Katlamara Multiplied : Seeds of Design in Tripura

Katlamara, Mantala, Sankhela and beyond: Seeds of Design sown in Tripura

Design for India: Prof M P Ranjan

NID and CFBI-NID team consisting of C S Susanth, Subroto Sarkar and Ranjit Debbarma with Prof M P Ranjan conducted a workshop in Bangalore for the IL&FS supported team of craftemen from Sankhala cluster between 17 & 30 September 2009. A new range of products were designed and introduced which the designers felt would be attractive for local markets in Agartala, hence the product range included a number of versions of the local favorite called “Alna” – a cloth rack that is ubiquitous in Eastern and Northeastern India, however these are always made from wood. However this time we decided to use a modular knock-down all bamboo chair as the vehicle for production training and through which the Katlamara and Sankhala craftmen could be introduced to quality control concepts from raw material to end product using good practices and a well designed workflow and management system. This training workshop was conducted from 18 May to 28th May 2009 and full size drawings of the chair design were distributed to both workshop participants as well as other entrepreneurs and craftsmen at Agartala, Nalchar and to the students at BCDI. The design strategy included elements of the micro-macro design approaches that we have been advocating over the years through the Centre for Bamboo Initiatives at NID to include detail design, product design, tool design, process design, brand building and the macro economic strategies of farm to market with many embedded links that makes the whole both complex and potentially viable in the face of multiple challenges in the area of design for rural development in India today. The IL&FS team is headed by Sharmishta Mohapatra who is supported by S Metoulebi at Agartala and Kirat Debbarma at Katlamara and Sankhela clusters.

Image01: What was a small farm over a couple of acres near Katlamara has now grown to cover 20 hectares of Kanakais bamboo located at Mantala about 5 km from Katlamara. The promise for growth of the bamboo products market gives the farmer in Manna Roy the courage to expand when all others around him are planting rubber. Only time will tell who will take the cake and eat it too.

“Good Design” – is like a fertile seed that is a product of human imagination and supported by deep convictions of experience from explorations that could be spread over the land to generate huge value for all stakeholders. Only when it is nurtured and cultivated does this seed generate value and produce a farm or a forest which is a manifestation of the seeds potency and this nascent value is quite invisible till it is eventually realised on the ground, a bit like the chicken and egg dilemma. This is why we as designers have to struggle to make our visions and convictions accessible and visible to politicians, administrators and industrialists – all those who need our services – and this will always be the case for good design. I believe this will be the case since these design actions are located at the leading edge of the future that we wish to build and these design intentions and the early actions that require support continue to remain invisible till these have sufficiently matured and manifested themselves in visible signs that are tangible and perceptible to onlookers. Even then many attributes and intentional relationships will remain invisible since these would need to be explained before they can be understood to be an outcome of our intentional thought and a product of the design process itself and not an inevitable happening.

Image02: This time, the ‘design seed’, is the newly designed bamboo arm chair that can be made from four major frames and two tie frames, all pinned together with pre-drilled bamboo dowels. No metal nails or screws here so all materials are from the rural farm and with the use of simple jigs and fixtures these frames can be drilled precisely for post-transport assembly at the point of use by the eventual buyer. This opens up the possibility for low complexity knock-down furniture that can be made locally and then shipped easily to all Indian destinations at a low cost. The designed seed that can transform the local economy and its inhabitants over the long term. Can we support and nurture this strategy?

In 1988 J L Naik and I had discussed this particular view of design as a concept for the proposed Eames Award Trophy and last month Naik gifted me a picture that he had taken of a seed that would be dispersed by wind with the fine fibres attached that can carry it far from the source tree in order to find fertile grounds in order to germinate at an appropriate time and climate. This is nature's strategy which works if sufficient seeds are produced that are viable and we too will need to work with those who appreciate our actions and wait for the climate to turn in order to realise our intentional missions. I am attaching below a picture that I had taken of Naik with his photo gift that I did use in a blog post earlier this month.

Image03: This design story is not about the chair but about the people who make and the bamboo products and they need to learn to do costing, learn the technology, and educate their children as well as make a reasonable living all at the same time. This is what the design schemes need to address in the face of all cards being stacked against the producers for so many years. Can the winds change and bring fresh perspectives to the remote land?

In Tripura this time we are trying to excite many producer groups in and around Katlamara where we started our major efforts several years ago with an outpouring of design offerings and this time Susanth and I are holding back our creative juices to make just one product in a systematic manner from raw material to end product using a well thought up process design through all the stages of production with the use of good practices that are articulated and captured in the form of jigs and fixtures which is the stress that we are making this time at the two centres of training in Tripura – Katlamara being one and the other a new centre of Sankhala, about 5 km from Katlamara. Both these groups are being placed in competition with each other, one at Katlamara with a wage compensation training scheme under the IL&FS programme and the other at Sankhela with piece rate offer only. The piece rate group at Sankhala seems to be more motivated, let us see how it develops as the year rolls forward from here.

Image04: Both groups cooperate to book a shared Jeep Taxi that transports ten craftsmen and fifteen new chairs from Katlamara and Sankhala to the rubberwood factory in Nagicherra to make use of their good quality spray painting facility. Lack of power and a compressor at both locations can be offset with a small investment in a micro-generator and a small compressor, all affordable if Government policy is swayed in that direction.

