Cappellini, Wooden Chair 
Marc Newson, 1992

Small armchair manufactured in bent natural beech heartwood.

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www.cappellini.it

Bla Station, B2
Borge Lindau, 1986

Pall B2 is a barstools in birch and steel. B2 is a family of three; B2-47, B2-65, B2-82. Legs in stainless or lacquered steel. Seat rim and seat centre in compression moulded layer-glued birch ply. Seat centre can be leather covered. Chromed steel underframe available for projects.

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www.blastation.com

Dietiker, Genio Lounge Chair

Greutmann Bolzern, 2004

Frame in chrome-plated steel tube, armrests with black rubber sleeve. The seat and back subconstruction is made of wood plates, covered by several layers of foam and fabric. 57 x 66 x H 79 cm

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www.dietiker.com

Arketipo, Zen

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www.arketipo.com

spHaus, Black Betty Chair
Fillippo Dell'Orto, 2003

Chair with steel legs and hard polyurethane shell, lacquered with scratchproof embossed paint in the same colour (red, black or white). Seat upholstered and covered with fabrics and leathers in catalogue.

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www.sphaus.com

Bla Station, Chair 69
Fredrik Mattson, 2005

Chair 69 is a stackable and linkable chair with seat shell of compression moulded wood. Chair 69 is suitable for a variety of interiors, for example auditoriums, meeting-rooms, canteens and libraries. Chair 69 is also available with armrests, Chair 69A. Use our designtool to choose the design of your own Chair 69.

Chair 69 is constructed, manufactured and assembled in a unique design without screws, welding or unnecessary straps – a problem solved with logic and mathematics.

Chair 69 in oak is eco-labelled with the Nordic Swan. In 2007 Chair 69 was awarded with the red dot design award: product design.

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www.blastation.com

Thonet, S 40 F
Mart Stam, 1998

Cantilever chair, seat and back of solid iroko slats. Tubular stainless steel frame.

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www.thonet.de

BB Italia, Metropolitan chair ME 48

Jeffrey Bernett, 2003

Metropolitan simplicity is the result of a balanced relationship between the shape of the seat and the form of a frame in nickeled or graphite varnished metal. A small rotating armchair mounted on a central base in bright brushed aluminium follows the same continuous sign of the seat and armrests.

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www.bebitalia.it

Fritz Hansen, PK 8

Poul Kjarholm, 1978

The design is from 1978 and until 2007 it only existed as a drawing and as a prototype in Hanne Kjarholm's home.

The beautiful, organic shell is known from PK9 – the 3-legged aluminium base, however, is unique.

The chair was originally upholstered with leather, inspired by PK9, but it’s now made in a hard plastic material. The seat shell is dyed hard plastic material with a lacquer coating.

PK8 comes in black, white, grey and red. Base and shell are assembled with three screws that are visible on the seat shell. Each chair is provided with a unique number engraved in the base.

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www.fritzhansen.com

Fritz Hansen, PK 9

Poul Kjarholm, 1960

The seat shell of the chair is of pressure moulded, fibre-reinforced polyester. The shell is covered with leather which is glued onto the back while being loosed on the front side, which enhances the sitting comfort. The legs are of stainless spring steel, matt polished by hand.

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www.fritzhansen.com

Thonet, S 40

Mart Stam, 1998

Cantilever chair, seat and back of solid iroko slats. Tubular stainless steel frame.

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www.thonet.de

LigneRoset, Sala

Pascal Mourgue, 2003

An elegant chair on graceful ‘sleigh’ feet. The flexible back of the seat shell guarantees maximum comfort. Brilliant-chromed tubular steel frame. Cover may be removed for dry cleaning.

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www.ligne-roset.com

Ligne Roset, Mini Dada

Claudio Colucci, 2009

40 x 58 x H 59 cm

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www.ligne-roset.com

Dune, Defender

Michael Solis, 2000

Ottoman upholstered with poly-urethane foam over M.D.F. Satin nickel plated chrome base. Multiple units can create endless configurations.

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www.dune-ny.com

Vitra, Ply-Chair

Jasper Morrison, 1989

"The main reason why Ply-Chair looks the way it does today is that I had to make it myself and the only tools available to me were an electric compass saw and a number of pieces of wood. I noticed a cushioning effect when I used only a thin sheet of plywood for the seat and bent the crossed strips underneath it. To a certain extent this compensated for the chair's other less comfortable qualities." (Jasper Morrison)

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www.vitra.com

Vitra, Amoebe

Verner Panton, 1970 (Reedition 2004)

The Amoebe was originally dreamed up for Panton's famous Visiona installation. It is a marvellous example of close-to-the-floor lounge furniture and embodies the spirit of the early 1970s. In bright colours, the re-edition delivers even greater comfort thanks to its flexible backrest shell.

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www.vitra.com

Landscape, BB Italia

Jeffrey Bernett, 2001

A suspended structure placed on a nickeled or graphite varnished metal base creates the minimalist design which provides the Landscape chaise longue with its decidedly light appearance. Thanks to its magnet, the headrest can be fixed into the best position for having an afternoon rest, reading the newspaper or relaxing in front of the TV, as desired. Upholstered in felt or leather, sewn into segments, Landscape features seams around the edges to accentuate its design.

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www.bebitalia.it

Shadow, Cappellini

Christian Ghion, 2001

Chaise longue with metal structure and moulded polyurethane foam, fixed cover in fabrics and leathers of the collection. Satined stainless steel base.

Download 3D model from Depositfiles

www.cappellini.it

Vitra, 06

Maarten Van Severen, 2005

Revealing the same lack of compromise with regard to shape as the .05, the great comfort of the .06 becomes apparent only when it is used. The flexible integrated foam seat and back shell, with foam-coated compound springs in the back, provide a sensation of dynamic seating. The stainless steel tubular frame means the chair is ideally suited for outdoor use.

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www.vitra.com

Vitra, Stool

Charles Eames and Ray Eames, 1960

In 1960 the Eames office was commissioned by Time Inc. to fit out three lobbies in the Rockefeller Center in New York. As well as complete interior fixtures and fittings the project included the comfortable Lobby Chairs and a series of solid walnut stools. These turned stools which (as Ray Eames originally intended) can also be used as occasional tables, have three different design details in their centre sections. 

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www.vitra.com