, with my ’board slung alongside. Hmm… I wonder how far I can go before I stop being local?
Somewhere, I have a Clymer manual for it. Maybe in the next few days I’ll roll it onto my little patio, clean it off and see if I can get it to the point where one could imagine licensing and insuring it. I’ll let you know how that goes. Unless the phone rings. Or the surf’s up.
NO PIPES
PARKING
WE WILL
TOW, BRO!
Thứ Năm, 20 tháng 9, 2012
My first bike. Almost.
I was at the Barrington Concours (outside Chicago) earlier this summer, and saw a bike that bore an amazing resemblance to my very first motorbike. It was a 1966 Sears Allstate 'Campus 50' made by Steyr-Daimler-Puch, in Austria. My bike, a Swiss-model Puch 'Condor' was very similar to this one, except that mine had slightly more primitive cycle parts (rigid rear end and trailing link front fork) and bicycle-style pedals. The frame and motor were identical.
This was the bike that I was riding as a 14 year-old in Switzerland, as described in this part of my book, Riding Man...
When I was a kid, my dad worked for a big international company. The company moved our family from Canada to Switzerland, so he could run their Geneva office. Our home was in Tannay, an agricultural village that looked down over orchards and vineyards to a big lake. Under Swiss law, at 14 I was allowed to ride a 50 cc moped. In surrounding countries, mopeds had three-speed transmissions, but in Switzerland, models sold to teenagers had the top gear removed from the box. Thus, in theory, they were limited to 30 kilometers an hour. Trust the Swiss to take the fun out of everything.
I counted down the days to my fourteenth birthday anyway. My parents bought me the Cadillac of mopeds: a Puch Condor. To start it, I pedaled it like a bicycle. The pedals came in handy for assisting the motor on steep hills, or when we were racing out of slow turns (though digging the inside pedal into the pavement at maximum lean was definitely to be avoided,)
All the kids I knew had similarly restricted bikes. Since every single time any other kid went faster was a serious personal insult, we endlessly attempted to eke out a little more power. One night, mulling over the possibilities of increased compression, we decided to skim our cylinder heads. Unencumbered by knowledge of milling machines, we cast about for a suitable tool. We found it in a neighbor’s basement: a belt sander. Not one of us waited to see if it worked for anyone else first. We’d have got better results skimming our own stupid heads. Over the next few nights, quite a few local mopeds (which were often left parked outside front gates, in the convenient shadows of stone walls and overgrown hedges) lost their heads.
At every gas station there was always a special premix pump for motorbikes only. We’d decide how much fuel we were going to buy, which was never much. We told the attendant how much fuel–and what percentage of premix oil–we wanted.
Knobs were set, and a handle was pulled down, sort of like the handle on an espresso machine. The customer was reassured to see a little spurt of oil sprayed onto the inner wall of the glass “fishbowl” on top of the pump. Then a second handle released the gasoline, which swirled in after the oil, dissolving it. It was a special mixture–different than buying gas for a car–that may as well have been a magic potion. All of us idiots concluded that by reducing the percentage of oil to two percent from the recommended three percent we could get one percent more gasoline, with a concomitant increase in horsepower.
Of course, nothing we did had any impact on performance at all, except to occasionally make it much worse. The top speed of every bike was determined by the luck of the draw, though since I was the smallest rider, I could pull taller gearing.
While the bikes were simple and rugged, we were awfully hard on them. We rode without helmets, so it’s amazing we didn’t kill ourselves, even at sorely restricted speeds. Low-siding on cow shit was a common excuse. Once, I took to the ditch at full speed when a tractor and trailer laden with 200 bushels of apples emerged from a hedgerow in front of me. Damage from such wipeouts had to be repaired at the local shop. If my bike would still roll, it was an easy push up the street from my house.
The mechanic’s shop was a two-bay garage, which along with a tiny beauty salon, made up the ground floor of a two-storey house. He worked on bicycles and mopeds; his wife was the beautician. In general, his customers were not spoiled foreign children; they were real Swiss–farmers, cops, shopkeepers and like, who relied on motorbikes for day-to-day transportation. The wives and girlfriends of those guys were the customers for the salon. All of them were xenophobes. Their treatment of foreigners usually ranged from outright scorn to something resembling the Amish concept of “shunning,” unless money was changing hands.
If I was pushing in the bike, or walking in to pick it up, I’d always make a little noise, sort of like throat clearing, to warn him of my arrival. He was an intimidating character for a 14-year-old to deal with. He was old; 60 or 70, tall and gaunt. Shaking his hand was like grabbing a bunch of walnuts. When he talked to me, he’d walk up to the sound of my voice, but stare straight out over my head. That was because cataracts had long since rendered him completely blind. His corneas were as opaque as a boiled trout’s.
He did everything by feel. Routine maintenance, stuff like fitting a new inner tube and tire, was absolutely no problem. Sighted mechanics could do that with their eyes closed too, maybe. But he rebuilt top ends, replaced brake shoes; stuff that utterly baffled me. A few hours a week, he had a sighted assistant that came in, but usually he was alone. When I went there, there was always some little thing he’d borrow my eyes for, like having me read the tiny numbers on a carb jet.
Occasionally, I’d stop by his shop just to fill up my tires. (The Condor came with a bicycle pump for the purpose, but you had to pump like a madman to overcome leakage in the pump itself. He had a pump powered by a foot treadle that allowed me to run the rock-hard tires I preferred for minimal rolling resistance.) When I asked if I could borrow his pump, he always sternly warned me to replace it exactly–exactly–where I’d found it.
Luckily for him, the bikes he worked on were all piston-port two-strokes. Their basic design hadn’t changed since the introduction of the NSU Quickly in about 1947. When my bike arrived at his shop for the first time, though, he was fascinated. Until then, most Swiss-market mopeds were sold with rigid front forks, like a bicycle. Mine had an inch or two of suspension travel, thanks to a bogus leading-link arrangement in which a little block of rubber served as both spring and damper. He spent a long time “looking” at it, stroking and probing the workings with his fingers, memorizing the arrangement of the parts. It was not long before he got the chance to repair those forks.
He had a name, of course, but we just called him “the blind man.” By the time I was old enough to get a moped, my family had lived in Switzerland for several years, and I spoke fluent French. Other foreign families came and went every year or two, so I occasionally introduced new customers to the blind man, and acted as a translator. Since his ability was so extraordinary, I sort of showed him off, I guess. He always took the work. He and his wife were making their living about five bucks at a time, so there was no turning away paying jobs.
Đăng ký:
Bài đăng (Atom)