Like the metaphorical design seed that I have been talking about in the previous paragraphs I have been distributing full size drawings of the bamboo chair that I had designed specifically for production in rural settings using solid bamboo culms and poles of small diameter to many other potential producers – Sanjay Das from Nalchar, the other one is Bhola Nath Bhowmik of Agartala, son of the late Rathi Ranjan Bhowmik (who passed away recently) – Others who have shown interest are the Tripura Rubber Wood Development Corporation at Nagicherra near Agartala that is showing interest in development initiatives in bamboo cultivation and furniture production due to the interest of one of their senior techno-managers, Madhumita Nath whom we met at their factory. These chairs were showncased at NID at a number of exhibitions as well as in New Delhi at the Northeast Trade Fair and later in Germany at exhibitions in Berlin and Stuttgart through exhibitions organised by IFA. These experiences have given us the conviction that the market will accept these design offerings and we therefore have decided to transfer the designs to the field for use by our local craftsmen at Katlamara and Sankhela.

Image05: The closing exhibit was organized at the BCDI in Agartala much to the joy of the BCDI students and next day three collections were put up on show – The Bangalore Collection from the previous workshop, the Sankhala and Katlamara batch production of knock-down chairs and the new set of bamboo items from the rubberwood factory. The knock-down chairs were taken to the local courier bookong centres to get estimates for air shipment rates to Kolkatta, New Delhi, Bangalore and Ahmedabad. Will this supply chain get rooted and help a local forest grow? Only time will tell.

We hope to see all of them adopting the strategies that we are advocating at Katlamara. This one chair is the seed of a much larger strategy of getting good production systems in place that can be applied to all the designs that we have in our rapidly growing archive of design offerings. I am attaching a series of pictures that are selected thumbnails of the last few days, one picture from each day, take a look, and I will be using these to tell the story more fully on this blog later this month. The two groups have produced ten chairs each using the production jigs that were introduced to them and the results are very encouraging indeed. Today, exactly ten days after we introduced the new designs to the two groups we brought the chairs to the BCDI campus at Agartala for an informal exhibition of the products of both our workshops with the IL&FS team. The products that were developed at Bangalore during the workshop at IPIRTI and NID Bangalore as well as these new batch produced chairs were placed on display at the BCDI which is another link in our micro-macro design strategy being the educational component of the larger plan for the bamboo sector as a whole. The students of BCDI were excited and they represent the future of the craft in the days ahead. Local officials from the Tripura Government came by and the trainees too had a chance to interact with all the visitors in a stage of high expectation and finally the film crew from the NMBA interviewed me at the BCDI exhibit venue and I hope our message reaches the cloistered heights of the National Mission’s headquarters in New Delhi.

Download "Katlamara Chalo" poster 2MB pdf
Download IL&FS Bangalore_NID IPIRTI Workshop Report 5.1 MB pdf.
Download "Katlamara Chalo Book as pdf 46.5 MB size"
Design for India: Prof M P Ranjan

Katlamara Chalo: Seedlings of Wealth in Action

“Katlamara Chalo”: A call for design and political action using the “Seedlings of Wealth” strategy for rural development in India.

Prof M P Ranjan

Image 01: A collage of images from the field workshop in May 2005 at Katlamara in Tripura State. A cultivated field of Kanakais bamboo at Katlamara, one of over two hundred such fields in the area. Nomita Debbarma with the DDPJoint and Nomita with Bani Urang at the drill machine set up during training sessions in summer of 2005. Samir and Ranjit the master trainers who worked with the design team in the field.

We first visited Katlamara in 1986 while on a project for the Government of Tripura and on that visit Gajanan Upadhayay and I found that systematic plantation could indeed provide high quality material for new applications of great value. We collected a few poles of “Kanakais” – Bambusa affinis – and brought these back to NID where they stayed dormant for several years but they also excited all of us and stimulated students to explore concepts with the use of this strong and straight rod shaped material. This provided grounds for our further strategies with bamboo and in my Bali paper of 1995 I had proposed for the first time my evolving conception of the farm to industry model for rural development using bamboo as a material driver which I later elaborated as part of the UNDP National vision report called "From the Land to The People: Bamboo as a Sustainable Human Development Resource for India". The six stage model for development proposed then was accepted by the UNDP in 1999 and the major initiative of bamboo promotion was started in India with UN funding being channeled through the Office of the DC(Handicrafts). You can read more about these interventions from my website at these links below:
1. Katlamara Chalo! Lesson in Rural Development
2. Bamboo Initiatives at NID
3. All bamboo joinery strategy

Image 02: Seedlings of Wealth model that was proposed in 1995 at the Bali Conference was implemented at Katlamara and the book about the field work and design strategies are now available between the folds of this cover, in a 64 page book titled “Katlamara Chalo: A Design for Development Strategy” (see link below or download 46.5 mb pdf file here).

In this book we have shared the process of how the farm to market strategy was developed through the various stages and how these concepts provided us with the background and conviction that the sustainable use of bamboo could bring economic sustenance to the local village farmers as well as to local bamboo craftsmen and entrepreneurs who depend on their craft as a source of their livelihood. The various prototypes that were developed as well as the strategies adopted by the design team are described along with numerous illustrations of the examples and the work in progress as a documentation report. Between 2001 January and June of 2004 we had the additional task of building a new Institute at Agartala called the “Bamboo & Cane Development Institute” (BCDI, Agartala) where we innovated a curriculum structure that helped train 160 craftsmen in the five batches that were conducted using our new curriculum, all involving NID faculty and research teams as trainers and catalysts in this education experiment. You can read more about the BCDI experiment at these links below:
1. BCDI, Agartala: A new Curriculum for Rural Transformation – Links to papers
2. Achievements of the BCDI, Agartala – Link

Image 03: Sample pages from the “Katlamara Chalo” book – illustrated pages that introduce the strategy as well as show the products and the story so far. Since this project in 2005 we have extended the range of products as well as conducted additional training for craftsmen from adjacent village clusters as part of the Tripura Bamboo Mission initiatives.

Design at the strategic level is not well understood in India or for that matter in many other parts of the world and in most cases almost all of the development success is attributed to the good use of science and technology and of management and planning skills while contributions from design are all but ignored. This is also reflected in the scale and frequency with which science and technology efforts and research are funded by our governments and in India the science and technology sector draws several thousand times more funding for development initiatives and the case for the use design is only considered if one of us, faculty from the design Institutes, happens to be present at some critical government or planning board meeting and we speak out in support of using design as a development resource.

The furniture development using the Katlamara bamboo for the rural development strategy is just one leg of a multi-pronged, multi-location and multi-year design and development effort that we have been pursuing at the NID Centre for Bamboo Initiatives over the years. We are pursuing this to show an even larger story that design at the strategic level (as we understand it at NID) can be a great and powerful force that can transform India if it is used in the 230 sectors in which it is needed but unfortunately which is not yet understood when compared to the manner in which with science and technology and management is understood in India. Many industrialists and government officials in control of development funding still think that design is a cosmetic addition to technology but this is far from the truth although the design media (in India and across the world) still seem to focus on fashion and aesthetics aspects of design and this I call "page 3 design" and I wish to promote the strategic design initiatives in India across all the sectors of our economy.

You can see Katlamara explorations as well as the range of furniture developed in 2005 at this link below:
1. Katlamara furniture workshop 2005 – Links and pictures
2. Download “Katlamara Chalo” book as a 64 page pdf file 46.5 mb

Image 04: A collection of products developed as a follow-up to the Katlamara Chalo Workshop. The Dismantling and stackable tables, benches and storage racks are based on the component stackable configuration developed by Sandesh R using the Katlamara Bamboo Joint using the DDP strategy.

This is an ongoing engagement and after the project in 2005 we have had the occasion to revisit the project location as well as collaborate with a number of partners in furthering our objectives of providing development interventions using design strategies of product diversfication and matching these to local capabilities as well as aspirations. In recent times we have a major project with the Tripura Bamboo Mission where we helped develop a new collection of products that could sustain local markets and these were introduced to local craftsmen in an effort to seed local entrepreneurship based on local demand. This “local to local” strategy saw the design team focus on one product category called the “Alna” a local favorite, a clothes rack, which is found in every home in the region, but is rarely made in bamboo. I have reported about this collection in a recent post which can be seen at this link here.
1. Tripura Bamboo Mission workshop at Bangalore – Link
2. Bamfest show 2006 – Sandesh R and M P Ranjan collection – Link and pictures
3. Bamboo Initiatives products catalogue – Links and pictures

Download related papers, reports and books from here:

1. Ecology & Design: Lessons from the Bamboo Culture, Oita, 1991 – (202 kb pdf file)
2. Green Design & Bamboo Handicrafts: A scenario for action in the Asian Region, Bali, 1995 – (pdf 217 kb)
3. From the Land to the People: Bamboo as a Sustainable Human Development Resource, New Delhi, 1999 – (pdf 1.5 mb)
4. Rethinking Bamboo in 2000 AD (text file), Haikou, Hinan, 2000 – (90 kb pdf file)
5. Rethinking Bamboo in 2000 AD (visual presentation), Haikou , Hainan, 2000 – (8.7 mb pdf file)
6. BCDI: Feasibility Report, New Delhi, 2001 – (371 kb pdf file)
7. Achievements of NID-BCDI, Ahmedabad, 2004 – (21 kb pdf file)
8. Bamboo Initiatives Catalogue: Design Strategies from NID-BCDI, Ahmedabad, 2004 – (16.6 mb pdf file)
9. Traditional Wisdom: Bamboo & Cane Crafts of Northeastern India, New Delhi, 2004 – (34.7 mb pdf file)
10. Katlamara Chalo: A Design for Development Strategy – Design as a driver for the Indian Rural Economy, Ahmedabad, 2007 – (46.3 mb pdf file)
11. NID Bamboo History: A Slide Presentation – 1969 to 2009 – (22.4 mb pdf file)
12. UNDP Lawn Exhibition, New Delhi – February 2001 – (540 kb pdf file)

Prof M P Ranjan

CFBI-NID: Bamboo for Grassroots Development:

CFBI-NID: Bamboo for Grassroots Development:

CFBI-NID (Centre for Bamboo Initiatives at NID), Tripura Bamboo Mission initiatives: NID IPRITI IL&FS TBM – bamboo craftsman training initiative at Bangalore.

Prof. M P Ranjan

Image 01: Workshop commences at IPRITI, Bangalore with bamboo craftsmen from Tripura and NID designers with technical inputs from IPRITI scientists.

The National Institute of Design (NID) through its Centre for Bamboo Initiatives at NID (CFBI-NID) and the Infrastructure Leasing and Finance Services (IL&FS) entered into an agreement to develop and deliver a bamboo based small craft industry initiative as part of the overall mission objective of the Tripura Bamboo Mission (TBM) that is spearheaded by the Government of Tripura. The IL&FS has extended their technical, financial planning and manpower expertise in furthering the mission objectives of the TBM and they in turn have cooperated with the CFBI-NID to move the bamboo furniture and product design initiative through a project format that includes product design, craftsman training as well as field training that would help seed and incubate the new micro-enterprises in the State of Tripura.

Image 02: Stackable Café tables and benches, a local to local strategy offered by NID to kick-start local entrepreneurship in the Agartala region.

The NID had entered into a MOU with IPRITI, Bangalore earlier this year to cooperate in new initiatives in bamboo product development with a special focus on laminated bamboo and bamboo mat board applications in a number of fields. In mutual agreement with all the partners we decided to bring the project with the IL&FS to Bangalore since the NID Bangalore campus is located just opposite the IPRITi campus in Penea, just next to the large CMTI campus on the very busy Tumkur road. This proximity and an already agreed platform of cooperation opened a new window for bringing the IL&FS – TBM project to Bangalore campus where the faculty and students of the Design for Retail Experiences (DRE) discipline were keen to explore bamboo as a future material for eco-friendly retail environments.

Image 03: Rubber wood gussets and planks used to upgrade bamboo furniture form another leg of the NID design strategy to leverage the availability of this new material from local production facilities in Agartala.

IL&FS has identified nine master craftsmen from the Agartala region to partake in the CFBI-NID design development and training programme and along with these craftsmen an IL&FS supervisor was deputed to manage the day to day programmes with the NID Bangalore coordinator Divya Darshan and Joint Project Head and NID Faculty, C S Susanth from the NID Bangalore Centre. Prof M P Ranjan as Head of the Project stationed himself at Bangalore from 17th September to 30th September 2008 for the design development and training components of the project that is being handled under the management of the NID Outreach Department located in Ahmedabad while NID Bangalore handled all the local logistics and project support systems through Shashikala Satyamurthy and Centre Head S Goshal.

Image 04: The ubiquitous “Alna”, a local clothes rack, offered in new design configurations using rubber wood gussets to support the “Local to Local” design strategy advocated by NID.

Dr C N Pandey and his team were very supportive and provided the space in their well equipped Bamboo Development Centre for the conduct of the workshop as well as provided some key training inputs in bamboo treatment and finishes that was organized as associated demonstrations and lectures. The NID design team of Prof M P Ranjan and C S Susanth was joined by other members from NID Bangalore including Divya Darshan and Niju Dubey who participated in the design and training activities on a regular basis. Further, three NID students from Furniture design discipline joined the team as experimenters and occasional trainers and they too developed their own understanding of the new material through their association with the workshop, the results of which will be seen in the future, I am sure. Of these students, Garima Agrawal has chosen to take the bamboo project as her major diploma project and she will be taking this initiation and travel to the field to commence her research and study at Agartala in the near future.

Image 05: Exhibit of all new bamboo products developed at the design cum training workshop at IPRITI as shown at the NID Bangalore lawns for the closing function on 30 September 2008.

The design strategy outlined by the team this time looked at the building of products and systems that had a “Local to Local” character since the craftsmen while being very skilled at bamboo work were still to learn about being entrepreneurs and learn to manage a business enterprise on their own. The IL&FS and the NID design team are providing handholding and mentoring supports as part of the next stages of this project and in this the making of local products would bring a degree of self confidence to the crafts entrepreneurs since they could learn from direct experience and use their local knowledge to build their business experience. The major product category chosen for this strategy was the local “Alna” an ubiquitous clothes rack usually made in wood and found in every home in the Eastern Region of India as well as all over the Northeast of India. We therefore designed a wide range of “Alna” type products to demonstrate product diversification and the possibility of customization of a basic idea to generate variety. The other products included benches and tables that could be used in domestic situations as well as in local café’s across Agartala region, which by the way is a huge local market that is attracting many furniture makers from New Delhi and Mumbai. These are local opportunities that the Tripura craftsmen can learn to address in their process of learning a trade which they could then sharpen and refine to address more sophisticated markets in other cities in India as well as in the export sector, once their level of confidence has grown to manage these with comfort and quality.

Image 06: The closing function attended by Director IPRITI, Il&FS Managers, Coordinator Tripura Bamboo Mission, Centre Head NID Bangalore and Head, Centre for Bamboo Initiatives at NID and the design and craftsmen teams.

Another major design decision was the use of rubber wood in combination with bamboo for several of the products. In an earlier collection we had designed all bamboo furniture as part of our “Katlamara Chalo” strategy where the joints were made using round holes drilled with a flat-bottomed drill bit and secured with bamboo dowels and bamboo counter pins. This joint was used once again for all the bamboo pole joints and all bamboo components were kept straight without the use of any bending that is commonly associated with bamboo furniture. The rubber wood components were of two types, plates for surfaces and shaped gusset members for particular joints between bamboo frames. This way the bamboo craftsmen could obtain the rubber wood components from the new and growing rubber wood industry in Tripura and offer value to their customers with the added functionality of smooth surfaces and precise gusset joints that are also visually modern. This strategy had us seeking the help of Sandeep Mukherjee for the precise manufacture of the gusset components, drawings for which were prepared on cad software by Niju Dubey. Several ranges of “Alna” were developed using these special gussets and as we go forward we anticipate an enlargement of the range with the addition of new components as dictated by the design scheme and the functionality required. The Tripura craft scene is now sufficiently sophisticated to accommodate this shift to outsourced components as they develop their marketing strategy in the days ahead and this would also help them fetch a better price in the market and provide value to the customer who is being exposed to many imported products of high quality.

Image 07: The new “Alna” and other products at the lawn exhibit at NID Bangalore for the closing function.

The training programme culminated in the production of several new designs that aligned to the product strategy proposed by the NID team and at a concluding function at NID Bangalore on 30 September 2008 we conducted an exhibition of all the products at NID Bangalore which was visited by George Jenner, Chief Coordinator of the Tripura Bamboo Mission, Sharmishta Mohapatra, Senior Manager and Advisor – Trade Facilitation, IL&FS, New Delhi, Dr C N Pande, Director IPRITI, Dr S Goshal, Centre Head, NID, Bangalore and all the crtafts trainees and the NID design team with the students of the NID Bangalore and they were hosted by Prof M P Ranjan, Head, Centre for Bamboo Initiatives at NID. At the concluding function the dignitaries spoke to the audience about bamboo and its role in the future as well as the strategies of the Tripura Bamboo Mission and the plans and activities in the coming years. These provided new opportunities for all partners to use their skills and knowledge for the development of the bamboo sector in Tripura and in the process bring overall development to Tripura State, particularly in the rural areas that have been deprived of industrial development over the years. Plans and now afoot to send our teams to Tripura for the next phase of the project that includes the setting up of micro production units with the use of an appropriate set of hand held power tools and the hand-holding supports from the IL&FS teams in finance and marketing support in the field. NID designers will work closely with these craftsmen to realize the objective of getting these new products to market and in the process establish the confidence levels of the crafts entrepreneur as well as help maintain quality of production with the use of simple manufacturing strategies that are embedded in the design programme.

Prof. M P Ranjan

Centre for Bamboo Initiatives at NID (CFBI-NID): News in 2008

Centre for Bamboo Initiatives at NID (CFBI-NID)

A brief report for Academic Year 2007 to 2008

1. Bamboo & Cane Development Institute:

Governing Council meets at Agartala in June 2007 and March 2008. Prof. M P Ranjan attended the Governing Council meet of the BCDI at Agartala in June 2007. The Institute that was set on a new curriculum and infrastructure plan is now being managed by the Office of the DC (Handicrafts) Government of India. :more about the design intentions:

Download BCDI Reports listed below:
1. Achievement Report 2004: NID-BCDI – pdf file 21 kb
2: BCDI Feasibility Report December 2001 – pdf file 371 kb
3. BCDI Curriculum 2002 - 2004 – pdf file 3.9 mb
4. BCDI Curriculum Review 2004 – pdf file 3.0 mb

2 Bamboo Products Exhibition in Germany:

The Ifa-Gallerie in Stuttgart, Germany hosted an exhibition of selected Interior Designers from India as part of their “In Site –Indian” exhibition where five bamboo prototypes representing five collections of designs developed by the NID teams were on display for two months. The exhibit moved to the Ifa-Gallerie in Berlin before being returned to India in October 2007. :more about the Exhibit:

3 Tripura Bamboo Mission:

Prof M P Ranjan continued as advisor to the Tripura Bamboo Mission (TBM) through the year and visited Tripura in June and December to attend the meetings of the Tripura Bamboo Mission that is being managed by the State Government with the aim of reaching bamboo based development strategies to remote districts of Tripura. :more about TBM:

See the Katlamara Chalo website links here and download "Katlamara Chalo Documantation: Rural Development Strategy Report" as three part file below:
1. Katlamara Chalo: Background and Macro-Micro Design Strategy – 12.3 mb pdf file
2. Katlamara Chalo: Product and Technology Strategy – 15.6 mb pdf file
3. Katlamara Chalo: People and Application Strategy – 18.8 mb pdf file

4 IL&FS collaboration under the Tripura Bamboo Mission

In December 2007 CFBI-NID signed a “Statement of Intent” to assist the IL&FS and the Tripura Bamboo Mission by providing design supports and expertise in a collaborative mode. This SOU was signed in the presence of the Chief Minister of Tripura and follow-up meetings have taken place in New Delhi and Ahmedabad based on which NID Outreach Department has submitted a detailed proposal for a training cum entrepreneurship development project that is based on the CFBI-NID collection of designs as well as new student diploma projects that would be taken up in the current academic year. The project will commence in May 2008.:more about IL&FS projects:

5 CBTC, Guwahati MOU operation:

Due to lack of funds the MOU with the CBTC, Guwahati is lying dormant during the academic year 2007 – 2008. In the previous year CFBI-NID had participated in a National Exhibition at the Pragati Maidan as well as contributed to the Bamtech Conference and Festival organized by the CBTC in Agartala in December 2006 as part of this ongoing MOU. Discussions have been initiated with the National Bamboo Mission to obtain funds to set up a design centre in Guwahati in partnership with the CBTC and wit the support of the NEC, Shillong.:more about the CBTC, Guwahati:

6 Collaborative projects with IPIRTI, Bangalore:

Prof M P Ranjan had meetings with scientists and the Director of IPIRTI, Bangalore to explore collaborative projects in areas of mutual interest in the bamboo sector. The IPIRTI is located next to the NID Bangalore Centre and the Bangalore Centre faculty too has shown interest in exploring the application of bamboo mat boards and laminates in the Retail Sector as an eco-friendly substitute to wood and wood based materials. Further the area of low-cost housing is another area of focus where the collaboration could provide synergy between NID design expertise and IPIRTI technology expertise. IPIRTI has excellent facilities for prototype making which would be an asset that NID students and faculty can use as part of the collaboration that is proposed. Project proposals have been discussed and are in the process of being finalized.:more about NID IPRITI initiatives:

7 Training programmes and resources for crafts entrepreneurs:

A number of training programmes for various groups of crafts entrepreneurs has been organized by the Outreach programmes at NID under the ICIC activity centre using the design collections that have been developed by the CFBI-NID activities. These can be given an impetus to reach further through publications and web based sharing, which is being explored during the current academic year.:more about NID Bamboo Intiatives:

8 Bamboo based co-creation initiatives in South Gujarat:

The State Government of Gujarat has shown interest in using expertise in a number of development projects in South Gujarat. Prof M P Ranjan attended a number of meetings of the Gujarat Bamboo Mission as well as held discussions with the State Tribal Development Department and an NGO called Eklavya Foundation to leverage NID design and bamboo expertise for development initiatives in South Gujarat. Proposals are being developed with the Outreach activity to get student involvement in these proposed projects. State Government is interested in setting up new Institute for rural development in South Gujarat, which would be part of the ongoing discussions with the partner agencies to initiate sustained development.:more about bamboo and rural development:

Download UNDP Vision Report 1999 from link below:
From the Land to the People: Bamboo as a Sustainable Human Development Resource – pdf file 1.5 mb

9 Collaboration with other States and with other agencies and future projects:

The CFBI-NID continued to receive requests for information and expert supports for a variety of initiatives being carried out by other States as well as Institutions at various times. We have shared digital resources and publications to seed the continued research activity across various regions of India and this collaboration although it does not bring in immediate financial gains it has generated a lot of goodwill and opened up opportunities for future collaboration. In this effort we are in touch with the activities in Uttaranchal (Uttarakhand), Karnataka, Kerala and Orissa. Several schools of architecture have shown interest in sending their students for field training and research which will further the larger goal of bamboo based development in India.:more about bamboo initiatives at NID:

10 Publications: Books, CD and Web based resources for development of bamboo sector in India:

The CFBI-NID has plans to create and produce a number of print as well as digital resources that will help disseminate the vast design resources that have been generated by the various teams of faculty and students as part of the broader development agenda of the bamboo sector which is a very critical rural development as well as employment potential activity for rural and urban crafts communities. The research effort that started in 1978-79 that resulted in the publication of the comprehensive book titled "Bamboo & Cane Crafts of Northeast India" has been followed up with numerous reports and design catalogues that were made available as CD-ROMs and digital files online. Download the book in pdf 34.7 mb here. These proposed publications will help fast track the flow of critical knowledge resources for the development of the bamboo sector as well as act as an example of how the use of design can facilitate sustained development in other sectors by example. We will be exploring the sourcing of funds to support this activity in the current academic year.:download bamboo and design papers from this site...more to come:

Poverty and Design Explored: Context India

Image: Dr Sam Wong speaking to students at NID in the DCC class about design for sustainable development

Poverty and Design Explored: Context India
Last week we had a couple of visitors to NID, both looking at the macro issues of design and development as well as how we at NID looked at these same issues from our perspective of many years of experience of using design for situations that addressed rural poverty and design policy at the national level. Dr. Sam Wong from the School of Earth and Environment who asked us a question about our methodology for village intervention with design for sustainable living. Dr. Wong is on his way to Rajasthan to conduct a first hand study of development opportunities in rural areas and to look at the various roles for design in that process. This gave me an opportunity to reflect on the various projects done at NID over the years from the Jawaja project, through the Chennapatna toy project to numerous textile design projects such as the Dhamadka Block Print project and more recently to our “Katlamara Chalo” project that integrates bamboo cultivation with product manufacturing as a means to alleviate rural poverty using local skills, resources and local enthusiasm as the primary resource. In my reflections we were able to discuss and build a more generalized sketch model (shown above) that explained the process leading to the selection of the village through research and the building of an understanding of the context from which a number of design opportunities are identified and modeled before they are taken through a participatory development process that used the local strengths and resources in a sustainable manner, all with a design strategy layered with design thinking and action that is aimed at creating the product innovations and business models that could bring self reliance and sustained development to that particular situation. This process has been repeated many times by our students and faculty teams at hundreds of village centres across that country in numerous crafts pockets with a great deal of success. Unfortunately not many of these projects have been published although they are all live examples of success of such design interventions in the field in a very complex social and economic milieu that makes up the India village situation.

Image: Gisele Raulik and Darragh Murphy speaking to NID students in the DCC class about National Design Policies and their research in India and elsewhere.
The second visitor was Gisele Raulik Murphy, a design researcher from the SEEdesign Programme of Design Wales at Cardiff who is visiting India to examine the contours of the Indian National Design Policy and compare it to those of Finland, Brazil and South Korea. Gisele and her designer husband, Darragh Murphy, had an occasion to talk to my students in the DCC Foundation class about design policy, design promotion and design support programmes in many countries that they are researching just now. Gisele had invited me to the conference that she had helped organize on Design Support that was conducted by Design Wales in 2004. My paper on the status of design business in India can be downloaded from this link here. (conference paper 39kb pdf and visual presentation 573kb pdf) Her current visit to NID and India gave me the opportunity to share our thoughts and ideas about design policy and on my personal views about its larger role in India. I am eager to see her interactions with Indian designers and design administrators compiled and discussed in her forthcoming report and to review her insights through her extended study of a comparative analysis of numerous design policies across the world.

The way economists use the term planning today it seems that they do not take into account the various processes that we consider to be at the core of design as explained above, particularly, that of the core design ability of visualization through which design intentions are made visible to all stakeholders before the matter is taken up for sustained implementation with zeal and local participation. The economists prefer to use statistical and mathematically modeled projections and verbal constructs which do not touch upon the core areas of realisable innovations and this is an area that I think that design can help in bringing about a better understanding of even statistics itself. The work of people like Richard Saul Wurman and others in the field of information architecture and data visualisation have touched upon this use of a specific design ability to make visible, structures and forms of processes, situations and happenings, all explored in many complex manifestations. There are many other areas that design can be used in the planning and decision process of governments and industry where it is not used today and this is very evident to me each time i look at the work of our Indian Planning Commission and its publications. These bodies are filled with economists but at many times they seem to have very little faith in imagination and the creation of new and innovative offerings that the situation really affords, at least in my mind this is true. I do believe that these are not adequately addressed due to lack of understanding of what design can do in such situations by being a part of the process from the inside and designers too have not taken on the task of making all these possibilities visible by their own work due to lack of involvement, engagement and of funding at one end and stark apathy at the other. Many designers have taken the easy path of doing what they are told to do by their corporate masters who use their skills to slick up annual reports or company brochures.

I do feel that we need to raise this debate and explore the various roles of design and its potential application that is today ignored by design education and practice alike, including my own school, and we may need to raise that debate at a global level so that a new sense of commitment is brought into the use of design in areas far outside industry and business, and that is one of my objectives in setting up this 'Design for India" blog in order to create a platform from which I can share my thoughts on the possibilities that I see. I also find the peer review system of the research publications as not so perfect although it does work wonders for science analysis and knowledge creation but it may be extremely defective for design demonstration since the idea of “design opportunity”, a very specific term, as a combination of perception and imagination, excludes the viewer or reader from "seeing" the imagination part of the designers statement and therefore it compels the designer to take the idea far down the visualisation path before it can even dawn on others that the idea is truly credible. This means that we may need to create a platform or even many platforms for design incubation and development that can be accessible to many across numerous areas of application and need and these kinds of platforms just do not exist in India today, or if it does, it is dominated by administrative controls that stifle innovation and exploration which is critically needed to make the demonstration. Even at NID, our policies for faculty research and action are very restrictive and the sanction mechanism through administration is very stifling indeed. Some of us have had to battle hard to achieve a small degree of autonomy of action and this is not a good climate for addressing these complex problems which surround us here in India in an effective manner.

Jeffrey Sachs, author of “The End of Poverty: How we can make it happen in our lifetime” and Director of The Earth Institute, is an economist and a respected guide of many International programmes but I fail to see any signs of his deep understanding of design and innovation as we understand it today and here we, as designers and design teachers, have the task of educating our economists and the United Nations and World Bank statesmen, about the possibilities of design use just as the science community has managed to do over the past few hundred years of demonstration and application, their message to the world. This is where I feel the design policy of nations need to be directed to look at areas of real value and I am trying to get the attention of the Government of India to this possibility and to its potential in India and thanks to the internet we can make these statements directly today through our blogs (if managed properly) and I am aware that these have an impact, almost as much as any message in a peer reviewed journal such as the Design Issues or some other such respected platform with a claim of being scientific, but the challenge and problem is located in how we can get the people who need to listen to this to come to the table when the dominating theme in India and the world over is still science and technology and also management top a large extent, while design is not at all a part of that agenda at the level of discourse at the policy level in our nation. Most people, including Sachs, seem to believe that giving “development aid” is the way forward to poverty eradication and the whole aspect of building self reliance is often underplayed or even forgotten altogether. Many NGO’s turn out to be self serving agencies where the dependencies that are built between the donor and the recipient gives the donor a life long kick that they are doing some good in the world as good samaritans while they are in actually serving themselves and their ego needs. It is here that Ravi Matthai’s advise that the interveners must be completely dispensible in the process of building self reliant communities becomes relevant as he had advocated when we entered the Jawaja Project in the early 70’s.

IFA exhibitions in Stuttgart and Berlin: NID’s Bamboo Initiatives and Design from India on show in Germany.

It is exciting to see design work on show as models, prototypes and installations – and particularly thrilling when Indian design is being appreciated and showcased in far away Germany. Bamboo products from the NID Centre for Bamboo Initiatives are now being shown at the IFA Gallery in Stuttgart and later next month at their Gallery in Berlin. See the links to their website at this place below:
IFA Gallery, Germany

The National Institute of Design was invited to show bamboo furniture that was developed as part of the ongoing projects and research activities at the Centre for Bamboo Initiatives at NID (CFBI–NID) in their effort to position bamboo as a sustainable material of the future. The examples shown are drawn from a number of projects that were handled at the Institute by me and my colleagues, students and other partners in the field, especially our craftsmen and trainees from the BCDI, Agartala and elsewhere. These individual products may be seen as the tip of the ice berg, since each of these just represent a trace of a fairly large collection of products and design strategies tailored for specific contexts in India which have been developed in each of the initiatives that they represent. While some things about the design can be seen and touched there are numerous intangible aspects that can only be appreciated when they are seen in the context for which they were created. A full description of the strategies and the individual products as well as comments about the species of bamboo used in each exploration can be found in the writings and documentations that have been published from NID and the CFBI–NID in the form of books and CD ROMs that are available from the Institute. Several of these reports as well as product descriptions and photographs can be downloaded from my website at the Bamboo Initiatives links below:

Bamboo Initiatives
Beyond Grassroots
Bamboo Boards and Beyond
Katlamara Chalo
BCDI, Agartala

I will be discussing more about these Bamboo Initiatives on this blog in the days ahead and share how we have been using design as a vehicle to concretize our intentions of bringing development initiatives to communities and situations in India particularly for rural communities that are in need of some catalyst that can help them fend for themselves in a rapidly changing world that is increasingly globalised and in a manner that is both dignified and satisfying for them in many ways. That these aspects of design are not tangible in the exhibits is both a problem and a challenge for the design initiative and it would be appropriate for us to remember here that Germany is the home of both the Bauhaus (1919 – 1936) and the Hfg Ulm (1950 – 1968), both great design schools, nay great design movements, that showed the world the power and subtlety of design – from shaping form to structure, and from the creation of meaning and beyond – at one level a play of aesthetics and technology, at another economy and style and at yet another politics and philosophy and about the shaping and manifestations of a vision or intention – the shaping of culture itself.

The bamboo products are part of a larger showing that covers the Interior Design talents from India as part of an exhibit titled

in site
Interior Design in India

ifa Gallery Stuttgart: June 15th – August 12th, 2007
opening: June 14th, 2007
Charlottenplatz 17, 70173 Stuttgart, Germany

ifa Gallery Berlin:
August 24th – October 21st, 2007
opening: August 23rd, 2007
Linienstrasse 139/140, 10115 Berlin, Germany

Talking about the theme of the exhibition and of Interior Design from India, the organizers have this to say on their website and publication which accompanies the event –

“Young Indian interior designers use steel, stone, glass, wood, plastic and silk fabrics when creating homes and offices, bars and restaurants, hotels and shops. They combine high tech with craft artistry, Indian tradition with a modern, international lifestyle; they create spaces that unfold sensual qualities that go well beyond any Bollywood clichés.”

The exhibition presents examples of this in the form of work by the following designers and teams:
Canna Patel and Parul Zaveri/ Nimish Patel from Ahmedabad
Samira Rathod, Rajiv Saini and Shilpa Gore-Shah/Pinkish Shah from Mumbai and
Lotus Design Services from New Delhi (Ambrish Arora, Sidhartha Talwar, Ankur Choksi and Arun Kullu).
The Indian Institute of Interior Designers (IIID)
Their work and descriptions can be seen at the web links shown above.

The National Institute of Design show of bamboo furniture is but one part of this larger show in the exhibition. Our products are shown below with a brief caption about the product as well as the context for which they were created. each of these projects helped create many new products as well as train numerous students and craftspersons in the field. These experiences will be reflected upon in future posts.


1. Cube Stool: Designed to be made through mechanized splitting at Common Facility Centres (CFC’s) and later hand fabricated in several small scale production units located in the surrounding villages of Northeast India.
Designer: M P Ranjan.
Sponsor: DC (Handicrafts), Govt of India


2. Laminated Chair: Designed as part of the Bamboo Boards and Beyond project as well as the Systems design class at NID it is part of a collection of products that were used to demonstrate the future potential of laminated bamboo as a timber substitute for India.
Student designer: Mann Singh. Faculty Guide: M P Ranjan.
Sponsor: APCTT and UNDP, New Delhi


3. Rocking Horse: Designed specifically for production with local bamboo (Dendrocalamus strictus or Bambusa affinis) and local skills using very limited set of traditional tools and very low investments and the product also has to be easy to sell locally and use no metal hardware so that local craftsmen can easily become entrepreneurs rather than remain as wage labour. We could call this a “poverty buster” type of product due to its self-help character. (My father started his tiny toy factory in Madras in 1942 with almost no capital by making wooden rocking horses and grew it into a big business before his passing away in 1988 – this was a source of inspiration for this product – however that is another story)
Designers: G Upadhayay and M P Ranjan.
Sponsors: State Govt of Madhya Pradesh, Bhopal and the BCDI, Agartala


4. Katlamara String Chair and Arm Chair: Designed to be made using the simple joint that can be made using a drill machine and a saw as well as in a knock-down construction for easy transport to local and upcountry markets it is part of a strategy to build local entrepreneurship in a village that grows bamboo.
Designer: M P Ranjan.
Sponsors: DC (Handicrafts) Govt of India, Northeastern Council, Shillong and the CBTC, Guwahati.